Название: War
Автор: Sebastian Junger
Издательство: HarperCollins
Жанр: Биографии и Мемуары
isbn: 9780007352265
isbn:
After the Chinooks lift off I shoulder my pack and walk up the slope to the operations building to meet Captain Kearney. He’s six foot four and moves with a kind of solid purpose that I associate with athletes. Some part of him is always moving—usually a leg, which jams up and down so fast that it sends strange vibrations out across the beehut floor. He has dark eyes and a heavy brow and gives the impression that he’d barely fit inside a room, much less behind a desk. I ask him who is pushed the farthest out into the valley and he doesn’t hesitate.
“Second Platoon,” he says. “They’re the tip of the spear. They’re the main effort for the company, and the company is the main effort for the battalion, and the battalion is the main effort for the brigade. I put them down there against the enemy because I know they’re going to get out there and they’re not going to be afraid.”
I tell Kearney those are the guys I want to be with.
Second Platoon is based at Firebase Phoenix, half a mile south into the valley. One hot summer night I bring my gear to the LZ and join a switch-out that is headed down there on foot. It’s a half-hour walk on a dirt road that closely follows the contours of the hill. The base is a dusty scrap of steep ground surrounded by timber walls and sandbags, one of the smallest, most fragile capillaries in a vascular system that pumps American influence around the world. Two Americans have already lost their lives defending it. Rockets and ammo hang from pegs in the timber walls, and the men sleep on cots or in the dirt and an adopted Afghan dog sleeps in the dirt with them. The dog walks point and takes cover during firefights and sets to barking whenever anything moves outside the wire. The base hasn’t been attacked in days, but there’s intel that it will happen early the next morning. I lie down in my clothes and boots, and the last thing I hear before drifting off is Staff Sergeant Rice saying, “I hosey the .50 cal if we get hit tomorrow…”
We don’t get hit but it happens soon enough. The men are coming out of Aliabad at dusk and suddenly there’s a disorganized tapping sound in the distance that could be someone working on their car. The first tracer goes by the lieutenant’s head and he turns around almost in annoyance, and then the rest of the burst comes in so tight everyone practically falls to the ground. The lieutenant’s name is Matt Piosa, the first of three who will lead Second Platoon. We knew we were going to get hit—Prophet had already called us up with the news—but on some level it’s always shocking that someone out there actually wants you dead. “Prophet” is the call sign for the American eavesdropping operation in the valley; they listen in on enemy radio communications and have Afghans translate them into English. That gets sent to commanders and rebroadcast across the company radio net. This can take place in minutes, seconds.
Piosa had gone to Aliabad to talk to the elders about a water pipe project. The project was left over from 10th Mountain Division’s time in the valley and clearly isn’t going to happen this year either, though no one dared admit that. Piosa broke off the meeting when Prophet called—the elders knew exactly what was going to happen; you could tell they couldn’t wait to get out of there—and the men started bounding up the trail by squad. Bounding means one group runs while the next group covers them, then the first group covers while the second one runs. It’s a way of making sure there’s always someone in a position to shoot back. It’s a way of making sure you don’t lose the entire patrol all at once.
I’m carrying a video camera and running it continually so I won’t have to think about turning it on when the shooting starts; it captures everything my memory doesn’t. We’re behind a rock wall that forms part of the village school when we get hit. “Contact,” Piosa says, and a squad leader named Simon adds, “I’m pushing up here,” but he never gets the chance. Rounds are coming straight down the line and there’s nothing to do but flatten yourself against the wall and grit your teeth. The video jerks and yaws, and soldiers are popping up to empty magazines over the top of the wall and someone is screaming grid coordinates into a radio and a man next to me shouts for Buno. Buno doesn’t answer.
Every man in the patrol is standing up and shooting, and later, on the video, I can see incoming rounds sparking off the top of the wall. I keep trying to stand up and shoot video but psychologically it’s almost impossible; my head feels vulnerable as an eggshell. All I want to do is protect it. It’s easier to stand up if I’m near someone, particularly if they’re shooting, and I put myself next to Kim, and every time he pops up to shoot I pop up with him. He goes down, I go down. Below us is the Korengal River and across the valley is the dark face of the Abas Ghar. The enemy owns the Abas Ghar. Tracer fire is arcing out of American positions up and down the valley and converging on enemy positions along the ridge, and mortars are flashing silently on the hilltops, and then long afterward the boom goes galloping past us up the valley. Dusk is closing down the valley fast. O’Byrne is above us with his gun team, and tracer fire from their 240 streaks reassuringly overhead. Every fifth round is a tracer and there are so many that they form continual streams that waver and wobble across the valley and disappear into the dark maw of the mountains.
It’s almost full night before we leave the safety of the wall, moving one by one at a run with the machine-gun fire continuing overhead. The men are laboring under the weight of their body armor and ammo and sweating like horses in the thick summer heat. The SAW gunners carry 120 pounds and the shortest runs leave them doubled over and gasping. One man shouts and stumbles and I think he’s been hit—everyone does—but he’s just twisted his ankle in the dark. He limps on. The last stretch is an absurdly steep climb through the village of Babiyal that the men call “the Stairmaster.” Locals build their villages on the steepest hillsides so that everything else can be devoted to agriculture. Pathways are cut out of the rock like ladders, front doors give out onto neighbors’ rooftops; in places you could literally fall to the bottom of town.
The men grind their way up the Stairmaster and file through the wire into Phoenix, dark shapes in the hot night staggering in circles, unlimbering their loads. Mortars are still thudding into the Abas Ghar and rivulets of white phosphorus burn their way down the slopes like lava. The fires they start will smolder for days. The men collect at the mortar pit to smoke cigarettes and go over what happened. After a while we see lights moving on the slopes of the Abas Ghar, almost certainly Taliban fighters gathering up their wounded and dead. A soldier radios that in and suggests dropping artillery on them. Battalion is worried the lights might be shepherds up in the high pastures and denies the request.
“Put the .50 all over it, we just had a fucking TIC, fuck those people,” someone says.
A TIC means “troops in contact”—a firefight. The “.50” is a .50 caliber machine gun. After a while the lights go out; whoever it is has probably disappeared over the back side of the ridge. “Dude, that’s it, they’re leaving,” someone says. A little while later a soldier walks up and tells me to hold out my hand. I do, and he drops something small and heavy into it: an AK round that smacked into a rock next to him during the fight.
“That,” he says, “is how you know it was close.”
The enemy fighters were three or four hundred yards away, and the bullets they were shooting covered that distance in about half a second—roughly two thousand miles an hour. Sound doesn’t travel nearly that fast, though, so the gunshots themselves arrived a full second after they were fired. Because light is virtually instantaneous, illuminated rounds—tracers—can be easily perceived as they drill toward you across the СКАЧАТЬ