The Unbreakable Trilogy. Primula Bond

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      ‘This is me at my best.’ I trot up beside him. ‘And you don’t look too bad yourself.’

      His black eyes flash wickedness under his glossy hair. He clicks his tongue and I’m still trying to harden my heart as we trot briskly out of the stable yard and straight up a bank into the dense forest.

      ‘Wait for me!’ I call, but he ignores me, pressing his horse into a gallop up a well-worn path and disappearing round a corner.

      When the horse’s tail flicks out of sight I squeeze my chestnut mare into a gallop to follow them. The man in black on his black horse flashes in and out of the trees, in and out of the shadows, into brief oases of daylight, hooves muffled on the pine needles. I have to concentrate at first to get into my horse’s rhythm, thighs screaming to grip the saddle, bottom tensed up into a half standing position, but then I catch up, I’m right up behind Gustav as he crouches over his horse, his hair streaming in a similarly glossy mane, his hard, muscular, squeezable butt held up in the air like a jockey.

      And then we are neck and neck, very dangerous on the rock-strewn pathways, so close I could flick at him with my whip if I had one. I laugh out loud at that. Whips in London, whips in art galleries and echoing mansions, but not here, in the great outdoors, when you’re actually riding.

      His long fingers in tight black gloves are curled on the reins, controlling his horse as we race. The blood is pounding through me now, beating in time to the drum of hooves. I am determined to overtake him, but he keeps pace with me. On and on we race, the going getting tougher because it’s steeper, and stony. We’re on the mountain, now, but the peaks recede as if laughing at us.

      Up high in this forest the trees press together, cramped as a crowd of people straining to watch a street performance, pushing at us as we gallop neck and neck, twigs grasping at my arms, swiping with their spiky, thorny branches as if to drag us off our saddles.

      All at once the light opens up, the tunnel of trees becomes sparser, they fall back as if to make way, and then we burst onto a rocky plateau flat and bright as an arc-lit stage. The horses clatter to a halt just as I realise that there’s a mere few yards of shiny granite between us and a sheer drop. It’s not the ravine I was thinking about earlier. There is simply a void of air between us and the mountains on the other side of the lake. The ground seems to have been sliced away by a giant pair of shears.

      Gustav walks his horse a few feet closer to the edge, just as Polly and I used to do on the cliffs. The hoofs clatter noisily, slipping on the frosty surface.

      ‘For God’s sake stop pissing about, Gustav!’

      ‘I’m flattered you’re concerned for my safety, Serena, but I know this terrain like the back of my hand, and so do the horses.’ He laughs, settling his hands on his saddle. His legs are so long in those black jodhpurs. So relaxed as the toes rest in the stirrups.

      ‘Just feast your eyes on all this splendour, Serena. This is one of my favourite vantage points. I used to walk or run or ride up here to get away. To think. To plan. You see? We’re almost on top of the world.’

      The peaks are that much closer, it’s true. The illusion is that they’re at eye level, that I could reach out and tap their outline. It’s as if the earth was in a rage when it forged this landscape, punching its way as high as it could out of the plains, aiming for the heavens, fighting itself into these muscular fists of jagged rock to separate territories and make a statement.

      We mere humans and horses can only stand and admire and grip the ground. The clouds of our mammal breath are wispy imitations of the weighty clouds up in the massive bowl of sky, but for now we are part of the landscape too.

      ‘See, there’s snow on the high points above us.’ He is turned sideways. He points over the deadly drop. He looks like a Sioux chief surveying his prairie. ‘It’ll be coming further down by nightfall tomorrow. You can tell from the light. We won’t be stranded at the house but we won’t be going out on horseback again. To ski we’d have to go over to St Moritz or Como.’

      ‘You know I’m a beginner at skiing?’

      ‘You’d give it a go, though, wouldn’t you, my gutsy girl?’

      I shrug to distract him from my reddening cheeks. If he’s a big chief, does that make me his squaw? ‘Maybe. But I don’t know you well enough to risk making a clown of myself.’

      ‘Anyone less like a clown I can’t imagine. And you do know me, Serena. Better than you think. Certainly well enough to let me teach you to ski.’

      I stare at him. Where are the words when I need them? He has this way of taking coherent thought and rubbing it out before I can articulate it. Do I know him? I know his face. I think I could reproduce every line, every eyelash, every shadow now, if you gave me a pencil and paper. But can I interpret the commentary behind those black eyes? I’m not so sure.

      When I don’t reply he sighs. ‘Well, we may not have the time. My priorities for this visit are to get the house cleared and sold and off my hands.’

      I can hear the harsh chord of bitterness as he speaks.

      I clear my throat. ‘So tough for you, when you so love this place.’

      ‘This particular spot, yes. She’s killed my affection for the house and the land. Oh, I’ll still manage my investments from here. And maybe I’ll buy another property over the border in Italy. A ski lodge, maybe. What do you think? Or a house on one of the other lakes.’ He squeezes his knees to urge his horse a couple of paces nearer the edge. I stifle my squeal of horror. ‘But this is the last time we’ll ever set foot or hoof on this part of the mountain.’

      ‘We?’

      He is turned from me now, his hair hiding his face, and doesn’t respond. I decide it was a slip of the tongue. This setting just proves how far removed his life really is from mine. There can’t possibly be a ‘we’. Can there?

      I follow his glance. Far below us the lake is a smooth looking glass. I can see one or two of the slim ferry boats spitting their white triangular wake over the water. The tiled Lombardy roof tops glow red as the sun retreats. The mountains become shadowy silhouettes as it drags its train of fire behind them, leaving embers of shredded pink cloud.

      I am sharing Gustav’s love of this amazing vista. We are sharing it.

      I turn my horse across the plateau, hoping he’ll follow me. The mountain rears above us. I tip my head back dizzily to see the summit. It’s been obliterated while we’ve been up here, the dark grey clouds anxious to dump their load of snow. I’m just about to aim my camera at the sunset when I see, tucked in a little grove and surrounded by an incongruously twee picket fence, a little white Bavarian-style chapel, its elegant spire adorned with an iron cross. The one Dickson pointed out to me earlier.

       That’s the chapel where they were wed.

      CHAPTER TWELVE

      I try to halt my horse, cursing under my breath but even though I tug on the reins she ploughs on. The chapel is closed, the high doors bolted, the arched painted windows shuttered. But I can just picture them, Gustav and Margot Levi, newly married, emerging from the wooden interior to a shower of confetti and well-connected applause, he dark and victorious in his morning suit or perhaps a traditional Swiss jacket, she with features СКАЧАТЬ