The Atlantic Monthly, Volume 14, No. 85, November, 1864. Various

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      To-day it rains hard, and the wind quivers through the closed canvas, and makes one feel at sea. All the talk of the camp outside is fused into a cheerful and indistinguishable murmur, pierced through at every moment by the wail of the hovering plover. Sometimes a face, black or white, peers through the entrance with some message. Since the light readily penetrates, though the rain cannot, the tent conveys a feeling of charmed security, as if an invisible boundary checked the pattering drops and held the moaning wind. The front tent I share, as yet, with my adjutant; in the inner apartment I reign supreme, bounded in a nutshell, with no bad dreams.

      In all pleasant weather the outer "fly" is open, and men pass and repass, a chattering throng. I think of Emerson's Saadi, "As thou sittest at thy door, on the desert's yellow floor,"—for these bare sand-plains, gray above, are always yellow when upturned, and there seems a tinge of Orientalism in all our life.

      Thrice a day we go to the plantation-houses for our meals, camp-arrangements being yet very imperfect. The officers board in different messes, the adjutant and I still clinging to the household of William Washington,—William the quiet and the courteous, the pattern of house-servants, William the noiseless, the observing, the discriminating, who knows everything that can be got and how to cook it. William and his tidy, lady-like little spouse Hetty—a pair of wedded lovers, if ever I saw one—set our table in their one room, half-way between an unglazed window and a large wood-fire, such as is often welcome. Thanks to the adjutant, we are provided with the social magnificence of napkins; while (lest pride take too high a flight) our table-cloth consists of two "New York Tribunes" and a "Leslie's Pictorial." Every steamer brings us a clean table-cloth. Here are we forever supplied with pork and oysters and sweet-potatoes and rice and hominy and corn-bread and milk; also mysterious griddle-cakes of corn and pumpkin; also preserves made of pumpkin-chips, and other fanciful productions of Ethiop art. Mr. E. promised the plantation-superintendents who should come down here "all the luxuries of home," and we certainly have much apparent, if little real variety. Once William produced with some palpitation something fricasseed, which he boldly termed chicken; it was very small, and seemed in some undeveloped condition of ante-natal toughness. After the meal, he frankly avowed it for squirrel.

December 5, 1862.

      Give these people their tongues, their feet, and their leisure, and they are happy. At every twilight the air is full of singing, talking, and clapping of hands in unison. One of their favorite songs is full of plaintive cadences; it is not, I think, a Methodist tune, and I wonder where they obtained a chant of such beauty.

      "I can't stay behind, my Lord, I can't stay behind!

      Oh, my father is gone, my father is gone,

      My father is gone into heaven, my Lord!

      I can't stay behind!

      Dere's room enough, room enough,

      Room enough in de heaven for de sojer:

      Can't stay behind!"

      It always excites them to have us looking on, yet they sing these songs at all times and seasons. I have heard this very song dimly droning on near midnight, and, tracing it into the recesses of a cook-house, have found an old fellow coiled away among the pots and provisions, chanting away with his "Can't stay behind, sinner," till I made him leave his song behind.

      This evening, after working themselves up to the highest pitch, a party suddenly rushed off, got a barrel, and mounted some man upon it, who said, "Gib anoder song, boys, and I'se gib you a speech." After some hesitation and sundry shouts of "Rise de sing, somebody," and "Stan' up for Jesus, brudder," irreverently put in by the juveniles, they got upon the John Brown song, always a favorite, adding a jubilant verse which I had never before heard,—"We'll beat Beauregard on de clare battle-field." Then came the promised speech, and then no less than seven other speeches by as many men, on a variety of barrels, each orator being affectionately tugged to the pedestal and set on end by his special constituency. Every speech was good, without exception; with the queerest oddities of phrase and pronunciation, there was an invariable enthusiasm, a pungency of statement, and an understanding of the points at issue, which made them all rather thrilling. Those long-winded slaves in "Among the Pines" seemed rather fictitious and literary in comparison. The most eloquent, perhaps, was Corporal Prince Lambkin, just arrived from Fernandina, who evidently had a previous reputation among them. His historical references were very interesting: he reminded them that he had predicted this war ever since Fremont's time, to which some of the crowd assented; he gave a very intelligent account of that Presidential campaign, and then described most impressively the secret anxiety of the slaves in Florida to know all about President Lincoln's election, and told how they all refused to work on the fourth of March, expecting their freedom to date from that day. He finally brought out one of the few really impressive appeals for the American flag that I have ever heard. "Our mas'rs dey hab lib under de flag, dey got dere wealth under it, and ebryting beautiful for dere chilen. Under it dey hab grind us up, and put us in dere pocket for money. But de fus' minute dey tink dat ole nag mean freedom for we colored people, dey pull it right down, and run up de rag ob dere own." (Immense applause.) "But we'll neber desert de ole flag, boys, neber; we hab lib under it for eighteen hundred sixty-two years, and we'll die for it now." With which overpowering discharge of chronology-at-long-range, this most effective of stump-speeches closed. I see already with relief that there will be small demand in this regiment for harangues from the officers; give the men an empty barrel for a stump, and they will do their own exhortation.

      RICHES

      Pluck color from the morning sky,

      And wear it as thy diadem;

      Nor pass the wayside flowers by,

      But star thy robes with them.

      Far in the temple of the sun

      The vestal fires of being burn;

      Thence beauty's finest fibres run,

      And weave where'er we turn.

      Thy plumes are in the yellow corn,—

      But chief the gold of priceless days

      In bosom of thy friend is borne,

      Coined in his kindly rays.

      Here lies thy wealth, go gather it,—

      The mine is near, its deeps explore,

      And freely give love, metal, wit,—

      Thine is the exhaustless ore:

      Thine are the precious stones whereon

      The weary pass grief's flooded ford,

      And thine the jewelled pavement won

      By those who love the Lord.

      THE VENGEANCE OF DOMINIC DE GOURGUES

      There was a gentleman of Mont-de-Marsan, Dominic de Gourgues, a soldier of ancient birth and high renown. That he was a Huguenot is not certain. The Spanish annalist calls him a "terrible heretic"; but the French Jesuit, Charlevoix, anxious that the faithful should share the glory of his exploits, affirms, that, like his ancestors before him, he was a good Catholic. If so, his faith sat lightly upon him; and Catholic or heretic, he hated the Spaniards with a mortal hate. Fighting in the Italian wars,—for, from boyhood, he was wedded to the sword,—they had taken him prisoner near Siena, where he had signalized himself by a fiery and determined bravery. With brutal insult, they chained him to the oar as a galley-slave. After long endurance of this ignominy, the Turks had captured the vessel and carried her to Constantinople. It was but a change of tyrants; but, soon after, putting out on a cruise, Gourgues still at the oar, a galley of the Maltese knights hove in sight, bore down on the prize, recaptured her, and set the prisoner free. For several years after, his restless spirit found escape in voyages to Africa, Brazil, and regions yet more remote. His naval repute rose high, but his grudge СКАЧАТЬ