Little Girl Gone: The can’t-put-it-down psychological thriller. Alexandra Burt

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       Chapter 1

      ‘Mrs Paradise?’

      A voice sounds out of nowhere. My thoughts are sluggish, as if I’m running under water. I try and try but I’m not getting anywhere.

      ‘Not stable. Eighty over sixty. And falling.’

       Oh God, I’m still alive.

      I move my legs, they respond, barely, but they respond. Light prowls its way into my eyes. I hear dogs barking, high pitched. They pant, their tags clatter.

      ‘You’ve been in a car accident.’

      My face is numb, my thoughts vague, like dusty boxes in obscure and dark attic spaces. I know immediately something is amiss.

      ‘Oh my God, look at her head.’

      A siren sounds, it stutters for a second, then turns into a steady torment.

      I want to tell them … I open my mouth, my lips begin to form the words, but the burning sensation in my head becomes unbearable. My chest is on fire, and ringing in my left ear numbs the entire side of my face.

      Let me die, I want to tell them. But the only sound I hear is of crude hands tearing fragile fabric.

      ‘Step back. Clear.’

      My body explodes, jerks upward.

      This isn’t part of the plan.

      When I come to, my vision is blurred and hazy. I make out a woman in baby-blue scrubs, a nurse, slipping a plastic tube over my head and immediately two prongs hiss cold air into my nostrils.

      She pumps a lever and the bed yanks upward, then another lever triggers a motor raising the headboard until my upper body is resting almost vertically.

      My world becomes clearer. The nurse’s hair is in a ponytail and the pockets of her cardigan sag. I watch her dispose of tubing and wrappers and the closing of the trashcan’s metal lid sounds final, evoking a feeling I can’t quite place, a vague sense of loss, like a pickpocket making off with my loose change, disappearing into the crowd that is my strange memory.

      A male voice sounds out of nowhere.

      ‘I need to place a central line.’

      The overly gentle voice belongs to a man in a white coat. He talks to me as if I’m a child in need of comfort.

      ‘Just relax, you won’t feel a thing.’

      Relax and I won’t feel a thing? Easy for him to say. I feel lost somehow, as if I’m in the middle of a blizzard, unable to decide which direction to turn. I lift my arms and pain shoots from my shoulder into my neck. I tell myself not to do that again anytime soon.

      The white coat wipes the back of my hand with an alcohol wipe. It leaves an icy trail and pulls me further from my lulled state. I watch the doctor insert a long needle into my vein. A forgotten cotton wipe rests in the folds of the cotton waffle weave blanket, in its center a bright red bloody mark, like a scarlet letter.

      There’s a spark of memory, it ignites but then fizzles, like a wet match. I refuse to be pulled away, I follow the crimson, attach myself to the memory that started out like a creak on the stairs, but then the monsters appear.

      First I remember the darkness.

      Then I remember the blood.

      My baby. Oh God, Mia.

      The blood lingers. There’s flashes of crimson exploding like lightning in the sky, one moment they’re illuminating everything around me, the next they are gone, bathing my world in darkness. Then the bloody images fade and vanish, leaving a black jittering line on the screen.

      Squeaking rubber soles on linoleum circle me and I feel a pat on my shoulder.

       This isn’t real. A random vision, just a vision. It doesn’t mean anything.

      A nurse gently squeezes my shoulder and I open my eyes.

      ‘Mrs Paradise,’ the nurse’s voice is soft, almost apologetic. ‘I’m sorry, but I have orders to wake you every couple of hours.’

      ‘Blood,’ I say, and squint my eyes, attempting to force the image to return to me. ‘I don’t understand where all this blood’s coming from.’ Was that СКАЧАТЬ