The English Spy. Daniel Silva

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       10

       CORSICA

       CHRISTOPHER KELLER HAD ALWAYS TAKEN great care with his money. By his own calculation he had earned more than $20 million working for Don Anton Orsati and, through prudent investing, had made himself vastly wealthy. The bulk of his fortune was held by banks in Geneva and Zurich, but there were also accounts in Monaco, Liechtenstein, Brussels, Hong Kong, and the Cayman Islands. He even kept a small amount of money at a reputable bank in London. His British account manager believed him to be a reclusive resident of Corsica who, like Don Orsati, left the island infrequently. The government of France was of the same opinion. Keller paid taxes on his legitimate investment earnings and on the respectable salary he earned from the Orsati Olive Oil Company, where he served as director of central European sales. He voted in French elections, donated to French charities, rooted for French sports teams, and, on occasion, had been forced to utilize the services of the French national health care authority. He had never been charged with a crime of any sort, a noteworthy achievement for a man of the south, and his driving record was impeccable. All in all, with one significant exception, Christopher Keller was a model citizen.

      An expert skier and climber, he had been quietly shopping for a chalet in the French Alps for some time. At present, he maintained a single residence, a villa of modest proportions located one valley over from the valley of the Orsatis. It had exterior walls of tawny brown, a red tile roof, a large blue swimming pool, and a wide terrace that received the sun in the morning and in the afternoon was shaded by pine. Inside, its large rooms were comfortably decorated in rustic furnishings covered in white, beige, and faded yellows. There were many shelves filled with serious books—Keller had briefly studied military history at Cambridge and was a voracious reader of politics and contemporary issues—and upon the walls hung a modest collection of modern and Impressionist paintings. The most valuable work was a small landscape by Monet, which Keller, through an intermediary, had acquired from Christie’s auction house in Paris. Standing before it now, one hand resting on his chin, his head tilted to one side, was Gabriel. He licked the tip of his forefinger, rubbed it over the surface, and shook his head slowly.

      “What’s wrong?” asked the Englishman.

      “It’s covered in surface grime. You really should let me clean it for you. It will only take—”

      “I like it the way it is.”

      Gabriel wiped his forefinger on the front of his jeans and turned to face Keller. The Englishman was ten years younger than Gabriel, four inches taller, and thirty pounds heavier, especially through the shoulders and arms, where he carried a lethal quantity of finely sculpted power and mass. His short hair was bleached blond from the sea; his skin was very dark from the sun. He had bright blue eyes, square cheekbones, and a thick chin with a chisel notch in the center of it. His mouth seemed permanently fixed in a mocking smile. Keller was a man without allegiance, without fear, and without morals, except when it came to matters of friendship and love. He had lived life on his own terms, and somehow he had won.

      “I thought you were supposed to be in Rome,” he said.

      “I was,” answered Gabriel. “But Graham Seymour dropped into СКАЧАТЬ