Название: The British Barbarians
Автор: Allen Grant
Издательство: Public Domain
Жанр: Зарубежная классика
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“Then you’ve things at Charing Cross, in the cloak-room perhaps?” Philip suggested, somewhat relieved; for he felt sure Bertram Ingledew must have told Miss Blake it was HE who had recommended him to Heathercliff House for furnished apartments.
“Oh, dear, no; nothing,” Bertram responded cheerfully. “Not a sack to my back. I’ve only what I stand up in. And I called this morning just to ask as I passed if you could kindly direct me to an emporium in London where I could set myself up in all that’s necessary.”
“A WHAT?” Philip interposed, catching quick at the unfamiliar word with blank English astonishment, and more than ever convinced, in spite of denial, that the stranger was an American.
“An emporium,” Bertram answered, in the most matter-of-fact voice: “a magazine, don’t you know; a place where they supply things in return for money. I want to go up to London at once this morning and buy what I require there.”
“Oh, A SHOP, you mean,” Philip replied, putting on at once his most respectable British sabbatarian air. “I can tell you of the very best tailor in London, whose cut is perfect; a fine flower of tailors: but NOT to-day. You forget you’re in England, and this is Sunday. On the Continent, it’s different: but you’ll find no decent shops here open to-day in town or country.”
Bertram Ingledew drew one hand over his high white brow with a strangely puzzled air. “No more I will,” he said slowly, like one who by degrees half recalls with an effort some forgotten fact from dim depths of his memory. “I ought to have remembered, of course. Why, I knew that, long ago. I read it in a book on the habits and manners of the English people. But somehow, one never recollects these taboo days, wherever one may be, till one’s pulled up short by them in the course of one’s travels. Now, what on earth am I to do? A box, it seems, is the Open, Sesame of the situation. Some mystic value is attached to it as a moral amulet. I don’t believe that excellent Miss Blake would consent to take me in for a second night without the guarantee of a portmanteau to respectablise me.”
We all have moments of weakness, even the most irreproachable Philistine among us; and as Bertram said those words in rather a piteous voice, it occurred to Philip Christy that the loan of a portmanteau would be a Christian act which might perhaps simplify matters for the handsome and engaging stranger. Besides, he was sure, after all—mystery or no mystery—Bertram Ingledew was Somebody. That nameless charm of dignity and distinction impressed him more and more the longer he talked with the Alien. “Well, I think, perhaps, I could help you,” he hazarded after a moment, in a dubious tone; though to be sure, if he lent the portmanteau, it would be like cementing the friendship for good or for evil; which Philip, being a prudent young man, felt to be in some ways a trifle dangerous; for who borrows a portmanteau must needs bring it back again—which opens the door to endless contingencies. “I MIGHT be able—”
At that moment, their colloquy was suddenly interrupted by the entry of a lady who immediately riveted Bertram Ingledew’s attention. She was tall and dark, a beautiful woman, of that riper and truer beauty in face and form that only declares itself as character develops. Her features were clear cut, rather delicate than regular; her eyes were large and lustrous; her lips not too thin, but rich and tempting; her brow was high, and surmounted by a luscious wealth of glossy black hair which Bertram never remembered to have seen equalled before for its silkiness of texture and its strange blue sheen, like a plate of steel, or the grass of the prairies. Gliding grace distinguished her when she walked. Her motion was equable. As once the sons of God saw the daughters of men that they were fair, and straightway coveted them, even so Bertram Ingledew looked on Frida Monteith, and saw at the first glance she was a woman to be desired, a soul high-throned, very calm and beautiful.
She stood there for a moment and faced him, half in doubt, in her flowing Oriental or Mauresque robe (for she dressed, as Philip would have said, “artistically”), waiting to be introduced the while, and taking good heed, as she waited, of the handsome stranger. As for Philip, he hesitated, not quite certain in his own mind on the point of etiquette—say rather of morals—whether one ought or ought not to introduce “the ladies of one’s family” to a casual stranger picked up in the street, who confesses he has come on a visit to England without a letter of introduction or even that irreducible minimum of respectability—a portmanteau. Frida, however, had no such scruples. She saw the young man was good-looking and gentlemanly, and she turned to Philip with the hasty sort of glance that says as plainly as words could say it, “Now, then! introduce me.”
Thus mutely exhorted, though with a visible effort, Philip murmured half inarticulately, in a stifled undertone, “My sister, Mrs. Monteith—Mr. Bertram Ingledew,” and then trembled inwardly.
It was a surprise to Bertram that the beautiful woman with the soul in her eyes should turn out to be the sister of the very commonplace young man with the boiled-fish expression he had met by the corner; but he disguised his astonishment, and only interjected, as if it were the most natural remark in the world: “I’m pleased to meet you. What a lovely gown! and how admirably it becomes you!”
Philip opened his eyes aghast. But Frida glanced down at the dress with a glance of approbation. The stranger’s frankness, though quaint, was really refreshing.
“I’m so glad you like it,” she said, taking the compliment with quiet dignity, as simply as it was intended. “It’s all my own taste; I chose the stuff and designed the make of it. And I know who this is, Phil, without your troubling to tell me; it’s the gentleman you met in the street last night, and were talking about at dinner.”
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