The Atlantic Monthly, Volume 17, No. 103, May, 1866. Various

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      LAST DAYS OF WALTER SAVAGE LANDOR

      PART II

      It is too general an opinion, confirmed by tradition, (and quite as untrue as many traditions,) that Landor, seated securely upon his high literary pedestal, never condescended to say a good word of writers of less degree, and that the praise of greater lights was rarely on his lips. They who persist in such assertions can have read but few of his works, for none of his profession has given so much public approbation to literary men. The form of his writings enabled him to show himself more fully than is possible to most authors, and in all his many literary discussions he gave expression to honest criticism, awarding full praise in the numerous cases where it was due. Even at an age when prejudice and petulancy are apt to get the better of a man's judgment, Landor was most generous in his estimate of many young writers. I remember to have once remarked, that on one page he had praised (and not passingly) Cowper, Byron, Southey, Wordsworth, Burns, Campbell, Hemans, and Scott. In the conversation between Archdeacon Hare and Landor, the latter says: "I believe there are few, if any, who enjoy more heartily than I do the best poetry of my contemporaries, or who have commended them both in private and in public with less parsimony and reserve."

      Hare. "Are you quite satisfied that you never have sought a pleasure in detecting and exposing the faults of authors, even good ones?"

      Landor. "I have here and there sought that pleasure, and found it. To discover a truth and separate it from a falsehood is surely an occupation of the best intellect, and not at all unworthy of the best heart. Consider how few of our countrymen have done it, or attempted it, on works of criticism; how few of them have analyzed and compared. Without these two processes there can be no sound judgment on any production of genius."

      Hare. "How much better would it be if our reviewers and magazine men would analyze, in this manner, to the extent of their abilities, and would weigh evidence before they pass sentence!"

      And if this analyzing is needed in England, the land of reviews and reviewing, how much more necessary is it in America, where veritable criticism is not even old enough to be young; its germ, however grovelling it may be, not yet having taken the primary form of the caterpillar.

      Great as was Landor's personal animosity towards Byron, he considered him a "great poet,"—"the keenest and most imaginative of poets"; nor should we attribute this dislike to the bitter attacks made by Byron upon the "deep-mouthed Bœotian," though surely such would be sufficient to excite indignation in more amiable breasts. It was Byron's furious assaults upon Landor's beloved friend, Southey, that roused the ire of the lion poet; later knowledge of the man, derived from private sources, helped to keep alive the fire of indignation. "While he wrote or spoke against me alone, I said nothing of him in print or conversation; but the taciturnity of pride gave way immediately to my zeal in defence of my friend. What I write is not written on slate; and no finger, not of Time himself, who dips it in the clouds of years, can efface it. To condemn what is evil and to commend what is good is consistent. To soften an asperity, to speak all the good we can after worse than we wish, is that, and more. If I must understand the meaning of consistency as many do, I wish I may be inconsistent with all my enemies. There are many hearts which have risen higher and sunk lower at his tales, and yet have been shocked and sorrowed at his untimely death a great deal less than mine has been. Honor and glory to him for the extensive good he did! peace and forgiveness for the partial evil!"

      Shall Landor be branded with intense egotism for claiming immortality? Can it be denied that he will be read with admiration as long as printing and the English language endure? Can there be greatness without conscious power? Do those of us who believe in Christ as the grandest of men degrade his manly and inspired self-confidence to the level of egotism? Far be it from me, however, to insinuate a comparison where none can exist, save as one ray of light may relate to the sun. Egotism is the belief of narrow minds in the supreme significance of a mortal self: conscious power is the belief in certain immortal attributes, emanating from, and productive of, Truth and Beauty. I should not call Landor an egotist.

      The friendship existing between Southey and Landor must have had much of the heroic element in it, for instances are rare where two writers have so thoroughly esteemed one another. Those who have witnessed the enthusiasm with which Landor spoke of Southey can readily imagine how unpardonable a sin he considered it in Byron to make his friend an object of satire. Landor's strong feelings necessarily caused him to be classed in the ou tout ou rien school. Seeing those whom he liked through the magnifying-glass of perfection, he painted others in less brilliant colors than perhaps they merited. Southey to Landor was the essence of all good things, and there was no subject upon which he dwelt with more unaffected pleasure. "Ah, Southey was the best man that ever lived. There never was a better, my dear, good friends, Francis and Julius Hare, excepted. They were true Christians; and it is an honor to me that two such pure men should have been my friends for so many years, up to the hour of death." It was to Julius Hare that Landor dedicated his great work of "Pericles and Aspasia," and, while in England, it was his habit to submit to this friend (and to his brother also, I think) his manuscript. The complete edition of his works published in 1846 was inscribed to Julius Hare and to John Forster, an equally devoted friend. Both of the Hares have been embalmed in his verse.

      Esteemed so highly in Landor's heart, Southey occupies the place of honor in the "Imaginary Conversations," taking part in four dialogues, two with Porson and two with Landor, on subjects of universal literary interest, Milton and Wordsworth. These Conversations are among the most valuable of the series, being models of criticism. Landor delighted to record every meeting with Southey, where it was compatible with the subject-matter. Thus in writing of Como he says: "It was in Como I received and visited the brave descendants of the Jovii; it was in Como I daily conversed with the calm, philosophical Sironi; and I must love the little turreted city for other less intrinsic recollections. Thither came to see me the learned and modest Bekker; and it was there, after several delightful rambles, I said farewell to Southey." Often have I heard Landor express his great liking for "The Curse of Kehama." One may obtain an idea of how this admiration was reciprocated, from Southey's criticism on "Gebir," in the Critical Review for September, 1799. Of Gebir's speech to the Gadites, he says: "A passage more truly Homeric than the close of this extract we do not remember in the volumes of modern poetry." He took the entire poem as a model in blank verse. After Southey's death, Landor used his influence with Lord Brougham to obtain a pension for the family, in justice to the memory of one who had added to the fame of England's literature. Again, in a letter to Southey's son, the Rev. Charles Cuthbert Southey, he pronounced a eulogy upon his friend's character and public services.

      Directing Landor's attention to the assertion in Pycroft's "Course of English Reading," that he, Landor, failed to appreciate Chaucer, the old man, much vexed, refuted such a falsehood, saying: "On the contrary, I am a great admirer of his. I am extremely fond of the 'Canterbury Tales.' I much prefer Chaucer to Spenser; for allegory, when spun out, is unendurable." It is strange that a man apparently so well read as Mr. Pycroft should have so unjustly interpreted Landor, when it needed but a passing reference to the Conversations to disprove his statement. By turning to the second dialogue between Southey and Landor, he might have culled the following tribute to Chaucer: "I do not think Spenser equal to Chaucer even in imagination, and he appears to me very inferior to him in all other points, excepting harmony. Here the miscarriage is in Chaucer's age, not in Chaucer, many of whose verses are highly beautiful, but never (as in Spenser) one whole period. I love the geniality of his temperature: no straining, no effort, no storm, no fury. His vivid thoughts burst their way to us through the coarsest integuments of language." In another book Landor says: "Since the time of Chaucer there have been only two poets who at all resemble him; and these two are widely dissimilar one from the other,—Burns and Keats. The accuracy and truth with which Chaucer has described the manners of common life, with the foreground and background, are also to be found in Burns, who delights in broader strokes of external nature, but equally appropriate. He has parts of genius which Chaucer has not in the СКАЧАТЬ