The Mixer: The Story of Premier League Tactics, from Route One to False Nines. Michael Cox

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       Cantona & Counters

      ‘Being French, to me, is first and foremost being a revolutionary.’

      Eric Cantona

      Upon the formation of the Premier League, Manchester United hadn’t lifted the league trophy in a quarter of a century, which made their dominance of its early years even more remarkable. Alex Ferguson’s side triumphed in four of the first five seasons.

      These five years coincided with the half-decade reign of Eric Cantona – and United’s only failure during this period, finishing second in 1994/95, came when the fantastic French forward was suspended for half the campaign. His impact upon United was extraordinary, turning them from also-rans to consistent champions almost overnight, and his influence on the Premier League was unparalleled. Cantona, more than anyone else, popularised technical football.

      At a time when foreign players were still rare, this was a Frenchman of Italian and Spanish descent who strolled into English football stadiums, collar upturned, as if he owned them. Cantona was unlike anything England had previously encountered: when listing his inspirations, he mentioned Diego Maradona and Johan Cruyff, but also Pablo Picasso, Jim Morrison and Wolfgang Amadeus Mozart. Brilliantly, when he referenced French poet Rimbaud, journalists mistakenly believed he was talking about 1980s action movie character Rambo. Cantona was almost a satirical character, a French philosopher trapped in English dressing rooms, where cutting up teammates’ clothes was considered the height of wit – and he clearly played along with the act. Teammates said he spoke English well, yet when quizzed by tabloid reporters his language skills suddenly deserted him, preserving his status as the baffled outsider. When Manchester United’s squad went for a post-match drink, the standard round was 17 lagers and one glass of champagne.

      It wasn’t entirely about Cantona being from abroad, however. He’d earned a similar reputation in France, where he bounced between various Ligue 1 clubs with alarming regularity, usually after serious breaches of discipline. In his enlightening biography of the man, Philippe Auclair notes that in the late 1980s Cantona had become ‘the first celebrity footballer in his country’s history’, known primarily for his peculiar cultural references rather than his pure footballing ability. He’d risen to national prominence following his displays for France’s U21 side, who featured heavily in the sports programming of the new, innovative subscription TV channel Canal+. Cantona was the perfect protagonist for the trendy channel’s focus and, sure enough, he became the ideal figurehead for Sky and the Premier League, too.

      Cantona’s most infamous moment in English football came in January 1995. Just after being dismissed for kicking out at Crystal Palace defender Richard Shaw, he reacted to abuse from Palace supporter Matthew Simmons by launching himself over Selhurst Park’s advertising hoardings to perform an extravagant ‘kung-fu’ kick on Simmons, an incident that brought an eight-month worldwide football ban and effectively ended his international career. While a disgraceful act, it was nevertheless a momentous incident for the Premier League; it featured heavily on news bulletins in countries as distant as Australia and New Zealand, the first time that England’s new top flight had become a genuinely global story.

      It was probably inevitable the division would initially receive attention for negative reasons, considering the problems of the 1980s, but as reports explained Cantona’s background, they introduced viewers to the most intriguing character in English football, someone who clearly bucked the stereotype. British newspapers went to town: the Sun featured the incident on their front page two days running, on the second with a panel reading ‘The Shame of Cantona: Full story pages 2, 3, 4, 5, 6, 22, 43, 44, 45, 46, 47 & 48’. The Premier League was big news. After Cantona successfully appealed against a two-week prison sentence for his attack, he reluctantly attended a press conference, where he slowly, thoughtfully told the assembled press: ‘When the seagulls … follow the trawler … it’s because they think … sardines … will be thrown into the sea. Thank you very much.’ He then stood up, shook the hand of his lawyer and swiftly departed to stunned laughter.

      The crucial factor in Cantona’s image, however, was that he wasn’t simply different to every other Premier League player in terms of personality; he was also different to every other Premier League player in terms of footballing style. The references to philosophers and artists worked precisely because he was a footballing genius who boasted guile, creativity and unpredictability. He thrived upon space between the lines and was a creator as much as a goalscorer, boasting the Premier League’s best-ever assists-per-game record. He loved chipping goalkeepers, he casually rolled home penalties, and he produced a succession of outside-of-the-foot flicks and elaborate, stabbed, dinked passes to teammates.

      Cantona was also exceptional in a physical sense, ready for the rough and tumble of the English top flight. When Cantona СКАЧАТЬ