The Mckettrick Way. Linda Miller Lael

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СКАЧАТЬ the other. “If I’m going gray,” he scowled, “it’s on account of you. None of my boys ever gave me half as much trouble as you, or my Katie, either. And they were plum full of the dickens, all of them.”

      Meg’s heart pinched. Katie was Angus’s youngest child, and his only daughter. He rarely mentioned her, since she’d caused some kind of scandal by eloping on her wedding day—with someone other than the groom. Although she and Angus had eventually reconciled, he’d been on his deathbed at the time.

      “I’m all right, Angus,” she told him. “You can go. Really.”

      “You eat food that could be used to drive railroad spikes into hard ground. You don’t have a husband. You rattle around in this old house like some—ghost. I’m not leaving until I know you’ll be happy.”

      “I’m happy now.”

      Angus walked over to her, the heels of his boots thumping on the plank floor, took the frozen dinner out of her hands, and carried it to the trash compactor. Dropped it inside.

      “Damn fool contraption,” he muttered.

      “That was my supper,” Meg objected.

      “Cook something,” Angus said. “Get out a skillet. Dump some lard into it. Fry up a chicken.” He paused, regarded her darkly. “You do know how to cook, don’t you?”

      Chapter Three

      Jolene’s, built on the site of the old saloon and brothel where Angus McKettrick and Major John Blackstone used to arm wrestle, among other things, was dimly lit and practically empty. Meg paused on the threshold, letting her eyes adjust and wishing she’d listened to her instincts and cancelled; now there would be no turning back.

      Brad was standing by the jukebox, the colored lights flashing across the planes of his face. Having heard the door open, he turned his head slightly to acknowledge her arrival with a nod and a wisp of a grin.

      “Where is everybody?” she asked. Except for the bartender, she and Brad were alone.

      “Staying clear,” Brad said. “I promised a free concert in the high school gym if we could have Jolene’s to ourselves for a couple of hours.”

      Meg nearly fled. If it hadn’t been against the McKettrick code, as inherent to her being as her DNA, she would have given in to the urge and called it good judgment.

      “Have a seat,” Brad said, drawing back a chair at one of the tables. Nothing in the whole tavern matched, not even the bar stools, and every stick of furniture was scarred and scratched. Jolene’s was a hangout for honky-tonk angels; the winged variety would surely have given the place a wide berth.

      “What’ll it be?” the bartender asked. He was a squat man, wearing a muscle shirt and a lot of tattoos. With his handlebar mustache, he might have been from Angus’s era, instead of the present day.

      Brad ordered a cola as Meg forced herself across the room to take the chair he offered.

      Maybe, she thought, as she asked for an iced tea, the rumors were true, and Brad was fresh out of rehab.

      The bartender served the drinks and quietly left the saloon, via a back door.

      Brad, meanwhile, turned his own chair around and sat astraddle it, with his arms resting across the back. He wore jeans, a white shirt open at the throat and boots, and if he hadn’t been so breathtakingly handsome, he’d have looked like any cowboy, in any number of scruffy little redneck bars scattered all over Arizona.

      Meg eyed his drink, since doing that seemed slightly less dangerous than looking straight into his face, and when he chuckled, she felt her cheeks turn warm.

      Pride made her meet his gaze. “What?” she asked, running damp palms along the thighs of her oldest pair of jeans. She’d made a point of not dressing up for the encounter—no perfume, and only a little mascara and lip gloss. War paint, Angus called it. Her favorite ghost had an opinion on everything, it seemed, but at least he’d honored his promise not to horn in on this interlude, or whatever it was, with Brad.

      “Don’t believe everything you read,” Brad said easily, settling back in his chair. “Not about me, anyway.”

      “Who says I’ve been reading about you?”

      “Come on, Meg. You expected me to drink Jack Daniel’s straight from the bottle. That’s hype—part of the bad-boy image. My manager cooked it up.”

      Meg huffed out a sigh. “You haven’t been to rehab?”

      He grinned. “Nope. Never trashed a hotel room, spent a weekend in jail, or any of the rest of the stuff Phil wanted everybody to believe about me.”

      “Really?”

      “Really.” Brad pushed back his chair, returned to the jukebox, and dropped a few coins in the slot. An old Johnny Cash ballad poured softly into the otherwise silent bar.

      Meg took a swig of her iced tea, in a vain effort to steady her nerves. She was no teetotaler, but when she drove, she didn’t drink. Ever. Right about then, though, she wished she’d hired a car and driver so she could get sloshed enough to forget that being alone with Brad O’Ballivan was like having her most sensitive nerves bared to a cold wind.

      He started in her direction, then stopped in the middle of the floor, which was strewn with sawdust and peanut shells. Held out a hand to her.

      Meg went to him, just the way she’d gone to the Dixie Dog Drive-In the day before. Automatically.

      He drew her into his arms, holding her close but easy, and they danced without moving their feet.

      As the song ended, Brad propped his chin on top of Meg’s head and sighed. “I’ve missed you,” he said.

      Meg came to her senses.

      Finally.

      She pulled back far enough to look up into his face.

      “Don’t go there,” she warned.

      “We can’t just pretend the past didn’t happen, Meg,” he reasoned quietly.

      “Yes, we can,” she argued. “Millions of people do it, every day. It’s called denial, and it has its place in the scheme of things.”

      “Still a McKettrick,” Brad said, sorrow lurking behind the humor in his blue eyes. “If I said the moon was round, you’d call it square.”

      She poked at his chest with an index finger. “Still an O’Ballivan,” she accused. “Thinking you’ve got to explain the shape of the moon, as if I couldn’t see it for myself.”

      The jukebox in Jolene’s was an antique; it still played 45s, instead of CDs. Now a record flopped audibly onto the turntable, and the needle scratched its way into Willie Nelson’s version of “Georgia.”

      Meg stiffened, wanting to pull away.

      Brad’s arms, resting loosely around her waist, tightened slightly.

      Over the СКАЧАТЬ