Last Dance with Valentino. Daisy Waugh

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      Fortunately for them, by the time I opened the door there was no one out there – not a soul. Just the biggest, sweetest-smelling mountain of pink lilies that I ever laid eyes on, and in the middle of it all this typewriter! With a great ribbon tied around it. Not just any typewriter either . . . Rudy left a card tucked in. I have it here:

      Ha ha ha! [it says. That’s what he wrote.]

       Cara Mia, thank you!

       And by the way, if you are wondering what the long wire is for . . . you have to plug this machine into an electrical point before it can record your wonderful words.

       You are brilliant as well as beautiful. XXXXXX

      Imagine that. Brilliant as well as beautiful.

      I don’t suppose even Frances Marion has an electrical typewriting machine she can call her own. She probably doesn’t know they exist. I certainly did not until this morning. I don’t think they have even heard of them at the studio, because Mr Silverman, the old tyrant, is very proud of his modern approach with gadgets so I’m certain if he knew there was such a machine he would have acquired one by now so all the people passing through the outer office could admire it, and think what a fine, modern fellow he is. God only knows where Rudy must have found it – or when – between last night and today . . . But here it is. And, come what may, just as soon as I am the slightest bit cooler – in body and mind – I intend to use it religiously, to write hundreds of photoplays. Some of them for Phoebe and Lorna, of course, because I promised I would, and I must. And then all the rest of them – for not a soul but Rudy. If that’s what he would like.

      Well – except the one I must write for Miss Davies, I suppose. If Miss Marion says I should.

      – – –

      I was meant to watch that wretched Marion Davies movie this morning. I had been meaning to watch it in time to meet Frances Marion for luncheon, but then she left a message saying she couldn’t make our appointment after all. And what a stroke of luck that was, considering by the time I got the message I had already slept right through it anyway.

      It frightens me, though, to have been so careless. It frightens me even more to notice just how little I can bring myself to care.

      One hour and forty minutes . . . Oh, but it’s so humid tonight! Perhaps if I type with my elbows out . . . like this . . . and I have a jug of coolish water by the bed perhaps I can dab it on my forehead . . . carefully . . . else my hair will go into a frizz . . .

      Tomorrow, if Rudy has nothing better to do, he might come with me back to the Strand, and we can watch the movie together. If he kept his hat on, or he wore the silly disguise I just bought him . . . and if we sat at the back, and we stayed as quiet as possible and he made a great effort to look entirely innocuous – might he still be spotted? He tells me he goes regularly to the movies back in Hollywood, despite having a screening room of his own at home. But then, I suppose, Hollywood is Hollywood. There are stars about wherever you care to look. Take a walk down Sunset and you’ll generally spot one or another driving by . . . Only last week, in fact, Pola Negri almost ran me down in her Pierce Arrow. Her turquoise-and-gold Pierce Arrow. If you please. Ha! If she’d known whom she was steering towards, she might have tried a little harder. The point is, in Hollywood even a star as big as Rudy is let alone to go about his business without being constantly mobbed.

      Trouble is, this isn’t Hollywood, and in New York people get a little crazy. You’d think mobbing the stars was some kind of a city sport, the way they behave. It’s as if they read something in the paper and the next thing they can’t leave it alone. They’ve just got to be a part of the story.

      – – –

      I did ask Rudy about Pola. Eventually. I think it was before we got into that beautiful Chinese bed, but maybe it was after. She seemed irrelevant. She did, and she still does, but I had to ask him because it’s been in the papers for months. Every article they write, they ask him about it, and he always answers the same. He says, You must ask the lady. It’s his stock reply. He won’t say yes, and he won’t say no. Whereas when they interview Pola, she won’t shut up about it . . .

      So, I asked him if he was engaged to be married to her and I do believe if he’d told me to ask the lady I would have done – what? He didn’t say it, of course. He simply laughed.

      He said, ‘Oh, Lord, Jennifer, is that a serious question?’

      I said it was.

      He said, ‘You ask me that? Now? When I look at you like this, and you look at me as you do, you can ask me that?’

      ‘I just did, didn’t I?’

      And he sighed. ‘Well, now . . . ’ he began carefully ‘ . . . Pola . . . is a sweet girl.’

      ‘Oh! Sweet!’ I interrupted. ‘Is that right?’ Because there are plenty of adjectives that spring to mind when describing that attention-seeking little sex-crazy minx. But sweet for sure ain’t one of ’em!

      He smiled. ‘Oh. Well – perhaps that’s not entirely right,’ he said. ‘No, I suppose, not entirely. But . . . I am fond of her. She has some remarkable aspects . . . ’ For a moment he looked on the point of laughter, but he pulled himself back. ‘Really, Jennifer, I am no more engaged to be married to Pola than I am engaged to William Randolph Hearst. How could you possibly imagine, after all we have said and done—’

      ‘Because she keeps on saying it,’ I said. ‘And nobody ever seems to contradict her.’

      ‘It wouldn’t be terribly chivalrous . . . ’

      There was a pause between us then. I wasn’t so sure how to fill it. Until suddenly he shuddered and then, rather sheepishly, he added, ‘Jennifer, if you want to know, she is a nightmare. A crazy woman!’

      ‘A crazy woman – whom you formed an attachment to?’

      ‘Well, I admit that I did form a sort of attachment to her, briefly . . . after the divorce . . . I was dreadfully low. But she’s like a dog with a bone! By that I mean to say,’ he added quickly, ‘she’s a very sweet girl in her own way . . . An extraordinary girl – and I am full of admiration . . . But if anyone could advise me on how to shake her . . . ’

      I must admit, I felt rather better after that. I didn’t mention her name again. And I’m not thinking too much about her. Not so much. If I do – if I allow myself to dwell on Pola, not to mention all the others – I shall soon be even madder than she is, and furthermore without an eighth of her beauty, wealth or fame. In any case I am delighted she’s not in New York at the moment. She’s back in Los Angeles, shooting a movie about a wicked count and an adorable servant girl . . . And good luck to her, I guess.

      I went shopping again this afternoon. I had to. I came to New York with just two evening dresses – three, I guess, if you count the other one, which was only ever meant as a spare. I tried it on in front of the glass and I knew at once it was all wrong. It looked cheap, even to my not-so-terribly-expensive eye . . . And Rudy isn’t like a lot of men: he certainly notices these things. He appreciates beauty, elegance and all that. So I was standing there in front of the glass, seeing the wretched dress as I imagined he would see it, and just knowing I would have to go and buy another, and thinking about all the other things I had meant to do today – watch the Marion Davies movie, visit Papa’s grave, which I’ve not done, not even once, not since . . . and then I realised СКАЧАТЬ