Название: The Temptation of Jack Orkney: Collected Stories Volume Two
Автор: Doris Lessing
Издательство: HarperCollins
Жанр: Зарубежные любовные романы
isbn: 9780007396474
isbn:
All afternoon, the birds took turns on the nest, one swimming and fetching food for the other, and from time to time a chick climbed down off the great logs of the timber platform he had been hatched on, and bobbed and rocked on the waves. Meanwhile, all the surface of the lake around the nest was full of every kind of swimming bird, adult, half-grown, and just hatched. In such a throng, that one minute coot chick was an item, precious only to the guardian parents.
Coots are strict-looking, tailored, black-and-white birds among the fanciful ducks, the black swans with their red sealing-wax bills. They have a look of modest purpose, of duty, of restraint. And then one comes up out of the water to join birds crowding for thrown bread, and the exposed feet are a shock, being large, whitey-green, scaly, reptilian, as if they had belonged to half-bird, half-lizard ancestors, and have descended unaltered down the chains of evolution while the birds modified above water into the handy, tidy water-hen shape – a land shape, it is easy to think. Yet the coot is more water-bird than any duck or goose. If you stand feeding a crowd of birds, and there are gulls there, they will swoop in and past, having caught bits of bread from the air as if these were leaping fish – the gulls will get everything, if you aren’t taking care of the others. A tall goose will stand delicately taking pieces from your fingers, like a well-mannered person, then turn to slash savagely another competing goose with its beak: after the gulls, these geese provide for themselves best. The ducks, apparently clumsy and waddling, are quick to snatch bits when the geese miss. But to try and feed the coots – for which, sentimentally, I have a fancy – is harder than to feed shyer deer in a zoo when the big ones have decided they are going to get what is going. First, the water-hens have to get up on the bank on those clumsy water-feet. And then their movements are slower than the other birds’; the coots are poking about after the bits when the others have swallowed them and are already crowding in for more. Yet, in the water, there is nothing quicker and neater.
That long public sitting succeeded, at last, in adding only one coot chick to the park’s population. One afternoon there were two parents and two chicks, busy with each other and their nest among the crowds of birds; next afternoon there were two coots and one bobbing dark fluffball.
But the nest was there, with bits of bread still stuck in the twigs. And there it stayed all summer, and all autumn, and although the green fell off, or was pecked off the sentinel twig, nest and twig are there now, in winter – so perhaps in the coming spring the same or another pair of coots will bring up another family, in spite of the staring ill-mannered people and their ill-judged offerings, and their cans and their plastic and their smell. But the twig platform will certainly have to be refurnished, for as soon as the coot family had left it, it was found most convenient by the other fowl to sit on, and play around; and the twig that had rooted and stood up was a good perch for water-venturing sparrows. There never were so many sparrows as last year: you could mark the season’s increase in population by the contrast between the young birds’ tight shape and shiny fresh-painted look, and their duller shabbier parents. Where did they all hatch? Apart from those of the water-birds, and a shallow fibre nest that was exposed, when autumn came and stripped the chestnut avenue, woven on twigs not much higher above the path than a tall man’s head, so that the sitting bird in its completely concealing clump of leaves must have been inches above the walking people – apart from these, I saw no nests save one on the ground, among bluebells and geraniums and clumps of hosta. The bird was sleekly brown, and watching me, not over-anxiously, as I watched her from the path a yard or so away. She sat with her warm eggs pressed to her spread claws by her breast, and saw possible enemies pass and repass all day, for the days it took her to get the chick out into the light. Yet, like the coot, she had chosen that exposed place to sit, near a path, just behind the Open Air Theatre. Perhaps, like the foxes that are coming in from the country which hunts and poisons and traps them, to the suburbs, where they live off town refuse, some birds are coming to terms with us, our noise, and our mess, in ways we don’t yet see? Perhaps they even like us? And not only people – a few yards from the sitting brown bird was a place where somebody was putting out food for stray cats. There were saucers of old and new food, and milk, and water, bits of sandwich and biscuit, under the damask roses all the summer, and the cats came to this food, and did not attack the sitting bird – who, perhaps, used this food when the cats were not there? It is possible that she put up with the amplified voices and music from the theatre because of its restaurant, not more than a few seconds’ flight away, just the right distance for a quick crumb-gathering before the eggs had time to chill. There must have been many other nests in that thick little wood where the theatre is, and many birds calling that patch of the park theirs. Certainly, each year’s production of A Midsummer Nights’ Dream, good, bad or indifferent, offers marvellous moments that are not in the stage directions, when an owl hoots for Oberon, or swallows swoop over Titania’s and Bottom’s head, or, while a moon stands up over the trees, making the stage seem small and insignificant, starlings loop and swirl past on their last flight before roosting. And all the time, while plays are being rehearsed and acted, the birds are building, sitting, feeding their young, and the fact that they choose this, the noisiest part of the park, surely says something about the way they view us. Or don’t see us, don’t regard us at all, except in association with food scraps? There’s nothing odder than what is ignored, not seen, not noticed. Perhaps those coots chose that spot, the most public there is, because the water is the right depth there, and nothing else mattered; and they were not aware of their audience on the bridge except as a noisy frieze which emitted lumps of food and other objects.
The park holds dozens of self-contained dramas, human and animal, in the space of an eye-sweep. On a Sunday afternoon, in July, when the drought had held and held, and the bushes under the tree-cover were СКАЧАТЬ