The Works of Samuel Johnson, LL.D. in Nine Volumes, Volume 08. Samuel Johnson

Чтение книги онлайн.

      Entangled in the grass in gluey strings;

      How others stamp to stones, with rushing sound

      Fall from their crystal quarries to the ground;

      How some are laid in trains, that kindled fly

      In harmless fires by night, about the sky;

      How some in winds blow with impetuous force,

      And carry ruin where they bend their course,

      While some conspire to form a gentle breeze,

      To fan the air, and play among the trees;

      How some, enrag’d, grow turbulent and loud,

      Pent in the bowels of a frowning cloud,

      That cracks, as if the axis of the world

      Was broke, and heav’n’s bright tow’rs were downwards hurl’d.

      He sung how earth’s wide ball, at Jove’s command,

      Did in the midst on airy columns stand;

      And how the soul of plants, in prison held,

      And bound with sluggish fetters, lies conceal’d,

      Till with the spring’s warm beams, almost releas’d

      From the dull weight, with which it lay opprest,

      Its vigour spreads, and makes the teeming earth

      Heave up, and labour with the sprouting birth:

      The active spirit freedom seeks in vain,

      It only works and twists a stronger chain;

      Urging its prison’s sides to break away,

      It makes that wider, where ’tis forc’d to stay:

      Till, having form’d its living house, it rears

      Its head, and in a tender plant appears.

      Hence springs the oak, the beauty of the grove,

      Whose stately trunk fierce storms can scarcely move.

      Hence grows the cedar, hence the swelling vine

      Does round the elm its purple clusters twine.

      Hence painted flowers the smiling gardens bless,

      Both with their fragrant scent and gaudy dress.

      Hence the white lily in full beauty grows.

      Hence the blue violet, and blushing rose.

      He sung how sunbeams brood upon the earth,

      And in the glebe hatch such a num’rous birth;

      Which way the genial warmth in summer storms

      Turns putrid vapours to a bed of worms;

      How rain, transform’d by this prolifick power,

      Falls from the clouds an animated shower.

      He sung the embryo’s growth within the womb,

      And how the parts their various shapes assume;

      With what rare art the wondrous structure’s wrought,

      From one crude mass to such perfection brought;

      That no part useless, none misplac’d we see,

      None are forgot, and more would monstrous be.

      FENTON

      The brevity with which I am to write the account of Elijah Fenton, is not the effect of indifference or negligence. I have sought intelligence among his relations in his native county, but have not obtained it.

      He was born near Newcastle, in Staffordshire, of an ancient family22 whose state was very considerable; but he was the youngest of eleven children, and being, therefore, necessarily destined to some lucrative employment, was sent first to school, and afterwards to Cambridge23, but with many other wise and virtuous men, who, at that time of discord and debate, consulted conscience, whether well or ill informed, more than interest, he doubted the legality of the government, and, refusing to qualify himself for publick employment by the oaths required, left the university without a degree; but I never heard that, the enthusiasm of opposition impelled him to separation from the church.

      By this perverseness of integrity he was driven out a commoner of nature, excluded from the regular modes of profit and prosperity, and reduced to pick up a livelihood uncertain and fortuitous; but it must be remembered that he kept his name unsullied, and never suffered himself to be reduced, like too many of the same sect, to mean arts and dishonourable shifts. Whoever mentioned Fenton, mentioned him with honour.

      The life that passes in penury must necessarily pass in obscurity. It is impossible to trace Fenton from year to year, or to discover what means he used for his support. He was awhile secretary to Charles, earl of Orrery in Flanders, and tutor to his young son, who afterwards mentioned him with great esteem and tenderness. He was, at one time, assistant in the school of Mr. Bonwicke, in Surrey; and at another kept a school for himself at Sevenoaks, in Kent, which he brought into reputation; but was persuaded to leave it, 1710, by Mr. St. John, with promises of a more honourable employment.

      His opinions, as he was a nonjuror, seem not to have been remarkably rigid. He wrote with great zeal and affection the praises of queen Anne, and very willingly and liberally extolled the duke of Marlborough when he was, 1707, at the height of his glory.

      He expressed still more attention to Marlborough and his family by an elegiack pastoral on the marquis of Blandford, which could be prompted only by respect or kindness; for neither the duke nor dutchess desired the praise, or liked the cost of patronage.

      The elegance of his poetry entitled him to the company of the wits of his time, and the amiableness of his manners made him loved wherever he was known. Of his friendship to Southern and Pope there are lasting monuments.

      He published, in 170724 a collection of poems.

      By Pope he was once placed in a station that might have been of great advantage. Craggs, when he was advanced to be secretary of state, about 1720, feeling his own want of literature, desired Pope to procure him an instructer, by whose help he might supply the deficiencies of his education. Pope recommended Fenton, in whom Craggs found all that he was seeking. There was now a prospect of ease and plenty, for Fenton had merit, and Craggs had generosity; but the smallpox suddenly put an end to the pleasing expectation.

      When Pope, after the great success of his Iliad, undertook the Odyssey, being, as it seems, weary of translating, he determined to engage auxiliaries. Twelve books he took to himself, and twelve he distributed between Broome and Fenton: the books allotted to Fenton were the first, the fourth, the nineteenth, and the twentieth. It is observable, that he did not take the eleventh, which he had before translated into blank verse; neither did Pope claim it, but committed it to Broome. How the two associates performed their parts is well known to the readers of poetry, who have never been able to distinguish their books from those of Pope.

      In 1723 was performed his tragedy of Mariamne; to which Southern, at whose house it was written, is said to have contributed such hints as his theatrical experience supplied. When it was shown to Cibber, it was rejected by him, with the additional insolence of advising Fenton to engage himself in some employment of honest labour, by which he might obtain that support which he could never hope from his poetry. The play was acted at the other theatre; and the brutal petulance of Cibber was confuted, though, perhaps, not shamed, by general applause. Fenton’s profits are said to have amounted to near a thousand pounds, with which he discharged a debt contracted by his attendance at court.

      Fenton seems to have had some peculiar system of versification. СКАЧАТЬ