The International Monthly, Volume 3, No. 1, April, 1851. Various

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3

Nell's "town-house" was in Pall Mall. Pennant says, "it was the first good one on the left hand of St. James's Square, as we enter from Pall Mall. The back room on the second floor was (within memory) entirely of looking-glass, as was said to have been the ceiling. Over the chimney was her picture, and that of her sister was in a third room." At this house she died in 1691, and was pompously interred in the parish of St. Martin's-in-the-Fields, leaving that parish a handsome sum yearly, that every Thursday evening there should be six men employed for the space of one hour in ringing, for which they were to have a roasted shoulder of mutton and ten shillings for beer.

4

Pepys was Secretary to the Admiralty, and it was he who published, from the king's dictation, the minute and interesting account of his escape from the Battle of Worcester, and adventures a Boscobel, and in the "Royal Oak." He kept a very minute and amusing diary, in which he neglected not to enter the most trivial matters, even the purchase of a new wig, or a new riband for his wife. This very littleness of detail has made his Memoirs the most extraordinary picture we possess of the times. He appears to have been a coarse but shrewd man, and fully alive to the faults of his master.

5

Previous to the restoration of Charles II., the park of St. James's appears to have attracted little attention, and to have been left to the guidance of nature alone. Charles seems to have had Versailles in view when he laid it out from Le Notre's design. A long straight canal was formed in its centre from a square pond which existed at its foot near the Horse Guards. Rows of elm and lime trees were planted on each side of it, an aviary was formed in that place still called the "Bird Cage Walk;" and in the large space between this walk and the canal, and nearest the Abbey, an extensive decoy for wild fowl was constructed, popularly termed "Duck Island," and of which the famous St. Evremond was appointed a salaried governor. Charles, who was exceedingly fond of walking, and who tired out many a courtier who tried to keep up with his quick pace, was continually seen here amusing himself with the birds, playing with the dogs, or feeding the ducks. On the opposite side of the canal, three broad walks were constructed and shaded with trees, one for coaches, the other for walking, and the central one for the game of "Pall Mall," an athletic exercise of which the king and the gentlemen of the day were fond. The game consisted in driving a ball through a ring at the extremity of the walk, which had a narrow border of wood on each side of it to keep the ball within bounds. The floor of this portion of the park was made of mixed earth, covered with sea-sand and powdered shells as at Versailles. The park was much secluded, except on this side, which was that only accessible to the public in general. There, Spring Gardens, with its bowling-greens and gaming-tables, seduced the idle and dissipated, until the Mulberry Garden (which stood on the site of Carlton Gardens) put forth its attractions; and which, as Evelyn says, became "the only place of refreshment about the town for persons of the best quality to be exceedingly cheated at." The plays of the period abound with intrigue and adventure carried on at both places. The Mall ceased to be the resort of royalty at the death of Charles, but it continued to be the fashionable promenade until the close of the last century.

6

The house at Sandy End has been altered within the last few years. The characteristic gables of the roof, which so well marked its age, and display the taste of the period when it was constructed, are removed, and the house is so much modernized as to lose the greater part of its interest, and at first sight induce a doubt of its antiquity. The extensive gardens still remain, and some very old houses beside it, with a characteristic old wall bounding the King's road, inclosing some venerable walnut trees. Three years ago, a pretty view of these old houses, with Nell's in the back-ground, might have been obtained from the adjacent bridge over the brook: but now a large public house, "the Nell Gwynne," obstructs the view, a row of small "Nell Gwynne cottages" effectually block the path, and the primitive character of the scene has passed away for ever.

7

In the History of Costume in England, by the author of these notes, it has been remarked that the freedom and looseness, as well as ease and elegance of female costume at this period is to be attributed to the taste of Sir Peter Lely, rather than to that exhibited by the Beauties of Charles's court. "It was to his taste, as it was to that of a later artist, Sir Joshua Reynolds, that we are indebted for the freedom which characterized their treatment of the rigid and somewhat ungraceful costumes before them." Walpole, in his "Anecdotes of Painting," says, "Lely supplied the want of taste with clinquant; his nymphs trail fringes, and embroidery, through meadows and purling streams. Vandyke's habits are those of the times; Lely's, a sort of fantastic night-gown fastened with a single pin." Lely's ladies are not unfrequently en masque, and are habited in the conventional dresses adopted for goddesses in the court of Versailles.

8

Nell appears to have first fixed the attention of the King by appearing at the King's Theatre in an Epilogue written for her by Dryden; who, taking a pique at the rival theatre, when Nokes, the famous comedian, had appeared in a hat of large proportions, which mightily delighted the silly and volatile frequenters of the place, brought forward Nell in a hat as large as a coach-wheel, which gave her short figure so grotesque an air, that the very actors laughed outright and the whole theatre was in convulsions of merriment. His Majesty was nearly suffocated by the excess of his delight; and the naïve manner of the actress, her wit, archness, and beauty, received additional zest by the extravagance of "the broad-brimmed hat and waist-belt" in which Dryden had attired her, and which fixed her permanently in the memory of "the merry Monarch."

9

"Improvement" has extended far beyond Old Brompton. The little wooden house of the old rat-catcher has been swept away, and he is obliged to locate himself and his live stock in some back lane, where none but his friends can find him; and as he is disastrously poor, their number is very limited.

10

Then vicar of St. Martin's, and afterwards Archbishop of Canterbury. In that sermon he enlarged upon her benevolent qualities, her sincere penitence, and exemplary end. When, says Mrs. Jameson, this was afterwards mentioned to Queen Mary, in the hope that it would injure him in her estimation, and be a bar to his preferment, "And what then?" answered she, hastily. "I have heard as much; it is a sign that the poor unfortunate woman died penitent; for, if I can read a man's heart through his looks, had she not made a pious and Christian end, the Doctor would never have been induced to speak well of her."

11

We have much yet to do for a class whom it is a shame to name, and that much must be done by women—by women, themselves sans tache, sans reproche. It is not enough that we repeat our Saviour's words, "Go and sin no more:" we must give the sinner a refuge to go to. Asylums calculated to receive such ought to be more sufficiently provided in England. One lady, as eminent for her rare mental powers as for her charity and great wealth, is now trying an experiment that does her infinite honor; she has set a noble example to others who are rich and ought to be considerate; safe in her high character, her self-respect, and her virgin purity, she has provided shelter for many "erring sisters,"—in mercy beguiling

Of all her numerous charities, this is the truest and best; like the fair Sabrina she has heard and answered the prayers of those who seek protection from the most terrible of all dangers—