Home Fires. Elizabeth Day
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Название: Home Fires

Автор: Elizabeth Day

Издательство: HarperCollins

Жанр: Книги о войне

Серия:

isbn: 9780008221744

isbn:

СКАЧАТЬ to. The bird twisted uncomfortably but had no strength to escape. She noticed its chest twitching and realised after a moment that this was the sparrow’s heart, twitching frail and fast against its feathers, pressing so forcefully against the bird’s delicate flesh that it looked as though something were trying to escape and burrow its way out. The thought disgusted her. She dropped the bird on to the ground and ran back into the house.

      And then, another memory: this time, she is wearing a cotton nightdress that is too thin to keep her warm even in summer. She is walking noiselessly down the hallway, being careful to avoid the creaking floorboards and it is night-time, the heavy sort of darkness that envelops the first hours after midnight. She is pushing open the door to her mother’s room, reaching up with one arm to turn the handle, the brass cool and dry against the palm of her hand. She stops in the doorway, until she can make out the recognisable outlines of the chest of drawers, the heavy oak wardrobe and the bedstead. She starts to walk on tiptoe towards the bed, inhaling her mother’s familiar sleep smell – clean linen mixed with the faintest traces of her hair and the sweetness of her sweat. She can hear the rise and fall of her slow breathing, calmer than it is in the daytime. And then she can hear another, unfamiliar sound, a throaty, deeper noise that she cannot place. But before she has time to work out what it is, the bed jolts and a large, dense shape rises up from the mattress. She hears the shape take three strides across the floor and she feels herself being lifted up, her chest squeezed with the force of two hands pressing against her skin. ‘This is no place for little girls,’ says a male voice and then she finds herself in the hallway, her mother’s bedroom door slammed shut behind her. She stares down at her bare feet, her toes turning white-blue with the cold, and she tries for a while to make sense of what has happened but she can’t and so she walks quietly back to her room, feeling scared and alone. She thinks: I wish my father had never come back.

      

      Elsa starts at the thought, as though she has woken, quickly, from a desperate dream. The cushion she has been leaning against slips to one side and she cannot get comfortable again. She sees the brown suitcase, lurking in the corner like a shadow, and grimaces. It is strange how these glistening shards of the remembered past come to her, strong and clear as though they were more real than what is happening to her in the present. They are never the memories she expects to have – first days at school, weddings, family Christmases – those regular friends that become little more than well-thumbed photographs the more they are leafed through. They are, instead, memories that she had forgotten she possessed, memories that had been buried deep beneath the seabed for years before rising: a gleaming piece of driftwood, the bark stripped back to reveal an untouched whiteness glimmering in the bleakness of daylight.

      She calms down after a while and can feel the reassuring lump of the spoon’s outline underneath her thigh. She hears Mrs Carswell opening the fridge door, humming off-key as she does so. The radio is tuned to a station that plays unchallenging popular music for older people and Elsa can make out the occasional tinny chord of easy jazz, her irritation rising with each syncopated beat. When Elsa had been herself, the radio had two settings – Radio 3 for classical music in the morning and evenings and Radio 4 for the news and The Archers in between. The wireless dial never wavered from this strict routine: if Mrs Carswell had ever listened to her commercial rubbish when she came to clean, she was always scrupulously careful to retune it at the end of her two-hour session. Now, Elsa noticed, she doesn’t bother. Dear God, it is boring waiting for a lunch that she knows will taste exactly the same as her lunch yesterday and the day before that. She tries to entertain herself by taking flights of fancy in her mind but after a while, even her own thoughts bore her. She remembers a book she once read when her eyesight was still workable about a man who had suffered a brain haemorrhage and who had woken up with his mind perfectly intact but unable to move. The only way he could communicate was by blinking a single eyelid. It had struck Elsa at the time as a peculiarly nightmarish existence but now, horribly, she feels she is stuck in a similar limbo. Of course, she is still able to speak after a fashion but it takes so much effort to form the words and she is aware that her periods of complete clarity are becoming more and more irregular. She can shuffle around on her own but her movements have to be self-consciously slow and considered and planned some time in advance of being executed. It is the helplessness she couldn’t stand: the enforced dependence on other people.

