Don’t Trust Me: The best psychological thriller debut you will read in 2018. Joss Stirling
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      A division of HarperCollinsPublishers

       www.harpercollins.co.uk

      Killer Reads an imprint of

      HarperColl‌insPublishers

      1 London Bridge Street

      London SE1 9GF

       www.harpercollins.co.uk

      First published in Great Britain by Killer Reads 2018

      Copyright © Joss Stirling 2018

      Cover design © HarperColl‌insPublishers Ltd 2018.

      Cover photograph © Shutterstock.com

      Joss Stirling asserts the moral right

      to be identified as the author of this work.

      A catalogue record for this book is

      available from the British Library

      This novel is entirely a work of fiction.

      The names, characters and incidents portrayed in it are

      the work of the author’s imagination. Any resemblance to

      actual persons, living or dead, events or localities is

      entirely coincidental.

      All rights reserved under International

      and Pan-American Copyright Conventions.

      By payment of the required fees, you have been granted

      the non-exclusive, non-transferable right to access

      and read the text of this e-book on screen.

      No part of this text may be reproduced, transmitted,

      downloaded, decompiled, reverse engineered, or

      stored in or introduced into any information storage and

      retrieval system, in any form or by any means,

      whether electronic or mechanical, now known or

      hereinafter invented, without the express

      written permission of HarperCollins.

      Source ISBN: 9780008278656

      Ebook Edition © February 2018 ISBN: 9780008278649

      Version 2018-03-12

       For Kate Bradley

      Kate, you win the prize for Most Enthusiastic Editor. It’s been a pleasure working with you and the team at Harper Fiction. I hope you like your book!

      ‘human kind

      Cannot bear very much reality.’

      (T. S. Eliot, ‘Burnt Norton’, The Four Quartets)

      ‘She is brave and strong and broken all at once. As she speaks it is as if her existence is no longer real to her in itself, more like a living epitaph to a life that was.’

      (Anna Funder, Stasiland)

      Table of Contents

       Cover

       Title Page

       Copyright

       Dedication

       Epigraph

       Prologue

       Chapter 1

       Chapter 2

       Chapter 3

       Chapter 4

       Chapter 5

       Chapter 6

       Chapter 7

       Chapter 8

       Chapter 9

       Chapter 10

       Chapter 11

       Chapter 12

      

       Chapter 13

      

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