The Times Companion to 2017: The best writing from The Times. Ian Brunskill
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СКАЧАТЬ tells the tale now with alacrity, almost amusement, as we sit in another bar near his Parisian home.

      At the time, the ambulance crew was unsure whether he would pull through.

      “I realised they were afraid that I would faint and at one point I really felt a sort of great tiredness, like I would slip into sleep. I realised I had to fight against that, and I made enormous efforts to not slip into that sleep.”

      Outside there was chaos. The three jihadists who had attacked Café Bonne Bière had sprayed five other bars and restaurants with bullets. Minutes earlier three more had detonated suicide vests outside the national football stadium in the capital’s suburbs. A further three were in the process of slaying concert-goers during a gig by the US rock group Eagles of Death Metal at the Bataclan venue.

      The French equivalent of the 999 line faced an avalanche of calls — more than 6,000 to the police alone. Operators struggled to work out who had been shot and where. Ambulance crews wondered whether they would be targeted while tending to the wounded. Police squads were sent to one location, then diverted to another. And journalists — me included — tried to work out what on earth was going on.

      The newsdesk asked me to go the Stade de France when the first bomb went off. I ordered a taxi, then discovered that there was a siege at the Bataclan and told the driver to go there. I never reached it. Paris was in lockdown and a line of police blocked me a couple of hundred metres away.

      I sat on a bench and interviewed a man whose son had been shot in the foot in a restaurant farther to the east — or that is what he had been told by his son’s friend, who had phoned him. Like me, he was stuck behind police lines watching columns of armoured vehicles rumble towards the scene of the shootings. Like me, he had no idea what to do.

      For want of a better idea, I took the Parisian version of a Boris bike to cycle through streets deserted by everyone except armed officers. The Rue de Rivoli was eerily empty, the Marais devoid of life. Bars and clubs had closed, and been ordered to lock their customers inside. I got into one — the only place I could find with an internet connection at 1am — and ended up writing my dispatch amid inebriated nightclubbers struggling to comprehend what had happened.

      We discovered the next morning that 130 people had died and 414 were hospitalised.

      Now, with the first anniversary of the shootings and bombings approaching, I am going back over the events of that night, and they still seem as absurd and macabre as ever.

      The people I interviewed for this article — the injured, the bereaved, the emergency service representatives — share anger and pain but also perplexity at the sheer senselessness, the incredible stupidity of it all. The attacks — and those that followed in Nice, where 86 people died on Bastille Day, and in Normandy, where a priest was murdered in his church — have propelled France into a disturbing new era. There is distrust and fear, and a widening gulf between the white majority and the Muslim minority.

      Yet among the survivors I met, there was little expression of hatred for the Kalashnikov-wielding thugs who perpetrated the Paris shootings — more a sense of withering disdain. “Cretins” was how the father of one victim described them. Triomphe said they were pawns in a sinister game that they did not understand.

      Ten months earlier, 17 people had been killed in attacks on the satirical weekly Charlie Hebdo and on a Jewish kosher store in Paris.

      Parisians knew another massacre was likely. Islamic State had called on its followers to target the French because of their involvement in the Syrian bombing campaign and their perceived hostility to Islam. The movement had more jihadists from France in its ranks than from any other European country and many had returned from the war zone. Nevertheless, the attack, when it came, caught Paris by surprise.

      “We heard loud noises but we didn’t pay any attention. We just said to ourselves, ‘They’re Americans, they are putting on a show, they’ve got out some bangers.’”

      Sophie is among 1,500 people who experienced at first hand the blind callousness of Islamist fanaticism when it struck at the Bataclan during a concert. She is a 32-year-old rock music fan who works in a baby-sitting agency, and we meet in her studio flat, which is decorated according to her distinctive tastes. There are several model Tardises that bear witness to her passion for Doctor Who.

      On the back of the front door Sophie has stuck tickets from countless concerts and films she has seen. But there have been hardly any additions since last November. Sophie and Léa, her friend, had found a vantage point on a platform at the back of the Bataclan and the band was playing Kiss the Devil, one of its hits, when Foued Mohamed-Aggad, 23, Ismael Omar Mostefai, 29, and Samy Amimour, 28, burst into the venue.

      First came the noise. Then the confusion and panic.

      “All of a sudden, I had a big pain in my leg, it was like I’d been hit with a hammer, and that’s when I realised what was happening,” says Sophie. “I turned my head and saw three people with guns in their hands who were shouting at us, who were shouting that they were doing this for Syria and for Iraq.”

      The majority of the 90 people who died in the Bataclan were killed in the first 7 minutes, when the terrorists sprayed the crowd with bullets. That, probably, is when Sophie was hit.

      Then, for a quarter of an hour, Mohamed-Aggad, Mostefai and Amimour walked through the crowd cowering on the floor and executed people, apparently at random.

      Sophie saw them approach. “They were three metres from me, and then I was really, really frightened because when they made eye contact with someone, they shot them.

      “I had a T-shirt with skeletons and tattoos on my arms and I was afraid they would see me, so I quickly put on my jumper and thought if they don’t see me, if I don’t exist, I’ll survive.”

      Earlier — before the killings — a young man had caught her when she stumbled. Now he had been shot and was lying beside her. “I saw his chest stop moving — he was right next to me — and with Léa, we put him on us to protect ourselves.” The terrorists went past without noticing them under the now lifeless body.

      At about 10pm, two local police officers entered the venue and shot dead Amimour. Mohamed-Aggad and Mostefai fled upstairs, and silence descended upon the Bataclan. Sophie and Léa — and hundreds of other terrified rock fans — ran for the exit and carried on running until finally she sank to the ground by a door in Boulevard Voltaire.

      “In fact, I was really hurting, but it was only when I saw the mass of flesh on my leg — it was absolutely horrible — that I realised I had been hit with a bullet. I smelt the smell of blood, and my shoe was full of blood,” says Sophie. Léa stopped a minicab and told the driver to head for the nearest hospital. Sophie had been hit twice, in the calf and the thigh, and was almost unconscious when she got there. She was bloodied, terrified, shocked — but alive.

      At about the same time — 10.10pm — Chief Superintendent Christophe Molmy was entering the concert hall. Molmy, 47, is a tough cop — powerfully built, exuding understated authority and with a nose that looks like it has been flattened by a baseball bat. He heads the elite Parisian police Research and Intervention Brigade (BRI) and is accustomed to arresting hardened gangsters.

      Shoot-outs are his bread and butter. He had been involved in one two days before November 13 when kidnappers had got jumpy during a ransom handover. He recounts the incident as you or I might recount the breakdown of a photocopier in the office. An ordinary problem in an ordinary day’s work. The Bataclan was different: haunting, traumatic, life-changing, even for him.

      Molmy СКАЧАТЬ