Sweet Agony. Charlotte Stein

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СКАЧАТЬ finally he has me, he has me, he has me so damned hard. ‘If you can explain to me how a face might be swept I will concede the point,’ he writes, and I almost run to the desk in my room. I sit down at it with sweating palms and shivering insides and my heart nearly bursting out of my chest. He never meant to just insult you, my giddy mind yelps, and my giddy mind is right. He wants me to write back. He wants to correspond with me.

      Holy mother of fuck, we are corresponding.

      ‘First I lift the broom from the floor,’ I write, and I could swear my insides sing when I do. My pen flies across the page, no longer concerned with creating some fancy swirling script. I just want to get the words down and send them back, so I can see what he has to say next. No doubt he will point out that ‘swirling the bristles until his eyebrows come off’ is not possible. He may even suggest I look up ‘broom’ in the dictionary to improve my sweeping knowledge.

      All of which sounds very exciting to me.

      But not as exciting as what he actually says.

      ‘If your object is to remove my eyebrows, wax applied while I am sleeping would obviously make a good deal more sense. However, as I never sleep there is a very slim chance of this ever happening,’ he writes, now so hasty all of his words are starting to slant to the left. He forgot to cross half of his Ts and is pressing down much too hard. When I hold the paper in my hands I can feel each word like a strange Braille beneath, spelling out for me what I can already see.

      He is passionate about whatever this is.

      It fires him up, in a way I can tell he is not used to. He can’t quite handle it, as evidenced by the typos and the pressure but most importantly by how wide open he leaves himself. Seriously, I could drive a bus through those sentences. I have to reverse a little and just nudge into them, because, God, if I said what I really wanted to…He can never know what I would say if I really wanted to. He gets the edited version, and even that goes a step too far. ‘You should probably refrain from tempting me into random acts of waxing you in the middle of the night,’ I write, then add in a fit of madness, ‘I might not stop with your eyebrows.’

      As soon as I leave the letter for him I want to take it back. I keep cringing over it as I spray the bathrooms on the second floor with Flash, so sure that this is the thing that will get me fired. Or if not fired, then at least a long, long silence. I even prepare myself for it, by not going back to my room for hours and hours. I pretend I barely care whether there’s a letter there, and plan on shrugging when I find nothing. Maybe I won’t even look towards the windowsill, where one always sits.

      That way, I pre-empt my own disappointment.

      I get it, before it can get me – which sounds insane but has worked for me so many times in the past. I never really wanted to go to the library anyway; I wasn’t actually interested in that notebook for Christmas; I don’t even know what Christmas is. Christmas is just like any other day, so macaroni cheese alone in the bathroom is fine. All of my life is fine, everything is fine, I swear it is, it really is…until I get to my room and the letter is there.

      Until I open it and find the following:

      ‘Are you threatening me with theft of my chest hair, Ms Parker? If so you should know I barely have enough to make such an enterprise worthwhile. You could probably remove it all simply by blowing in my general direction, though doing so will earn you as much admonition as if you had snuck into my room and plucked each one with a pair of tweezers.’

      And then I finally understand what I was really doing all along. I wasn’t fine at all; I was just settling. I didn’t stave off disappointment by opening the door for it; I just let it into the room with me sooner. I pulled up a chair for it and pretended we were friends, even though it spat in my face and stole everything I had.

      It took the joy out of my life, and I know that now because when I read those ridiculous words all of it comes flooding back into me in one long glorious gush. My body fills with a delirious happiness – and all over something so simple and small. He just plays along with me. That’s all he does and yet that is all it takes.

      Just someone to write insanely overblown letters about hair thievery with. Someone who is so into it that when I go to take out a pen and paper to reply I find stationery, the same sort as he has been using. I find beautiful envelopes and little cream cards and a pen, oh, God, a fountain pen. Does he know how often I sat in my diseased mess of a high school and dreamed of using a fountain pen? How I would close my eyes and will away the biro in my hand and replace it with something so like this I could cry?

      I do cry, when I come across the wax and the seal.

      He has even gone to the trouble of making a seal for me. It has my initials linked in a regal-looking loop, as though when he time-travelled to another century he took me with him. Now we get to live out this nineteenth-century fantasy together, and, oh, it is bliss. So much so that the next note I send almost tells him that very thing.

      ‘This is the best thing that has ever happened to me’, I think of writing, and even though I manage to contain myself I do a lot of other inadvisable things. I step too jauntily and search for him without meaning to and, most ridiculously and unexpectedly, I catch myself singing. I have never sung in my life.

      But I do. There I am, minding my own business, when suddenly it just bursts out of me. And, true, his dusty old record collection is probably partly to blame. I saw the title of one of them only seconds before, and it was a song I happened to know. Yet, even so, it kind of shocks me – and not just because it’s me trilling away.

      There is also the line I choose to sing.

      ‘When you kiss me heaven sighs,’ I sing, so full of feeling that I want to stop before it gets any worse. Before he hears me, and thinks I mean that he is the kisser I’m imagining, when I promise he absolutely is not. He is not my ‘La Vie En Rose’, all right?

      Not even when I hear a sound from the other side of the house.

      One that falters and fails and fumbles into something, when I sing the next line of the song. ‘Give your heart and soul to me,’ I sing, and there it is again. First one note, fine and high, and then another and another, each clearer than the last, until I have to accept the stone-cold truth: that is him playing the piano. Somewhere in the house he is tentatively accompanying my painful singing, and so beautifully that I could never mistake it for anything but what it is.

       He is saying back to me what I swear I was not suggesting.

      Good God, is he really saying back to me what I swear I was not suggesting? It seems impossible, but, no matter how hard I sing, he keeps up. I practically reach for the sky with the line about ‘angels singing from above’, and still he responds in kind. By the time I get to the last ‘La Vie En Rose’ he is adding chords to other chords and running them together one after another in a way the song doesn’t even call for.

      My voice dies away, and his is left behind.

      And, by God, his is heart-shakingly good. No, more than heart-shakingly good, much more. He is so good it roots me to the spot, as though he has unleashed a musical storm and I have to take shelter. It comes pouring out of some unseen room in a great gush, all of it so incredible that even I can identify what he is. I have only a slight knowledge of the pieces he plays or how they should sound, but I still know it.

      He is obviously a virtuoso.

      This is what he must do for a living, I think. He must make recordings of the СКАЧАТЬ