      It embarrasses her to be so reliant on Mrs Carswell, a woman she had always looked down upon and poked fun at in the past. She had not meant to be cruel or supercilious, but it was rather that her relationship with Mrs Carswell was marked by the benign exercise of an employer’s power over her employee. Mrs Carswell had understood this perfectly well. She was staff. Elsa was a lady. They belonged to different classes, different backgrounds, different life experiences. They were fond of each other but only in a distant, careful sort of way. At Christmastime, Elsa would give Mrs Carswell an envelope with two crisp £20 notes and a box of chocolate-covered Brazil nuts that she knew were a particular favourite. Mrs Carswell would be genuinely grateful, her face flushed with pleasure. Every year, Elsa received a card in return, always festively emblazoned with a garish snowman or a winter skating scene, always written with economy in Mrs Carswell’s roundly looped handwriting. ‘To Mrs Weston,’ it would say and then there would be the printed line – Happy Christmas or Season’s Greetings (which Elsa sniffed at for being politically correct) – and then Mrs Carswell always added the words ‘with best wishes from Barbara and Doug’ even though Elsa had never spoken more than two sentences to Doug and never once referred to Mrs Carswell by her Christian name.

      But Elsa’s increasing decrepitude has changed all that. Now Mrs Carswell is in control and although she remains polite and respectful, there is part of Elsa that suspects she rather enjoys the shift in circumstance. Mrs Carswell is no longer intimidated by her employer, by her big house or her clever words, and she no longer exercises that quiet, particular deference that Elsa had always believed was her due. The balance of power has tipped in Mrs Carswell’s favour but Elsa is not surrendering without a fight.

      She can hear Mrs Carswell dimming the radio’s volume in the kitchen – this is another thing that drives Elsa mad: why does she not turn the blasted thing off when she is leaving the room? It’s a terrible waste of electricity, she thinks to herself, but people never seem to care nowadays about things running out.

      Mrs Carswell’s footsteps squeak on the linoleum as she walks down the corridor towards the sitting room. Elsa holds her breath in anticipation. She shifts in her seat.

      ‘Here we are then,’ Mrs Carswell says, carrying a tray through the doorway. She places it on the table with an unnecessary flourish. There is a plastic cup of water, a small glass bowl of tinned fruit salad and a plate of glutinous-looking pasta shells covered in a virulent red sauce that had obviously come straight from a packet. ‘Let’s just get this serviette in place,’ she says, apparently oblivious that the word ‘serviette’ causes Elsa to wince in pain. She unfolds a cheap blue paper napkin and tucks it into Elsa’s collar, rough knuckles grazing the stringy veins in her neck. ‘There we are.’ Mrs Carswell straightens up, casting her eye approvingly over the scene in front of her. There is, Elsa thought, something so self-satisfied about her. Then Mrs Carswell notices there is no spoon. Elsa can see it happen: the trace of a smile fading gradually from her face, the brow becoming furrowed, her expression clouding over with uncertainty.

      ‘What the . . .’ Mrs Carswell shakes her head, causing her helmet-shaped hair to quiver like a set jelly. ‘Well, I’ll be jiggered. I could have sworn I brought that spoon out here.’ She stands for a second with her fleshy pink arms crossed in front of her ample chest, assessing the situation, a vague crinkle appearing between her eyes.

      Elsa is delighted. She couldn’t have hoped for a better reaction. It’s the confusion she relishes the most: Mrs Carswell, who was always so sure of herself, always so practical and efficient, is now reduced to second-guessing and hesitation. Let her feel what it’s like to be confronted with one’s own forgetfulness! Let her be filled with doubt, with the encroaching sense of paranoia that her faculties are not what they once were!

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