The Atlantic Monthly, Volume 17, No. 104, June, 1866. Various

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СКАЧАТЬ from point to point, they yet have a wonderful quickness, and snap up the fleetest insects with little apparent effort. There is a constant play of quick, nervous movements underneath their outer show of calmness and stolidity. They do not scour the limbs and trees like the Warblers, but, perched upon the middle branches, wait like true hunters for the game to come along. There is often a very audible snap of the beak as they arrest their prey.

      The Wood-Pewee, the prevailing species in this locality, arrests your attention by his sweet, pathetic cry. There is room for it also in the deep woods, as well as for the more prolonged and elevated strains. His mate builds an exquisite nest of moss on the side of some shelving cliff or overhanging rock. The other day, passing by a ledge near the top of a mountain in a singularly desolate locality, my eye rested upon one of these structures, looking precisely as if it grew there, so in keeping was it with the mossy character of the rock; and I have had a growing affection for the bird ever since. The rock seemed to love the nest and to claim it as its own. I said, What a lesson in architecture is here! Here is a house that was built, but built with such loving care and such beautiful adaptation of the means to the end, that it looks like a product of nature. The same wise economy is noticeable in the nests of all birds. No bird would paint its house white or red, or add aught for show.

      Coming to a drier and less mossy place in the woods, I am amused with the Golden-crowned Thrush,—which, however, is no thrush at all, but a Warbler, the Sciurus aurocapillus. He walks on the ground ahead of me with such an easy gliding motion, and with such an unconscious, preoccupied air, jerking his head like a hen or a partridge, now hurrying, now slackening his pace, that I pause to observe him. If I sit down, he pauses to observe me, and extends his pretty ramblings on all sides, apparently very much engrossed with his own affairs, but never losing sight of me. But few of the birds are walkers, most being hoppers, like the Robin. I recall only five species of the former among our ordinary birds,—the one in question, the Meadow-Lark, the Tit-Lark, the Cow-Bunting, and the Water-Wagtail (a relative of the Golden-Crown).

      Satisfied that I have no hostile intentions, the pretty pedestrian mounts a limb a few feet from the ground, and gives me the benefit of one of his musical performances, a sort of accelerating chant. Commencing in a very low key, which makes him seem at a very uncertain distance, he grows louder and louder, till his body quakes and his chant runs into a shriek, ringing in my ears with a peculiar sharpness. This lay may be represented thus: "Teacher teacher, teacher, teacher teacher!"—the accent on the first syllable and each word uttered with increased force and shrillness. No writer with whom I am acquainted gives him credit for more musical ability than is displayed in this strain. Yet in this the half is not told. He has a far rarer song, which he reserves for some nymph whom he meets in the air. Mounting by easy flights to the top of the tallest tree, he launches into the air with a sort of suspended, hovering flight, like certain of the Finches, and bursts into a perfect ecstasy of song,—clear, ringing, copious, rivalling the Goldfinch's in vivacity, and the Linnet's in melody. This strain is one of the rarest bits of bird-melody to be heard. Over the woods, hid from view, the ecstatic singer warbles his finest strain. In this song you instantly detect his relationship to the Water-Wagtail (Sciurus Noveboracensis),—erroneously called Water-Thrush,—whose song is likewise a sudden burst, full and ringing, and with a tone of youthful joyousness in it, as if the bird had just had some unexpected good-fortune. For nearly two years this strain of the pretty walker was little more than a disembodied voice to me, and I was puzzled by it as Thoreau by his mysterious Night-Warbler, which, by the way, I suspect was no new bird at all, but one he was otherwise familiar with. The little bird himself seems disposed to keep the matter a secret, and improves every opportunity to repeat before you his shrill, accelerating lay, as if this were quite enough and all he laid claim to. Still, I trust I am betraying no confidence in making the matter public here. I think this is pre-eminently his love-song, as I hear it oftenest about the mating season. I have caught half-suppressed bursts of it from two birds chasing each other with fearful speed through the forest.

