The Collins Guide To Opera And Operetta. Michael White

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       Principal Characters

      Vanessa, a baroness

      Anatol, a young man

      Erika, Vanessa’s niece

      Old Baroness, Vanessa’s mother

      Doctor

       Synopsis of the Plot

      Setting: A country house in an unnamed ‘northern country’ in the early 1900s

      ACT I Vanessa waits alone in her sumptuous drawing room for a visitor to arrive. When he does at last come, Vanessa keeps her back turned to him, saying that she has waited twenty years for his return but, if he can no longer love her, then he must go immediately. As the visitor answers her, Vanessa whirls round, realizing that he cannot possibly be her lover, Anatol; he is much too young. Weak with shock she is taken to her room by Erika. Meanwhile, Anatol casts an acquisitive eye over the rich furnishings of the room. When Erika returns he explains that he is the son of Anatol, Vanessa’s lover who went away twenty years ago; his father is now dead. In view of the snowstorm raging outside, he begs Erika to let him stay the night and, carefully scrutinising the girl, calmly sits down to enjoy the meal prepared for his father.

      ACT II A month has gone by. Erika confesses to the old Baroness that, although she and Anatol became lovers on that first night, she does not love him and will not marry him. Vanessa, aglow with happiness, returns from skating with Anatol and announces plans for a grand New Year Ball. Later, the old Baroness questions Anatol about his behaviour towards Erika and extracts his promise to marry her. Erika, however, knowing that her aunt, Vanessa, is in love with Anatol, rejects him.

      ACT III The ball is under way and Vanessa and Anatol are about to announce their engagement. The pregnant Erika, shocked and disturbed, wanders unnoticed outside into the bitter cold as the music and dancing continue in the background.

      ACT IV Erika has been found unconscious and has suffered a miscarriage, kept secret from Vanessa, who is now married to Anatol and preparing to leave for their honeymoon in Paris. After they leave, Erika is alone; she orders the mirrors to be draped and the gate to be shut, just as her aunt had done: ‘Now it is my turn to wait’.

       Music and Background

      A conservative piece for its time, Vanessa is richly scored in the manner of late Romanticism, owing much to Puccini and Richard Strauss, and with most of the formal ingredients of conventional 19th-century grand opera but translated into American terms. There is a fragment of a ball scene, ravishingly lyrical set-piece arias, and a sort of folk ballet – all of which contributed to the enormous success Vanessa enjoyed in its early years. It was the first opera in English ever to be heard at Salzburg, where it played with the Vienna Philharmonic in the pit.

       Highlights

      Erika’s aria ‘Must the winter come so soon?’ is a winner, as is Vanessa’s ‘Do not utter a word’, and the final quintet is arguably one of the most effective climaxes in modern opera.

      Did You Know?

      Recommended Recording

      Eleanor Steber, Rosalind Elias, Regina Resnik, Nicolai Gedda, Metropolitan Opera/Dmitri Mitropoulos. BMG/RCA GD 87899. The original cast, and the only recording.

Béla Bartók

      (1881–1945)

       Duke Bluebeard’s Castle (1918)

       Born in a part of Hungary which is now Romania, Bartók was one of the pioneer figures of 20th-century music, forging a new musical style from the folk traditions of his native country that owes nothing to the two composer-giants who are generally considered the great originators of modernity, Schoenberg and Stravinsky. Most of his work was instrumental and orchestral, with a set of six string quartets that rank as the most significant of their kind since Beethoven, and major concert scores like the Concerto for Orchestra and Music for Percussion, Strings and Celesta. His involvement with the stage was limited and Duke Bluebeard’s Castle his only opera, although he did subsequently produce two ballet scores, The Wooden Prince and The Miraculous Mandarin. He left Hungary for America in 1940 and died there in financially straitened circumstances five years later.

Duke Bluebeard’s Castle

       FORM: Opera in one act; in Hungarian

       COMPOSER: Béla Bartók (1881–1945)

       LIBRETTO: Béla Balázs; after a fairy tale by Charles Perrault

       FIRST PERFORMANCE: Budapest, 24 May 1918

       Principal Characters

      Duke Bluebeard

Bass

      Judith, his wife

Mezzo-soprano

       Synopsis of the Plot

      Setting: Bluebeard’s castle; an unknown time and country

      Bluebeard enters, leading his new wife into her home, a strange, dark Gothic castle which has seven doors but no СКАЧАТЬ