Wedding Tiers. Trisha Ashley
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Название: Wedding Tiers

Автор: Trisha Ashley

Издательство: HarperCollins

Жанр: Современная зарубежная литература

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isbn: 9780007329052

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СКАЧАТЬ had been sorting out a whole trunkful of clothes, and the skirt was only one of many pretty things she’d given me. ‘Fashion’s gone boho, so I think I’m actually very trendy at the moment.’

      I rather hoped he would think I looked pretty in my long blue skirt and cotton top, but instead he said, with unusual grumpiness, ‘If it doesn’t matter what I wear, I’ll go like this, then,’ this being his paint-spattered jeans and a sweatshirt up which he had at some time wiped a loaded palette knife.

      ‘Fine—Tim won’t notice. Libby says he can’t wait to get out of his solicitor’s suit when he gets home and out into the garden. He and Dorrie are having endless discussions about how to restore the grounds to their former glory. Now, come on, or we’ll be late.’

      I put on a long, purple Moroccan cloak with a pointy, tasselled hood (another of Stella’s offerings) and picked up a coracle-shaped wicker basket decorated with faded raffia flowers. It contained a bottle of our best elderflower champagne and a Battenburg cake made using natural marzipan and pink food colouring. Libby doesn’t know anything about baking, but she can whip up Italian pasta meals at the drop of a hat, especially those that had been her late husband’s favourites. I expect she’ll now learn to cook what Tim likes, being a great believer in the way to a man’s heart being through his stomach. I ascribe to that one a bit myself—Ben loves my food, just as he adored Granny’s cakes and biscuits when we were still at school. She used to joke that he had a stomach like a bottomless pit.

      Cupboard love.

      Ben always says his mother can’t cook and on the occasions when he visits them in Wilmslow, they eat ready-prepared Marks and Spencer’s meals, though since she’s never invited me over for a meal (or anything else), I can’t vouch for that. They have never visited this house either, though I gritted my teeth and invited them a few times, until I realised they were never going to accept me—or Nell Richards wasn’t. I had a feeling Ben’s father, sarcastic and superior though he was, might have weakened a bit, left to himself. But you can see why it was a bone of contention between me and Ben that he still accepted an allowance from them after they’d snubbed me for all these years!

      We walked past Blessings and up the little side lane, because no one ever used the front entrance of Blessings: by the time the bell had been pulled and someone had heard it jangle, then unlocked the big, oak door, come down a flight of steps, crossed the little front courtyard and opened the great gate, set in its castellated wall, the visitor would have long since vanished. Instead, a brass plate and an arrow directed you round the back.

      Feeling like a slightly Goth Little Red Riding Hood with my cloak and basket, I led the way to the rear gate and up the short gravelled drive past the empty and neglected gatehouse. I was heading for the kitchen wing, but Libby was standing at the French doors that had been rather incongrously let into the back wall of the Great Chamber, looking out for us.

      The two men got on fine, as I’d known they would, especially once they’d had a glass or two of bubbly each. Tim might have gone to Ampleforth College and sounded a bit plummy, but you soon forgot that because he was so ordinary and nice.

      It still struck me as odd to see him and Libby together, because she’d always gone for more of a father figure before (if not grandfather figure!), and Tim is only a couple of years older than she is. And he had a lost-boy sort of air about him that seemed to be awakening an unsuspected and long-dormant maternal streak in her. I was amazed! I’d never seen much sign of it with Pia, even though I knew how much Libby loved her. It was all very strange.

      The Great Chamber was the first room Libby and I had started cleaning and it looked much better without cobwebs and a furring of dust along every surface. Like all the Elizabethan part of the house, it had had electricity put in at some time in the dim and distant past and a central heating system of old-fashioned proportions and inefficiency. But apart from that, it was very much as it had always been: a large room with a huge fireplace at one end, dark oak flooring in need of polishing and a central spoked wheel depending from the moulded ceiling, which had probably once been set with candles but now held those dim, twisty little lightbulbs instead. There were several windows with diamond panes of ripply glass, which let in the light but left the view outside blurry. From black, wrought-iron poles hung tattered, sun-rotted curtains and, even after unpicking a bit of hem, we had been unable to decide what their original colours had been.

      Many of the rooms at Blessings were plastered and studded all over with moulded heraldic emblems, a bit like extreme Anaglypta, which had been tricky and delicate to dust. We’d used special brushes, as advised by Sophy Winter, and great care, especially where faint traces of bright paint and gilding still clung here and there.

      The house seemed to have been updated in the thirties and forties, when the new extension was added. Spartan bathrooms had been created in small chambers, and telephone lines, electricity cables and water pipes run over the surface of the walls, seemingly at random. There had been no attempt to hack into the plaster and hide them, but I expect, from a historic viewpoint, that was a good thing.

      We each had a glass or two of elderflower champagne, and then Libby went away to find a knife and plates for the Battenburg cake. She’d just come back when the French doors swung open and Miss Dorrie Spottiswode marched in on a blast of chilly air and stood, hands on hips, surveying us with light blue eyes that were a fiercer variant of Tim’s. It occurred to me that Stella and Mark’s billy goat, Mojo, had just those same pale, slightly mad eyes, with small dark pupils…But luckily Dorrie doesn’t smell the same as the goat, just strangely but pleasantly of Crabtree & Evelyn’s Gardeners soap, lavender and mothballs.

      ‘Ha—carousing, I see!’ she said severely. With her pulled, blue tweed skirt sagging at the seat and worn with purple Argyll-patterned knee socks and stout, Gertrude Jekyll-style lace-up boots, she cut a strange figure—but then, she usually does. In honour of the evening hour, she had changed her habitual woollen jumper for a silk shirt and pearls, but she still wore her French beret, set at a jaunty angle over elf-locks of iron-grey hair.

      ‘Come in, Aunt Dorrie, we’re just having a little drink to celebrate our engagement,’ Tim said warmly. ‘I was wondering where you had got to. Didn’t you get the note I put through your door earlier?’

      ‘The cat tried to eat it. I wondered what the soggy bits of paper on the mat were.’

      ‘Well, you’re here now, that’s the main thing. You know Josie Gray and Ben Richards, don’t you?’

      ‘Of course I bloody do—they live a stone’s throw away! And anyway, I’m an Acorn.’

      An…Acorn?’ queried Tim, cautiously.

      ‘It’s sort of a barter group Josie set up, darling,’ Libby explained. ‘They use imaginary acorns for currency.’

      ‘Oh, right!’ he said, though he didn’t look particularly enlightened.

      Anyway, I’d have to be flaming blind, deaf and dumb not to recognise every living soul in a village this size, after living here all these years, wouldn’t I? And there’s nothing wrong with any of my faculties.’ Dorrie was obviously in belligerent mode.

      ‘Of course not, Aunt Dorrie,’ Tim said.

      And if I don’t recognise someone, then Mrs Talkalot at the post office soon fills me in, whether I want to hear it or not.’

      Mrs Talkalot is the name the postmistress, Florrie James, is commonly known by in Neatslake, and she even good-naturedly refers to herself by it. She only ever stops talking to draw breath and doesn’t so much converse with her customers as let loose a permanent stream-of-consciousness СКАЧАТЬ