Honeyville. Daisy Waugh

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      ‘Mr Carravalho, what are they doing?’ she asked, ‘What on earth do you suppose they’re arguing about?’

      ‘Union men,’ he muttered, shrinking a little behind his high wooden counter. ‘Hush up now, Miss Dubois. We don’t want them coming in here.’

      ‘All three are Union men?’ she asked, staring brazenly and without dropping her voice. ‘Then why are they fighting? You might have thought, after all the trouble they cause, they would at least have the decency to agree with one another.’

      ‘There’s a bunch of them in town this week,’ he replied. ‘Causing trouble. Some kind of delegation at the theatre. Talking about a strike—’

      ‘But they’re not all Union men,’ I interrupted. I wasn’t supposed to speak to the likes of Miss Inez Dubois. And nor she to the likes of me, except in a soul-saving, charitable capacity. Mr Carravalho looked shocked and embarrassed. They both did. But I persevered. It wasn’t that I had any special loyalty to the Union men (far from it), but it struck me as just plain ignorant to pretend that the battle on our streets was being fought by only one army. ‘One of them is, but the other two on the right are Baldwin-Felts men. You know that, Mr Carravalho. They’re coal company heavies. And it’s no good taking sides. Those men are as bad as each other.’

      The fight, meanwhile, seemed to have disbanded. Lippiatt was gone. Even so, the two Baldwin-Felts detectives lingered. They crossed over to the far side of the street, looking cautiously about them, dust whipping round their boots. The Friday night crowd gave them plenty of space.

      ‘What are they doing?’ Inez asked.

      It was hard to tell. They were leaning side by side of each other against a power post directly opposite us, hands resting on guns that poked ostentatiously from under their shirts. They gazed up the street towards the Union offices a few doors down, but nothing happened.

      ‘Well!’ Inez sighed. ‘Thank goodness for that! Is it over? I should be heading back.’

      ‘I’m sure you’re right, Miss Dubois,’ Mr Carravalho said. ‘It’s rather late for a lady to be trekking the streets. And on an evening like this. With the Union coming into town.’ He shot me a glance. ‘You hurry on home. Will you be taking that?’ he indicated the package still in her hand.

      She looked down, remembering it. ‘Why yes!’ she cried, as if it was quite the boldest and happiest decision she had ever settled upon. ‘Sure, I’ll take it! Why not?’ And while Mr Carravalho wrapped it, she looked again, past me – through me, I suppose – to the street outside, where the two detectives had still not moved on.

      ‘They really ought to get going,’ she muttered, sounding nervous at last. She squinted a little closer, noticed the hands and guns. ‘Aunt Philippa says they are quite trigger-happy, these Union men. Do you think it’s safe to walk home?’

      ‘Pardon me,’ I said again, ‘but those aren’t Union men.’

      She wasn’t listening. ‘It’s getting so rowdy, our little town,’ she muttered; I’m not certain which of us she was addressing. ‘I really don’t know why we have to put up with it. I begin to think – Oh! Oh Mr Carravalho! Oh my gosh—’

      Captain Lippiatt had returned. He must have dashed directly into the Union office, snatched up the gun and turned straight back again. It explained, perhaps, why the Baldwin-Felts brutes had lingered. Perhaps they had known he was coming back.

      Lippiatt charged towards them through the scattering crowd. ‘See now,’he shouted, ‘see now, cock chafers, see if you’ll repeat what you just said to me!’ He shook his gun at them. ‘Do you dare say it now, sons of bitches?’

      In an instant the street emptied. On the corner of Elm Street, the choir stopped its singing and melted into the retreating crowd. But we were trapped. Directly before us, the detectives snatched up their own guns. Lippiatt was already beside them, his handgun poking at them. There was a confusing scramble of limbs, and more cursing, and then a shot. One of the detectives had been hit in the thigh.

      Inez screamed. I put a hand on her shoulder to quiet her and she buckled beneath my touch. I let her fall.

      This was not the first shooting I’d seen on the streets of Trinidad, nor would it be the last. But it was the closest I had ever been: so close I could swear I heard the soft thump of bullet as it hit his flesh. Afterwards some of the blood got onto my silk shoes, and no matter how well I scrubbed them, it would never shift.

      There came another shot, this one from the handgun of the other detective. Lippiatt staggered back. Another shot, and he fell to the ground. And this I can never forget – the first detective stumbled forward and aimed his gun at Lippiatt as he lay helpless at his feet, and he shot him through the neck. Tore a hole through Lippiatt’s neck with the bullet. And then he shot him again, through the chest. That’s when the blood began to flow.

      A couple of Union men appeared within moments, while we stood still, looking on, frozen with fear. They carried his body back into their Union lair, a thick trail of blood following them along the way. Lippiatt was dead. And I knew his name because last time he’d been in town, he paid me a visit at the Plum Street Parlour House. He was an Englishman. Or he had been English, once. Just as I had. It was the only reason I recalled him at all. Perhaps the only reason he chose me before the other girls. We didn’t talk about our Englishness in any case. Nor about anything else, come to that. Very taciturn, he was. Unsmiling. Smelled of the tanner – and my disinfectant soap. But they all smell of that. And he left without saying thank you. I can’t say I was sorry he was dead. But even so, it was a shock, to have been standing right there and seen it happen … and to remember (dimly) the feel of the man between my legs. And then there was Inez, collapsed on the floor at my feet. Poor darling.

      I was shaken up. We all were. But Inez seemed to take the drama personally, as if it was her own mother who’d been slain before her eyes. She sat on the floor, her long blue skirt in a sober pool around her, and her little hat lopsided. She wouldn’t stand, no matter how Mr Carravalho and I, and finally Mrs Carravalho, tried to coax her. She simply sat and swayed, face as white as a ghost.

      ‘That poor man,’ she kept saying, with the tears rolling down her cheeks. ‘That poor, poor gentleman! One minute he was alive, right there beside me – he looked at me! Didn’t you see? Only a second before he looked at me … And now he is absolutely dead!’

       3

      Perhaps, while Inez is down there on the drugstore tiles, grieving the death of my old client, I should pause to explain something about our small town of Trinidad.

      Forty years earlier it had been nothing: just a couple of shacks on the open prairie; a pit stop for settlers on the Santa Fe trail. Then came the ranchers and the cowboys, and then the prospectors. Elsewhere, they found iron and oil, silver and gold. Here, in Southern Colorado, buried deep in the rocks under that endless prairie, they found coal. It was the ranchers who settled in Trinidad. It was the coal men who made it rich. And in August 1913, our little town stood proud, a great, bustling place in the vast, flat, open prairie land. Trinidad boasted a beautiful new theatre, seating several thousand; an opera house as grand as its name suggests, a score of different churches and a splendid synagogue; there were numerous schools, two impressive department stores, a large stone library, and a tram that ran to the city from the company-owned mining settlements, or ‘company towns’ in the СКАЧАТЬ