More Than A Game: The Story of Cricket's Early Years. John Major
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Название: More Than A Game: The Story of Cricket's Early Years

Автор: John Major

Издательство: HarperCollins

Жанр: Спорт, фитнес

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isbn: 9780007280117

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СКАЧАТЬ the austere piety of the Puritans’ beliefs, and their determination to make people devout, was bound to be in conflict with the exuberant joy of a ball game.*

      But the courts did not always convict. At the Kent assizes held at Maidstone on 27 July 1652, six men of Cranbrook were accused of playing ‘a certain unlawful game called cricket’, but were acquitted as, to the horror of the Church, the justices ruled that the game was not unlawful. It was a rare blemish for the killjoys that was soon to be corrected at Eltham, Kent, in 1654, when seven players were fined two shillings each by the churchwardens for playing on the Sabbath. Four parishioners of Hunton, Kent, were similarly charged in 1668. Even after the restoration of Charles II and the end of Puritan government in 1660, some of the old attitudes still prevailed. In May 1671 Edward Bound was held to be ‘in contempt of the law of England’ and ‘a bad example to others’ for playing cricket on a Sunday. However, he was luckier than earlier miscreants, and was exonerated under the General Pardon Act.

      There is evidence that cricket may have begun climbing up the social scale by the 1640s, notwithstanding the distractions of the Civil War. On 29 May 1646 four gentlemen of ‘prophane’ Maidstone – William Cooper, Richard Marsh, Robert Sanders and Walter Francklyn – lost a game of cricket on the open common at Cox Heath, three miles south of the town, to two young Royalists, Thomas Harlackenden and Samuel Filmer. The nature of the game – and the politics of the victors – must have brought the Reverend Thomas Wilson close to apoplexy but it aroused great excitement in Maidstone. A bet on the outcome was laid – cash for candles, and when the loser failed to hand over the candles, court action followed.

      Early fiction began to notice cricket, and it is one of ‘the games of Gargantua’ in an English translation of the works of Rabelais. But fiction can mislead as well as inform, and it did so with confident assertions that cricket was played in venerable colleges by the mid- seventeenth century. Although it is possible that it may have been, it is by no means certain. A reference to cricket at Winchester College in 1647 is based on an undated Latin poem, ‘De Collegio Wintoniensi’, by Robert Mathew, a scholar who left the college that year. It relates how boys climbed a hill to play a game involving a ball (‘pila’) and bat (‘bacillo’) which may have been cricket, but he makes no mention of that name. A later reference to cricket at Winchester, circa 1665, is total fiction. It derives from a purely conjectural account of a boy’s schooldays in W.L. Bowles’s The Life of (Bishop) Thomas Ken, published in 1830, which imagines how

      our junior, ‘the tear forgot as soon as shed’, if it has ever for a moment been on his youthful cheek, is at ease among his companions of the same age; he is found, for the first time, attempting to wield a cricket bat; and, when his hour of play is over …

      I am puzzled, too, by Altham’s assertion in The History of Cricket that ‘with the restoration [of Charles II in 1660], in a year or two it became the thing in London society to make matches and to form clubs’. If Altham is right I can find no evidence of it. So far as I can determine there is no record of a cricket match being played in London before the 1700s, and no mention of a club until 1722, sixty- two years after the Restoration.

      Not that life was dull during the reign of Charles II. Popular history recalls the King as a merry monarch, easy-natured and lascivious, and a welcome antidote to the pious Puritans. Charles would have agreed with the American George Nathan that ‘Women and Englishmen are actors by nature,’ since he lifted an old prohibition and permitted women to act on the stage. Prior to his edict, women’s roles had been played by soft-featured young men, fearful that their voices would break and their careers be over. The way was open for Margaret Hughes, probably the first legitimate professional actress, who became mistress to Charles I’s nephew Prince Rupert, and went on to gamble away a fortune.

      More famous names soon followed, including ‘a mighty pretty woman’ (according to Dr Johnson, a keen observer), who had probably had a relationship with the notorious libertine and poet Lord Rochester when very young. ‘Nelly, my life, tho’ now thou’rt full fifteen’, rhymed Rochester, before becoming more explicit. Nell Gwynne made her debut in Dryden’s The Indian Emperor at the King’s Theatre in 1665, and was soon to catch the King’s eye. Cricketers should be grateful she did, for as we shall see, descendants of Charles II and Nell were to play an important part in the history of the game.

      By 1660 the Puritans were universally loathed, and the bells rang to welcome home the King. An ultra-Royalist СКАЧАТЬ