Fighter Boys: Saving Britain 1940. Patrick Bishop

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СКАЧАТЬ of Fighter Command were bathed in the light of nobility. The organization was just four years old. Before the spring of 1940 fighter pilots were known as a small, vaguely glamorous elite. Their role in the fighting in France had been peripheral, and, in the great drama of the Dunkirk evacuation, somewhat contentious. Now, with Britain facing possible extinction, they were at the centre of the national consciousness, turning day by day into the heroes of a salvation legend. When people spoke about them it was in an increasingly proprietorial way touched with familial affection. First they were ‘our boys’. Then, by midsummer, they were ‘fighter boys’. The name conveyed everything: their youth, their job, their dash – and the warm regard in which they were held. ‘Stuffy’ Dowding, the pilots’ austere commander, was the first to use it officially, writing in June a letter of congratulation to his ‘dear Fighter Boys’.

      By the end of the summer everyone in Britain was in love with them. The air battles of 1940 were intimate affairs. Unlike any external war Britain had been engaged in in the previous thousand years, this one was fought in the sight of the inhabitants of the island, over the territory the pilots were giving their lives to defend. Combat took place above the monotonous roofs of London suburbs, the old market towns and villages of Kent, Sussex and East Anglia, the fields and orchards of the Home Counties. Those below had only to look up to see an unprecedented spectacle: huge masses of bombers and fighters skidding across the cerulean summer sky, scribbling white vapour trails on its placid surface and stitching the blue with the red and gold of cannon and tracer. It was thrilling, and from a distance beautiful and unreal. Then a Heinkel would falter, stagger out of formation, slide into a stricken dive; a Hurricane would spurt flame, roll on to its back and spin down in frantic spirals, and with a final flash and boom the violence reached earth in an ugly tangle of scorched metal and roasted bodies.

      The pilots fighting the battles lived among those they were defending. At 6.40 p.m. that Thursday, just outside Sevenoaks, Michael Crossley caught up with one of the Me 110s that had raided Croydon and set it on fire, sending it crashing down near the pleasant village of Ightham. Two hours later he was accepting drinks from locals in the pub, a few miles from where workers were clearing the wreckage and retrieving the corpses of the dead.

      The Battle of Britain had many of the characteristics of a siege. Everyone inside the enclave, active or passive, soldier or civilian, was a defender. The closeness this engendered could sometimes be almost unbearable. The girlfriend of Flying Officer Douglas Grice, the ‘Grubby’ of Crossley’s report, was a Waaf at Biggin Hill. The buzz that her man had ‘gone in’ reached her in a break between driving pilots out to their aircraft. Grice was badly burned but recovered. There were much worse stories. On a later occasion another Waaf, Edith Heap, who worked in the Debden control room, froze as a voice over the Tannoy reported ‘Blue Four’ was falling into the sea in flames. She knew, without waiting for confirmation, that the man she loved and was about to marry was dead.

      Looking up at the wheeling Spitfires and Hurricanes, ordinary people imagined their own sons or brothers at the controls. Sometimes it was true. The mother of Tim Elkington, a young pilot with 1 Squadron, watched from the balcony of her flat on Hayling Island as he was shot down, baled out and drifted perilously over the sea before finally landing safely.

      But you did not need ties of blood or romance to feel a particular bond with the Fighter Boys. The backgrounds of the few thousand pilots flying Hurricanes and Spitfires in the summer of 1940 reflected the social composition of the nation, a point that was emphasized by official and unofficial propagandists. ‘The most striking thing about the fighter pilots is their ordinariness,’ wrote a war artist who spent months among them. ‘Just you, I, us and co.; ordinary sons of ordinary parents from ordinary homes.’³ Fighter Command was perhaps the most motley elite ever to exist in the British military. In 32 Squadron, Crossley had been at Eton. John Proctor had left school at fourteen to become an RAF apprentice. Many of those standing in the pub had been in the RAF reserve before the war, training in their spare time from their often mundane jobs. Oliver Houghton had been a fitter in a Coventry factory. William Higgins was a teacher in a Derbyshire village school.

      Their interests and attitudes were as broad as their backgrounds. Fighter pilots might be philistines or intellectuals, bon vivants or ascetics, pious or godless, cynical or trusting. There were some whose dominant trait of recklessness or aggression or amiability made them stand out, but most were too ordinarily complex to be pigeonholed. Fighter squadrons were collections of individuals. The nature of the fighting made it so. Once combat began, a pilot was usually on his own, beyond the control of his commander and making fateful decisions alone.

      There were, though, strong affinities and common characteristics that bound the bunch together. The most potent was a love of flying. Speaking about flying, and when occasionally they wrote about it, the pilots dropped their usual clipped understatement for the language of passion. It was an obsession and an addiction and aeroplanes were far more than simply machines. They had quasi-human qualities. They could be brutish and heavy or beautiful, fragile and sensitive. If it was love, it was nearly always love at first sight. The pilots’ reminiscences are full of lyrical memories of the first encounter, when the flying circus arrived in town or a mysterious figure floated out of the sky to land in the field next door.

      Charles Fenwick was a little boy in the Kentish village of Harbledown when Sir Alan Cobham’s troupe of itinerant flyers passed through. His aunt took him to see them.

      ‘Would you like to go for a flip?’

      What a stupendous question! I was on my way to the plane as fast as I could go. I was small for my age and flopped into the rear cockpit. The plane was an early Avro, an aerial marvel quite beautiful to behold. Well, my idea of beauty, all struts and wires and canvas with that intoxicating smell compounded from dope and fuel and hot oil. But to beat it all she was alive. She was roaring like a lion and rattling. I was heading for heaven.⁴

      Flying requires courage. Going solo in any aeroplane is alarming. Most aviators never lose a faint feeling of insecurity, no matter how great their experience. Flying with an instructor for the first time in a light aircraft, trainees noted queasily how thin the fuselage seemed, how flimsy the wings, how easy it might be to tip out in a turn. The sensations got more alarming as they progressed to more powerful machines. The Harvard trainer, whose 600-horsepower engine provides only half the thrust of the Merlins of the Hurricanes and Spitfires, is disconcerting enough. Clamping into a tight turn, the most basic manoeuvre of dog-fighting, G forces drag your guts to the sump of your stomach and press your head down on your chest as if you are being crushed by a giant hand. A simple half-roll sends the world spinning incomprehensibly, earth and sky alternating in a blur.

      When I experienced this as a passenger, fear never felt far away. It is hard to imagine how pilots were able to fling their aeroplanes around in this way without succumbing to disorientation or panic. It is harder still to understand how they could shoot at, and hit, other aeroplanes while they were doing so. To have the reflexes and eyesight needed to do these things you had to be young. Most pilots were aged between nineteen and twenty-six. They tended to be young in their outlook as well. They liked the latest music, films and fashions and spiced their talk with Americanisms, creating a Hollywood-meets-public-school slang.

      The Fighter Boys belonged firmly to contemporary Britain, ideal warriors in what was being shaped as a people’s war. To the public it seemed that their technological skill was, comfortingly, fused to old values and traditions. The pilots’ fathers had fought and died in a war that had traumatized Europe and stimulated a wave of pacifist, and then defeatist, feeling. Yet the sons were accepting their duty willingly, almost cheerfully, and confronting the horror again.

      On that August night, as the blackout shutters were fitted into the leaded windows of the White Hart, as last orders were called and the banter and laughter subsided, unwelcome thoughts of tomorrow edged in. The fighting of the day had brought СКАЧАТЬ