The Continental Monthly, Vol. 2 No 4, October, 1862. Various

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СКАЧАТЬ themselves to his stove-pipe hat, (only one on the ground,) and to a large cane he tried to hold. A lucky blow from one of the gamesters struck the hog, and there was a cessation of hitting, interrupted by an outside contadino of the tight-built style breaking through the gendarmes and umpires and jumping into the middle of the cistern, beginning a fearful battle of words with the man who hit the hog, interrupted, however, by two of the gendarmes, who collared him and led him off up the steps, his legs very stiff, his body at an angle of forty-five degrees, and his head turned round to give a few last fierce words to the hog-hitter. The man would have made a good bandit, on canvas, with his bronzed, bearded face, flashing eyes, conical hat, savage features, broad shirt-collar, red sash around his waist, and leather gaiters, showing he rode horses and came from down in the plain.

      The game recommenced, and by good luck the broom-swinger who hit the hog the first blow, hit him twice more; and the regulation being that whoever first struck the hog three blows should win him, the successful hog-hunter bore off the small hog on his back, having at the same time to carry the standard above described. The cheers of beauty and ugliness accompanied the hog and standard-bearer, as jerking down his head the umpire pulled off his head-bag, showing the face of Bruno, the butcher, who kept a bull-dog. A great many friends surrounded him, patting him on the back—he had a hog to be eaten!

      So ended the Game of the Small-Hog.

      After this was all over, a Tombola came off in front of the church, and our three artists having purchased tickets for this Sunday lottery, in order to keep the day as the rest of the people did, and not render themselves liable to the censure of being eccentric, had an opportunity of seeing its beneficial working—for those who got it up!

      The Tombola finished, there was a good display of fire-works; in the still night air of the Sabbath the fiery snakes and red serpents, blue fires and green, darting flames and forked lights, reminded our artists of a large painting over the Maggiore Gate of the town, where a lot of the condemned are expiring in a very vermilion-colored Inferno—condemned, perhaps, for Sabbath-breaking!

      Returning to their inn to supper, the landlord handed them a note without address, which he said had been sent them by the Gonfaloniere of the city, who had called upon them as soon as he learned that they were strangers there. Caper opening the envelope, found in it the following printed invitation to attend a concert to be given that night at the Palazzo Comunale, in honor of the day:

'IL GONFALONIERE'DELLA CITTA' DI SEGNI

      'Invita li sigi, Rocjean, Caper e Dexter ad intervenire all' Accademia di Musica che si terrà nella Sala del Palazzo Comunale il giorno 18 Luglio alle ore 9½ pom. per festeggiare la ricorrenza del Protettore S. Bruno.'

      'It sounds well,' said Dexter; 'but both of you have seen the tumble-down, ruined look of the old town, or city, as they call it; and the inhabitants, as far as I have seen them, don't indicate a very select audience for the concert.'

      'Select audience be hanged! it's this very selectness that is no selectness, that makes your English and a part of our American society a dreary bore,' broke in Caper; 'I've come up here in the mountains to be free, and if the Gonfaloniere bids me welcome to a palace where the nobilitá await me, with music, I shall not ask whether they are select or not, but go.'

      'I think,' spoke Rocjean, 'we should go; it will be the easiest way to acknowledge the attention shown us, and probably the pleasantest to the one who sent it. I am going.'

      It therefore came to pass that near the hour noted in the invitation, Rocjean and Caper, inquiring the direction to the Palazzo Comunale of the landlord, went forth to discover its whereabouts, leaving Dexter to hunt scorpions in the sitting-room of the inn, or study the stars from its balcony.

      Climbing up the main street, now quite dark save where the lamp of a stray shrine or two feebly lit up a few feet around it, they soon found the palace, the lower story of which held the post-office and various other offices. After passing a gendarme on guard at the door, they found themselves in a not very light hall leading to the second story; mounting a flight of stairs, there stood another soldier on guard; a door suddenly was thrown open, and then a burst of light showed them a large hall with lofty ceilings, the walls hung with red and golden tapestry and with its rich medieval groined arches and gilded cornices, resembling, after all the ruins and decay of the town, a castle-hall in fairy-land rather than a positively real earthly room. Dazzled by the brilliance of the scene, Rocjean and Caper were standing near the door of entrance, when a tall, stout, and very handsome man, leaving a circle of ladies, at once approached them, and introducing himself as the Gonfaloniere of the city, with much courtesy showed them to seats among the 'most reserved of the reserved.' There sat the Bishop of the Commune in purple silk robes, with an inch-wide golden chain over his breast, animatedly conversing with a dashing Roman lady, startingly handsome, with solitaire diamond ear-rings flashing light, while the lace on her dress would have caused deaths of envy in one of our country villages. The Governor of the Province was there, a quiet, grave gentleman, earnest enough in his duties to be respected, and evidently a favorite with several ladies who also shone in diamonds and with the 'air noble' so much adored by Dexter, A warlike looking priest whom Caper afterward found out was the chaplain of a regiment of soldiers, and by no means afraid of grape-juice, was also there; and with numerous distinguished men and beautiful women including one or two of the Stelle d'Anagni, or Stars of Anagni, as the nobility of that town are called, made with their rich dresses and courteous manners such a picture—so startlingly in contrast with the out-door life that our artists had seen, that they have never forgotten it to this day. The concert for which the invitation was given soon commenced. The selection of vocal and instrumental pieces was made with good judgment, and the singers who came from Rome, and had been selected for their ability, sung with a skill and grace that proved they knew that their audience had nice judgment and critical ears.

      The concert was over: and having made their acknowledgments to the Gonfaloniere for the pleasure they had received through his invitation, our two artists, lighting segars, walked up to the Pianillo, where the rising moon gave them a splendid view of the Campagna and mountain-bounded horizon. Thus ended their first day in Segni, and their first Sunday in the Campagna.

      LA TRIGLIA

      The sickles were flashing in the sunlight, felling the ripened wheat in the valley, when our three artists, having previously arranged the matter with a certain Segnian named Bruno, stood one morning early, waiting his appearance with horses, to carry them down the mountain to a farm belonging to Prince Doria, called the Piombinara. There they were going to see a triglia or threshing of wheat with horses.

      'Here he comes,' said Caper, 'with a piebald horse and a bay mare and an iron-gray mule. Let's toss up for a choice.'

      The mule fell to Caper: mounting him gayly, and calling to the others to follow, he led the way with their guide down the steep street of the town until they reached the road outside of the gate, when the others coming up, the party ambled along down the mountain road. In about an hour they reached the plain, and fifteen minutes more brought them to the old, ivy-covered, ruined fortress of the middle ages, called the Piombinara: passing this, they soon reached an open field, in the centre of which, near a small cabin, they found quite a number of harvesters engaged piling up sheaves of wheat in a circle on a spot of ground previously leveled and hardened until it presented a surface as even as a barn-floor.

      While they were inquiring of the harvesters as to the time when the threshing would commence, a fine-looking man, mounted on a fiery, full-blooded chestnut horse, rode up, and politely saluting the three artists, inquired of them if they were not desirous of seeing the triglia.

      Rocjean answered that it was for that purpose they had come there, having learned in Segni that the horses would begin the threshing that morning.

      The horseman then introduced himself as Prince Doria's agent for the Piombinara СКАЧАТЬ