The Whaleboat House. Mark Mills

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СКАЧАТЬ she had been staying at the house in East Hampton since January, following a separation from her fiancé, the engagement broken off.

      When asked if Lillian was depressed, Rosa replied that she’d been very low at first, but within a month or so she was her old self again – spirited, full of life and humor. She said this in such a way as to warn him off the notion that Lillian might have taken her own life.

      For much of the time Lillian had been alone in the house. Rosa lived with her husband and three children on the other side of town and only stayed in the house on Friday and Saturday nights during the season, when the whole family came out for the weekend. Since Lillian had taken up residence though, Rosa would come in for a few hours every morning to air the rooms, clean a little, make Lillian’s bed, and prepare an evening meal for her.

      Lillian kept herself pretty much to herself during the week, although Rosa said she played tennis with friends at the Maidstone Club every now and then. She read a lot, walked a lot, and swam whenever she could, in the swimming pool out back and in the sea.

      Her evening dip in the ocean had been an established ritual. Even weekends, when her family was around, while the others indulged in pre-prandial cocktails on the terrace Lillian would head off to the beach, out of the back gate in the garden and across the dunes. Rosa’s eyes misted over again as she described this daily pilgrimage, the one that Lillian had never returned from.

      Hollis had asked if he could take a look at Lillian’s bedroom, and Rosa accompanied him upstairs. He would have preferred to inspect the room on his own, taking his time, but Rosa loitered protectively at the door.

      There was nothing overtly feminine about the room, very little besides the clothes in the closet to suggest the gender of its occupant. The walls were painted cream and were hung with prints and etchings – a cart passing down a country lane, Montauk Lighthouse, an abstract female nude by some well-known European artist whose name Hollis couldn’t recall.

      On the wall beside the bed was a framed photo showing a group of young women gathered on a stage. The caption on the matt read: The Experimental Theatre, Vassar College 1942. Lillian Wallace stood out like a beacon, her beauty and the breadth of her smile animating the photo, lending life to those around her. The image was in stark contrast to Hollis’ first sight of her, face frozen with rigor mortis, pinkish foam oozing from her blue lips.

      He was left in little doubt as to what she had studied at Vassar. The shelves of a mahogany bookcase bowed under the weight of volumes of English and French literature, and there were more books stacked on the desk in front of the window. Hollis’ eyes grazed over the clutter on the desk, looking for a suicide note. Despite Rosa’s assertions, he didn’t dismiss the possibility that Lillian Wallace had taken her own life.

      There was no note, not on the desk, not on the nightstand, not in any of the drawers in the room. This didn’t rule out suicide. Relatives or friends sometimes destroyed the suicide note of their loved ones. Sometimes this was done for simple, if misguided, reasons of decency. On other occasions it was no doubt done to protect themselves.

      There was no denying the genuineness of Rosa’s grief, but it didn’t preclude her discovery of a note that morning when she had come to work. And as Hollis picked his way around the room, he was able to construct an alternative sequence of events – Rosa’s horror on finding the note, the anxious hours spent waiting, praying that Lillian wouldn’t see it through, that she would turn up, then the dashed hopes when he had appeared on the doorstep, the subsequent surge of emotion in Rosa indistinguishable from genuine surprise, and no less authentic.

      This could also explain what Rosa was doing at the house at three o’clock in the afternoon when by her own account she only ever came in for a few hours in the morning.

      ‘Have you touched anything in here?’ he asked.

      ‘No.’

      ‘So the bed was already made?’

      ‘Yes.’

      ‘Did that strike you as strange?’

      ‘Strange?’

      ‘You say you make her bed every morning. You come in one day and it’s already made. Has it ever happened before?’

      Rosa hesitated before replying. ‘No.’

      ‘So you must have been a little … surprised.’

      ‘Yes,’ she said, regarding him mistrustfully. Her mind was working hard, too hard.

      There was a door in the corner of the room. Behind it lay a bathroom, painted pale blue. There were some cosmetics on the glass shelf above the basin, nothing elaborate. Across the room, a linen skirt and a white blouse lay neatly folded on a wicker chair, a pair of leather sandals on the floor nearby.

      Sensing Rosa behind him in the doorway, he spoke without turning.

      ‘This is where she would have changed?’

      ‘Yes.’

      ‘Are these the clothes she was wearing yesterday?’

      ‘Yes.’

      Hollis lifted the lid of a laundry hamper. It was empty. ‘Did she wear a brassiere?’ Rosa, understandably, was a little put out by the question. ‘I’m just wondering where her undergarments are. They’re not on the chair, not in the laundry hamper.’

      ‘They were in the hamper. I emptied it this morning.’

      Hollis ran the scene in his head. It’s early evening, Lillian comes into the bathroom, she removes her clothes – first her blouse, then her skirt – folding them before placing them on the chair. She then takes off her brassiere and panties and puts them in the laundry hamper. Now she pulls on her dark blue swimsuit.

      ‘The times you saw her leaving for her swim, what was she wearing?’

      ‘A bathrobe.’

      ‘Shoes?’

      Rosa thought before replying. ‘No.’

      ‘Did she take a towel?’

      ‘I think so. Yes.’

      ‘And jewelry?’

      ‘Jewelry?’

      ‘Earrings, for example, did she keep them in or take them out?’

      ‘Why are you asking me all these questions?’ Her eyes were filling with tears again.

      ‘I’m sorry, it’s routine procedure.’

      ‘She didn’t wear jewelry.’

      ‘Never?’

      ‘Special occasions.’

      Well, death was certainly a special occasion.

      ‘One more question, Rosa. What are you doing here midafternoon? You said before you only come in for a few hours in the morning.’ He felt bad springing this on her, given her state, but he had to know the answer.

      ‘I wasn’t worried at first,’ she said defensively. ‘I thought … I thought СКАЧАТЬ