      Turning to the left from the old road, I wander, over soft logs and gray yielding débris, across the little trout brook, until I emerge in the Barkpeeling,—pausing now and then on the way to admire a small, solitary white flower which rises above the moss, with radical, heart-shaped leaves, and a blossom precisely like the liverwort except in color, but which is not put down in my botany,—or to observe the ferns, of which I count six varieties, some gigantic ones nearly shoulder-high.

      At the foot of a rough, scraggy yellow birch, on a bank of club-moss, so richly inlaid with partridge-berry and curious shining leaves,—with here and there in the bordering a spire of the false wintergreen (Pyrola rotundifolia) strung with faint pink flowers and exhaling the breath of a May orchard,—that it looks too costly a couch for such an idler, I recline to note what transpires. The sun is just past the meridian, and the afternoon chorus is not yet in full tune. Most birds sing with the greatest spirit and vivacity in the forenoon, though there are occasional bursts later in the day, in which nearly all voices join; while it is not till the twilight that the full power and solemnity of the thrush's hymn is felt.

      My attention is soon arrested by a pair of Humming-Birds, the Ruby-Throated, disporting themselves in a low bush a few yards from me. The female takes shelter amid the branches, and squeaks exultingly as the male, circling above, dives down as if to dislodge her. Seeing me, he drops like a feather on a slender twig, and in a moment both are gone. Then, as if by a preconcerted signal, the throats are all atune. I lie on my back with eyes half closed, and analyze the chorus of Warblers, Thrushes, Finches, and Flycatchers; while, soaring above all, a little withdrawn and alone, rises the divine soprano of the Hermit. That richly modulated warble proceeding from the top of yonder birch, and which unpractised ears would mistake for the voice of the Scarlet Tanager, comes from that rare visitant, the Rose-breasted Grosbeak. It is a strong, vivacious strain, a bright noonday song, full of health and assurance, indicating fine talents in the performer, but not genius. As I come up under the tree he casts his eye down at me, but continues his song. This bird is said to be quite common in the Northwest, but he is rare in the Eastern districts. His beak is disproportionately large and heavy, like a huge nose, which slightly mars his good looks; but Nature has made it up to him in a blush rose upon his breast, and the most delicate of pink linings to the under side of his wings. His back is variegated black and white, and when flying low the white shows conspicuously. If he passed over your head, you would note the delicate flush under his wings.

      That bit of bright scarlet on yonder dead hemlock, glowing like a live coal against the dark background, seeming almost too brilliant for the severe Northern climate, is his relative, the Scarlet Tanager. I occasionally meet him in the deep hemlocks, and know no stronger contrast in nature. I almost fear he will kindle the dry limb on which he alights. He is quite a solitary bird, and in this section seems to prefer the high, remote woods, even going quite to the mountain's top. Indeed, the event of my last visit to the mountain was meeting one of these brilliant creatures near the summit, in full song. The breeze carried the notes far and wide. He seemed to enjoy the elevation, and I imagined his song had more scope and freedom than usual. When he had flown far down the mountain-side, the breeze still brought me his finest notes. In plumage he is the most brilliant bird we have. The Bluebird is not entirely blue; nor will the Indigo-bird bear a close inspection, nor the Goldfinch, nor the Summer Redbird. But the Tanager loses nothing by a near view; the deep scarlet of his body and the black of his wings and tail are quite perfect. This is his holiday suit; in the fall he becomes a dull green,—the color of the female the whole season.

      One of the leading songsters in this choir of the old Barkpeeling is the Purple Finch or Linnet. He sits somewhat apart, usually on a dead hemlock, and warbles most exquisitely. He is one of our finest songsters, and stands at the head of the Finches, as the Hermit at the head of the Thrushes. His song approaches an ecstasy, and, with the exception of the Winter Wren's, is the most rapid and copious strain to be heard in these woods. It is quite destitute of the trills and the liquid, silvery, bubbling notes that characterize the Wren's; but there runs through it a round, richly modulated whistle, very sweet and very pleasing. The call of the Robin is brought in at a certain point with marked effect, and, throughout, the variety is so great and the strain so rapid СКАЧАТЬ