Two Penniless Princesses. Yonge Charlotte Mary

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СКАЧАТЬ there were carpets under the feet of the nobler guests, and even the second and third tables were spread with more richness and refinement than ever the sisters of James II had known in their native land. In a gallery above, the Duke’s musicians and the choristers of his chapel were ready to enliven the meal; and as the chief guest, the Lady Joanna of Scotland was handed to her place by the Duke of York, who, as she now perceived, though small in stature, was eminently handsome and graceful, and conversed with her, not as a mere child, but as a fair lady of full years.

      Eleanor, who sat on his other hand beside the Earl of Salisbury, was rather provoked with her sister for never asking after the fate of her champion; but was reassured by seeing his red head towering among the numerous squires and other retainers of the second rank. It certainly was not his proper place, but it was plain that he was not in disgrace; and in fact the whole affair had been treated as a mere pardonable blunder of the rangers. The superior one was sitting next to the young Scot, making good cheer with him. Grand as the whole seemed to the travellers, it was not an exceptional banquet; indeed, the Duchess apologised for its simplicity, since she had been taken at unawares, evidently considering it as the ordinary family meal. There was ample provision, served up in by no means an unrefined manner, even to the multitudinous servants and retainers of the various trains; and beyond, on the steps and in the court, were a swarm of pilgrims, friars, poor, and beggars of all kinds, waiting for the fragments.

      It was a wet evening, and when the tables were drawn the guests devoted themselves to various amusements. Lord Salisbury challenged Sir Patrick to a game at chess, Lady Salisbury and Dame Lilias wished for nothing better than to converse over old times at Middleham Castle; but the younger people began with dancing, the Duke, who was only thirty years old, leading out the elder Scottish princess, and the young King of the Isle of Wight the stately and beautiful Duchess Cicely. Eleanor, who knew she did not excel in anything that required grace, and was, besides, a good deal fatigued, would fain have excused herself when paired with the young Richard Nevil; but there was a masterful look about him that somewhat daunted her, and she obeyed his summons, though without acquitting herself with anything approaching to the dexterity of her sister, who, with quite as little practice as herself, danced well—by quickness of eye and foot, and that natural elegance of movement which belongs to symmetry.

      The dance was a wreathing in and out of the couples, including all of rank to dance together, and growing more and more animated, till excitement took the place of weariness; and Eleanor’s pale cheeks were flushed, her eyes glowing, when the Duchess’s signal closed the dance.

      Music was then called for, and several of the princely company sang to the lute; Jean, pleased to show there was something in which her sister excelled, and gratified at some recollections that floated up of her father’s skill in minstrelsy, insisted on sending for Eleanor’s harp.

      ‘Oh, Jean, not now; I canna,’ murmured Eleanor, who had been sitting with fixed eyes, as though in a dream.

      But the Duke and other nobles came and pressed her, and Jean whispered to her not to show herself a fule body, and disgrace herself before the English, setting the harp before her and attending to the strings. Eleanor’s fingers then played over them in a dreamy, fitful way, that made the old Earl raise his head and say—

      ‘That twang carries me back to King Harry’s tent, and the good old time when an Englishman’s sword was respected.’

      ‘’Tis the very harp,’ said Sir Patrick; ‘ay, and the very tune—’

      ‘Come, Elleen, begin. What gars thee loiter in that doited way?’ insisted Jean. ‘Come, “Up atween.”’

      And, led by her sister in spite of herself, almost, as it were, without volition, Eleanor’s sweet pathetic voice sang—

           ‘Up atween yon twa hill-sides, lass,

             Where I and my true love wont to be,

           A’ the warld shall never ken, lass,

             What my true love said to me.

           ‘Owre muckle blinking blindeth the ee, lass,

             Owre muckle thinking changeth the mind,

           Sair is the life I’ve led for thee, lass,

             Farewell warld, for it’s a’ at an end.’

      Her voice had been giving way through the last verse, and in the final line, with a helpless wail of the harp, she hid her face, and sank back with a strange choked agony.

      ‘Why, Elleen! Elleen, how now?’ cried Jean. ‘Cousin Lilias, come!’

      Lady Drummond was already at her side, and the Duchess and Lady Salisbury proffering essences and cordials, the gentlemen offering support; but in a moment or two Eleanor recovered enough to cling to Lady Drummond, muttering—

      ‘Oh, take me awa’, take me awa’!’

      And hushing the scolding which Jean was commencing by way of bracing, and rejecting all the kind offers of service, Dame Lilias led the girl away, leaving Jean to make excuses and explanations about her sister being but ‘silly’ since they had lost their mother, and the tune minding her of home and of her father.

      When, with only Annis following, the chambers had been reached, Eleanor let herself sink on a cushion, hiding her face against her friend, and sobbing hysterically—

      ‘Oh, take me awa’, take me awa’! It’s all blood and horror!’

      ‘My bairnie, my dearie! You are over-weary—‘tis but a dreamy fancy. Look up! All is safe; none can harm you here.’

      With soothings, and with some of the wine on the table, Lady Drummond succeeded in calming the girl, and, with Annis’s assistance, she undressed her and placed her in the bed.

      ‘Oh, do not gang! Leave me not,’ she entreated. And as the lady sat by her, holding her hand, she spoke, ‘It was all dim before me as the music played, and—’

      ‘Thou wast sair forefaughten, dearie.’

      Eleanor went on—

      ‘And then as I touched mine harp, all, all seemed to swim in a mist of blood and horror. There was the old Earl and the young bridegroom, and many and many more of them, with gaping wounds and deathly faces—all but the young King of the Isle of Wight and his shroud, his shroud, Cousin Lily, it was up to his breast; and the ladies’ faces that were so blithe, they were all weeping, ghastly, and writhen; and they were whirling round a great sea of blood right in the middle of the hall, and I could—I could bear it no longer.’

      Lady Drummond controlled herself, and for the sake both of the sobbing princess and of her own shuddering daughter said that this terrible vision came of the fatigue of the day, and the exhaustion and excitement that had followed. She also knew that on poor Eleanor that fearful Eastern’s Eve had left an indelible impression, recurring in any state of weakness or fever. She scarcely marvelled at the strange and frightful fancies, except that she believed enough in second-sight to be concerned at the mention of the shroud enfolding the young Beauchamp, who bore the fanciful title of the King of the Isle of Wight.

      For the present, however, she applied herself to the comforting of Eleanor with tender words and murmured prayers, and never left her till she had slept and wakened again, her full self, upon Jean coming up to bed at nine o’clock—a very late hour—escorted by sundry of the ladies to inquire for the patient.

      Jean was still excited, but she was, with all her faults, very fond of her sister, and obeyed Lady Drummond in being as quiet as possible. She СКАЧАТЬ