The Luck of Roaring Camp and Other Tales. Bret Harte

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СКАЧАТЬ of a long bench. Her voice was husky as she began,—

      “I heerd tell that you were goin’ down to the Bay tomorrow, and I couldn’t let you go until I came to thank you for your kindness to my Tommy.” Tommy, Miss Mary said, was a good boy, and deserved more than the poor attention she could give him.

      “Thank you, miss; thank ye!” cried the stranger, brightening even through the color which Red Gulch knew facetiously as her “war paint,” and striving, in her embarrassment, to drag the long bench nearer the schoolmistress. “I thank you, miss, for that; and if I am his mother, there ain’t a sweeter, dearer, better boy lives than him. And if I ain’t much as says it, thar ain’t a sweeter, dearer, angeler teacher lives than he’s got.”

      Miss Mary, sitting primly behind her desk, with a ruler over her shoulder, opened her gray eyes widely at this, but said nothing.

      “It ain’t for you to be complimented by the like of me, I know,” she went on hurriedly. “It ain’t for me to be comin’ here, in broad day, to do it, either; but I come to ask a favor,—not for me, miss,—not for me, but for the darling boy.”

      Encouraged by a look in the young schoolmistress’s eye, and putting her lilac-gloved hands together, the fingers downward, between her knees, she went on, in a low voice:—

      “You see, miss, there’s no one the boy has any claim on but me, and I ain’t the proper person to bring him up. I thought some, last year, of sending him away to Frisco to school, but when they talked of bringing a schoolma’am here, I waited till I saw you, and then I knew it was all right, and I could keep my boy a little longer. And, oh! miss, he loves you so much; and if you could hear him talk about you in his pretty way, and if he could ask you what I ask you now, you couldn’t refuse him.

      “It is natural,” she went on rapidly, in a voice that trembled strangely between pride and humility,—“it’s natural that he should take to you, miss, for his father, when I first knew him, was a gentleman,—and the boy must forget me, sooner or later,—and so I ain’t a-goin’ to cry about that. For I come to ask you to take my Tommy,—God bless him for the bestest, sweetest boy that lives,—to—to—take him with you.”

      She had risen and caught the young girl’s hand in her own, and had fallen on her knees beside her.

      “I’ve money plenty, and it’s all yours and his. Put him in some good school, where you can go and see him, and help him to—to—to forget his mother. Do with him what you like. The worst you can do will be kindness to what he will learn with me. Only take him out of this wicked life, this cruel place, this home of shame and sorrow. You will! I know you will,—won’t you? You will,—you must not, you cannot say no! You will make him as pure, as gentle as yourself; and when he has grown-up, you will tell him his father’s name,—the name that hasn’t passed my lips for years,—the name of Alexander Morton, whom they call here Sandy! Miss Mary!—do not take your hand away! Miss Mary, speak to me! You will take my boy? Do not put your face from me. I know it ought not to look on such as me. Miss Mary!—my God, be merciful!—she is leaving me!” Miss Mary had risen, and, in the gathering twilight, had felt her way to the open window. She stood there, leaning against the casement, her eyes fixed on the last rosy tints that were fading from the western sky. There was still some of its light on her pure young forehead, on her white collar, on her clasped white hands, but all fading slowly away. The suppliant had dragged herself, still on her knees, beside her.

      “I know it takes time to consider. I will wait here all night; but I cannot go until you speak. Do not deny me now. You will!—I see it in your sweet face,—such a face as I have seen in my dreams. I see it in your eyes, Miss Mary!—you will take my boy!”

      The last red beam crept higher, suffused Miss Mary’s eyes with something of its glory, flickered, and faded, and went out. The sun had set on Red Gulch. In the twilight and silence Miss Mary’s voice sounded pleasantly.

      “I will take the boy. Send him to me to-night.”

      The happy mother raised the hem of Miss Mary’s skirts to her lips. She would have buried her hot face in its virgin folds, but she dared not. She rose to her feet.

      “Does—this man—know of your intention?” asked Miss Mary suddenly.

      “No, nor cares. He has never even seen the child to know it.”

      “Go to him at once—to-night—now! Tell him what you have done. Tell him I have taken his child, and tell him—he must never see—see—the child again. Wherever it may be, he must not come; wherever I may take it, he must not follow! There, go now, please,—I’m weary, and—have much yet to do!”

      They walked together to the door. On the threshold the woman turned.

      “Good-night!”

      She would have fallen at Miss Mary’s feet. But at the same moment the young girl reached out her arms, caught the sinful woman to her own pure breast for one brief moment, and then closed and locked the door.

      It was with a sudden sense of great responsibility that Profane Bill took the reins of the Slumgullion stage the next morning, for the schoolmistress was one of his passengers. As he entered the highroad, in obedience to a pleasant voice from the “inside,” he suddenly reined up his horses and respectfully waited, as Tommy hopped out at the command of Miss Mary.

      “Not that bush, Tommy,—the next.”

      Tommy whipped out his new pocket-knife, and cutting a branch from a tall azalea-bush, returned with it to Miss Mary. “All right now?”

      “All right!”

      And the stage-door closed on the Idyl of Red Gulch.

      BROWN OF CALAVERAS

      A subdued tone of conversation, and the absence of cigar-smoke and boot-heels at the windows of the Wingdam stagecoach, made it evident that one of the inside passengers was a woman. A disposition on the part of loungers at the stations to congregate before the window, and some concern in regard to the appearance of coats, hats, and collars, further indicated that she was lovely. All of which Mr. Jack Hamlin, on the box-seat, noted with the smile of cynical philosophy. Not that he depreciated the sex, but that he recognized therein a deceitful element, the pursuit of which sometimes drew mankind away from the equally uncertain blandishments of poker,—of which it may be remarked that Mr. Hamlin was a professional exponent.

      So that, when he placed his narrow boot on the wheel and leaped down, he did not even glance at the window from which a green veil was fluttering, but lounged up and down with that listless and grave indifference of his class, which was, perhaps, the next thing to good-breeding. With his closely buttoned figure and self-contained air he was a marked contrast to the other passengers, with their feverish restlessness and boisterous emotion; and even Bill Masters, a graduate of Harvard, with his slovenly dress, his over-flowing vitality, his intense appreciation of lawlessness and barbarism, and his mouth filled with crackers and cheese, I fear cut but an unromantic figure beside this lonely calculator of chances, with his pale Greek face and Homeric gravity.

      The driver called “All aboard!” and Mr. Hamlin returned to the coach. His foot was upon the wheel, and his face raised to the level of the open window, when, at the same moment, what appeared to him to be the finest eyes in the world suddenly met his. He quietly dropped down again, addressed a few words to one of the inside passengers, effected an exchange of seats, and as quietly took his place inside. Mr. Hamlin never allowed his philosophy to interfere with decisive and prompt action.

      I fear that this irruption of Jack cast some restraint upon the other passengers, СКАЧАТЬ