Chocolate Wishes. Trisha Ashley

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      I collected the key from the house agents on the way there – the main branch is here in Merchester – and promised Poppy’s cousin Conrad that I would lock it up carefully behind me and return them later.

      ‘Not that I’ve shown the property to anyone else since the Misses Frinton accepted your grandfather’s offer, of course,’ Conrad said quickly. ‘And even before that, once he’d expressed an interest in buying it, because he told me—’ He broke off, looking embarrassed and uncomfortable.

      ‘He told you that if you did, he would put a curse on you, one that would render your life unutterably hideous?’ I asked helpfully.

      ‘Er…yes,’ he agreed sheepishly. ‘Of course, he was joking – I know your grandfather!’

      He didn’t sound too sure about it, though.

      The Old Smithy is at the very end of the High Street, almost opposite the Falling Star, where I was to meet Felix and Poppy later. As I drove past, Mrs Snowball, the publican’s ninety-year-old mother, was outside the front door donkey-stoning a square of the grey pavement into sparkling whiteness. She’d done it all her life and old habits died hard. Behind her, the meteor-shaped brass door knocker sparkled blindingly in the weak February sunshine.

      The Falling Star is much older than the Green Man, the more popular pub at the other end of the village, and since it was once a coaching inn, I suppose it made sense at the time to have the blacksmith nearby.

      The Old Smithy itself is a collection of mismatched parts that have been rendered into a vaguely cohesive whole by the application of a lot of whitewash. As I arrived I was just in time to see the museum sign being loaded into a large van, presumably at Grumps’ direction, to be repainted. He must be pretty sure of himself, because I didn’t think he’d exchanged contracts yet, though I could have been wrong – he was infuriatingly secretive.

      Following Conrad’s directions, I parked in the small gravelled area behind the museum, which was sheltered by a bronze-leaved beech hedge. I had the most enormous bunch of keys, some of them so ancient as to be collector’s pieces, but luckily they were all labelled.

      I started with the Victorian house, which was quite substantial and also, since it was where the Frinton sisters had lived, perfectly comfortable and up to date as regards bathrooms and electrical wiring. If the décor was a trifle on the gloomy Victorian side, then so too was Grumps. But the scarlet Aga in the enormous kitchen struck a surprisingly modern note and Zillah would adore it. By the time she had swathed the windows in bright lengths of fabric in clashing colours, littered the place with lace-edged runners, splashily painted toleware jugs and hideous ornaments constructed out of seashells, it would look like an explosion inside a traditional gypsy vardo, just as our present kitchen did.

      A door from an inner hallway gave access to the museum, which was quite big, with a wooden floor and lots of ceiling lights. There were rows of empty glass display cabinets and a fixed mahogany desk near the museum entrance, with a cash drawer and a yellowing roll of admission tickets, all a bit sad and dusty. The room was certainly more than large enough to accommodate all of Grumps’ treasures, even if he divided one end off for his meetings. I hoped it would be the end furthest away from my cottage.

      And the cottage was the thing I most wanted to see – so of course I’d left it till last, like you do with the most exciting-looking present under the Christmas tree. But now I found the key for the door and entered what would be my new home with a feeling of excited anticipation.

      I went down two shallow, worn steps, straight into what had been the doll’s hospital, with a glazed shop window built out onto Angel Lane, round the corner from the museum. Presumably the Misses Frinton had had the extension done long before planning regulations became so restrictive.

      A polished wooden counter ran right across the front of the room and behind it were worktops, a sink and racks of drawers labelled with fascinating things like ‘Teddy Bear Noses’, ‘Doll’s Eyes – Blue’ and ‘Whiskers – Large, Black’.

      There were several electric sockets where I could plug in the Bath – the machine that tempered the couverture chocolate – and even a small double gas ring, presumably once used for melting glue, or something like that, but now perfect for a bain-marie, or for making toffee. The place was ideal!

      Behind it was a small sitting room that looked as if it had been used most recently for storage, since the one bare bulb dangling from the ceiling shone down onto flattened cardboard cartons littering the balding lino floor. The deeply recessed window facing onto the garden was murky and festooned with furry cobwebs, but had a seat built in beneath it. There was an open fireplace bordered by art nouveau purplish-pink glazed tiles, and a twisting staircase went up in one corner behind what I had thought was a cupboard door until I opened it.

      The kitchen had been added onto the back at some more recent point in time, with a very utilitarian white bathroom above it – though I was just grateful it had one at all and not just an outside toilet! But Grumps had said something about the Frintons having had tenants in the cottage in the dim and distant past, so I suppose they had updated it a bit then.

      Upstairs, as well as the bathroom, were two bedrooms and a small airing cupboard housing the water tank and an ancient immersion heater – all mod cons provided! And although the cottage smelled chilly and unused, it didn’t seem damp and the thick stone walls would keep the heat in in winter, and out in summer.

      Finally I went out through the kitchen into the garden, which was surrounded by a tall wall of mellow bricks, with matching paths in a herringbone pattern, slimy with damp and disuse. Large, half-moon beds ran around the walls and there was a big central round bed in which was a tree – plum, I suspected. It looked half dead, but plum trees love to fool you like that.

      It was all very overgrown, and at this time of year it was hard to tell what was there. It would be exciting to see what came up in the spring, and to clear and replant parts of it. There was certainly lots of room for my pots and my little greenhouse – there was even sufficient space to have a bigger one, when I could afford it.

      I absolutely loved it – it was like having my very own Secret Garden – and I decided then and there that I would have the back bedroom overlooking the courtyard, leaving the front for Jake, even though it was slightly larger.

      When I finally looked at my watch it was already noon and I had been there for hours, although it felt more like minutes! I left hastily, retracing my path through the Old Smithy and the house, locking the doors behind me, one by one.

      When I emerged the road was momentarily deserted, though to the right I could just see Felix’s swinging sign for Marked Pages, the first of the High Street shops. They were increasing steadily in number: as well as the Spar near the Green and an old-established saddlers, there was now a new café-cum-craft gallery (Witch Crafts), a delicatessen and a couple of gift shops. Another teashop was in the throes of being renovated.

      The Shakespeare find at Winter’s End a couple of years ago had really revitalised the village, so Grumps was lucky to have got the Old Smithy, especially at what seemed to be a very advantageous price. I wondered how he’d managed that.

      There was no sign of Felix and Poppy until I crossed the road to the Falling Star and saw them waving at me from the bow window of the snug. Mind you, if I didn’t know them so well, I wouldn’t have recognised them behind the thick bull’s-eye glass panes, because they looked like dubious sea creatures seen dimly lurking in green waters.

      As usual I tried to avoid stepping on the clean square of pavement as I went in, because it seemed СКАЧАТЬ