Автор: Alexandra Brown
Издательство: HarperCollins
Жанр: Современная зарубежная литература
isbn: 9780007564668
isbn:
‘Very good,’ I reply enthusiastically, even though we all know sales have dwindled dramatically throughout the whole shop for at least the last year or so. And the new superstore down on the industrial estate hasn’t helped matters, either, not when you can get a whole new wardrobe, with accessories, for less than fifty quid in there. ‘The new luggage line is doing exceptionally well. We’ve sold two pieces already. The local designer has delivered a few more of her handmade exclusive silk purses in candy pink, which I’m hoping to sell as Valentine gifts. And I can’t wait for the limited edition Chiavacci Kelly bags to arrive from Italy.’
‘Jolly good. Keep up the good work. The Chiavaccis could make all the difference. We’re lucky to be getting them – only made ten: six in the US, two in Dubai … and us.’ The Heff slides a hand through his silver hair and, puffing his chest out triumphantly, he starts rocking gently on his heels, stretching his braces out in front of him. I sneak a sideways look at Eddie, who pokes his tongue out and then quickly retracts it, just like a lizard. I try not to laugh as the ancient lift creaks through a few more floors. ‘That’s us,’ The Heff booms, slapping his hands together and making me jump. He flings the cage door open and, like an athlete off the blocks, wastes no time in setting off. I let out a little sigh of relief. Eddie dashes out behind him and then pauses momentarily to look back at me over his shoulder.
‘Not a word now,’ he says in his perfected stage-whisper voice and blows me a kiss as the lift starts moving again.
I travel down to the ground floor, pondering on Eddie’s gossip, trying to fathom out how it might affect me if it were true. What does Walter know? The feeling lingers, making me edgy. These days nobody is changing jobs unless they really have to.
I step out of the lift and make my way along the dimly lit staff corridor that winds the entire length of the ground level. It still has the original 1920s Tiffany glass wall lights. After pressing the security pad to release the heavy fire entrance doors, I arrive on the shop floor. My feet immediately sink down a couple of centimetres into a new plush carpet as I wade over towards my section at the front of the store.
‘Georgie Girl! How are you today?’ Ciaran hollers in his lovely Southern Irish accent. He’s a waiter in Sam’s café, and he’s calling me from behind two massive bundles of cellophane-wrapped napkins. ‘Not like you to be this late – it’s practically lunchtime.’
‘Ha ha very funny,’ I laugh, glancing at my watch. ‘It’s not even opening time. Anyway, what are you doing down here? Shouldn’t you be upstairs making banoffee coffees?’
‘What happened, you get stuck in this silly new carpet?’ he says, ignoring my banter and placing the napkins down on a counter nearby. He treats me to a huge grin before shooting me with his pretend finger pistol. I like Ciaran – we’re Twitter mates and underneath the flirty swagger he’s a sweet guy, but he can be so naïve at times, especially when it comes to women.
‘Yeah, something like that,’ I lie. The truth is I was up until nearly midnight filling in one of those income and expenditure forms for the bank. I’m hoping they’ll let me reduce the monthly payments on a personal loan. And then I spent at least an hour lying in bed trying to unwind so I could fall asleep. I must have just slept right through the alarm.
Pinning my gold Carrington’s name badge into place, I reach my till point, which I think is the best one on the floor. It’s right at the front of the store, next to the floor-to-ceiling window display, giving me a panoramic view of the cobbled street with its white colonnaded walkway, pretty pansy hanging baskets and romantic olde-worlde streetlamps. During quiet times, and we’ve had a few recently, I love watching all the people milling up and down outside, or huddled in a deckchair enjoying a musical performance on the bandstand opposite. And on a clear early morning, when the town is still empty, I can see as far as the peppermint-green railings down by the harbour and out to the glistening sea beyond.
Carrington’s is an Art Deco institution set in a prime location in the seaside town of Mulberry-On-Sea, where everyone knows us and most of the locals have grown up coming to the store. For anything from school uniforms to wedding gift lists to baby clothes, they all turn to Carrington’s.
Tourists stop to take pictures of our impressive powder-blue building with its intricate white cornicing around enormous arched windows. The store is nearly a hundred years old, and not quite as glorious as it was in its heyday, but still a landmark on the south coast. Owned by a family firm spanning three generations, Carrington’s offers old-style elegance alongside the latest merchandise.
The shop floor in front of me is lit up like a Valentine’s theme park. Red and silver lights are entwined around the original ornate Art Deco marble pillars, which are dotted throughout the high-ceilinged space. Giant Perspex hearts containing merchandise hang on lengths of invisible thread, giving an illusion of floating handbags, shoes and glittery costume jewellery. Even the traditional cherrywood gilt-inlayed panelled walls have twinkly rose-shaped fairy lights draped all over them. The display guys have done an amazing job in replacing all the post-Christmas sales stuff and getting the store ready for our next big seasonal promotion, Valentine’s Day.
Even though I’m single at the moment, I still love this time of year. The atmosphere in store is always so fun and flirty, and that makes me enjoy working here even more. All six of the podiums situated by the entrance doors showcase various items amidst scattered rose petals and miniature Cupid figurines, luxury scented candles, thick embossed rainbow-coloured stationery and silky lingerie, drawing customers in, showing a teaser of what’s on offer within. All designed to entice customers to touch the merchandise, to place a coveted bag over a shoulder or run a finger across the shoestring strap of an exquisite La Perla negligee.
After all, it’s ‘all about the merch’ as we say, and every decent retail assistant knows that customers who try it buy it. True fact. And there’s everything on offer to our customers. Handbags, shoes, cosmetics, all mingled in together with a glorious surge of euphoric optimism. A promise of reinvention, of a better life.
And I just adore the look on customers’ faces when they emerge through the shiny brass revolving doors, flushed with adrenalin as they try to decide where their retail experience will begin. Savouring every moment. It’s one of the reasons I work here. But my memories of the store go back a long way. I grew up in Mulberry-On-Sea and Mum used to bring me here on Saturdays and we’d shop and eat fairy cakes in the old-fashioned tearoom with its Formica tables and white-pinnied waitresses. We always had such a good time, just being happy together. This was years before Sam turned it into Cupcakes at Carrington’s, a cosy café serving red velvet cupcakes and sponge cake with pinkberry-infused frosting.
Plonking my handbag in the little locker secreted behind the glass-topped counter, I rummage around for my mobile. I locate it nestled inside a red payment reminder letter that arrived this morning from the gas company. After flicking the phone onto silent mode, I slip it inside my trouser pocket and quickly shove the letter back to the bottom of the bag, vowing to deal with it later.
The smell of newness mingled with expensive perfume wafts over from the various cosmetics concessions. All three of the security guys are getting into position by the entrance doors. I give Annie, one of the other sales assistants, a quick smile as she plumps up a gorgeous midnight-blue Mulberry tote with rose-gold detailing. As I busy myself placing trays of rainbow-coloured chunky cocktail rings on top of a display cabinet, Betty, our mumsy switchboard supervisor, puffs her way over to me, pulling her hand-knitted cardy in tighter around her rotund frame.
‘A rather lovely-sounding man from the Fiat garage called for you,’ she just about manages, in between gasping for air and reaching for her glasses that are bobbing on the end of a chain around her neck.
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