Iris Murdoch: A Life: The Authorized Biography. Peter Conradi J.

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      Fortunately, and unbeknownst to Iris, at the start of the twentieth century the Rev. Henry G.W. Scott, Rector of Tullinisken in County Armagh, had documented these Richardsons well.³⁶ James

      I indeed granted the original Alexander Richardson Drum Manor, or Manor Richardson, in County Tyrone. Alexander’s son William married Mary Erskine, heiress to the Augher Castle estate, County Tyrone, which in turn descended to their son Archibald. William left Drum Manor to his second son Alexander, who in 1682 married Margaret Goodlatte of Drumgally. His third son William, as well as inheriting lands near Augher, also obtained a lease of lands from his brother Alexander in the townland of Tullyreavy on the Drum Manor estate, where he built a house by the lake known as Oaklands, Woodmount or Lisdhu. O’Hart³⁷ erroneously identified Crayhalloch with Drum Manor Forest Park and also with Oaklands, as if all were different names for one house, instead of separate Richardson estates, from each of which Rene could claim descent.

      William (d.1664) and Mary Erskine had three further sons. The eldest, James, married Mary Swan (1671–1740), heiress of William Swan, and their son Alexander (1705–71) succeeded to the estate of over a thousand acres at Farlough Lodge, strikingly situated above the Torrent river: a small five-bay, two-storey Georgian house with a dressed sandstone front and a square central porch³⁸ near Newmills, County Tyrone, not far from Cookstown. Through the eighteenth century the head of the family was churchwarden and member of the vestry of Drumglass and Tullinisken parishes, overseer of the roads and an officer in the militia. Iris’s great-great-great-grandfather, for example, was Alexander’s eldest son John Richardson of Farlough (1727–85), who married Hannah Lindsay in 1757 and was a JP, High Sheriff of Tyrone in 1778, and Captain of the Dungannon Volunteers in 1782. Owning more than a thousand acres, successive heads of the family lived, it can be assumed, in some comfort as modest country gentlemen.

      The Richardsons also produced serious artistic talent and had continuing artistic tastes, well before Iris emerged to give them retrospective interest. They formed a large extended family which included two women writers, one of them distinguished. Iris’s great-great-aunt Frances Elizabeth Fisher (née Richardson) published well-received volumes of verse such as Love or Hatred (three volumes) and The Secret of Two Houses (two volumes), also a book about Killarney. The better-known is Ethel Florence Lindesay Richardson (1870–1946), who wrote under the name of Henry Handel Richardson. She was the daughter of Walter Lindesay Richardson MD, model for Richard Mahony in her trilogy The Fortunes of Richard Mahony (1917–21). Henry Handel Richardson was second cousin to Rene’s father Effingham Lynch Richardson.³⁹ Like Rene she was musically talented, going to Leipzig to study music before turning to writing. She spent her early life in Australia and then Germany, belonging, like her cousin Iris, to a broad British and European and not merely an Irish world.⁴⁰ In her unfinished autobiography Myself When Young (1948) she refers to her strongly Protestant Irish Richardson relations, and their penchant for odd names ‘such as Henry Handel and a Duke, more than one Snow and several Effinghams’. In The Unicorn Iris was to award her foolish character Effingham Cooper a key moment of insight.

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      The nineteenth century saw a downturn in Richardson fortunes, with the sons of yet another Alexander Richardson (1758–1827) squandering part of the £8,000 realised from sale of the Farlough estate. The phenomenon of downstart Anglo-Irish gentry was so familiar as to earn its own ingenious characterisation. Sir Jonah Barrington, whose racy memories of Irish history both Yeats and Joyce plundered, defines as ‘half-mounted gentlemen’ the small grantees of Queen Elizabeth or Cromwell living off two hundred acres. The Richardsons had been grander, somewhere between ‘gentlemen every inch of them’, whose finances were ‘not in good order’, and ‘gentlemen to the backbone’, from the oldest settler-families, generally also ‘a little out at elbows’.⁴¹ Most of Iris’s immediate maternal forebears were minor men-of-law – Dublin was a litigious city with many attorneys – belonging to the Protestant Irish lower-middle class. Rene’s paternal grandfather Robert Cooper Richardson, grandson to Tyrone’s High Sheriff,

      born in 1827, and son of Robert Lindesay Richardson, a revenue officer, was a clerk in the Dublin Probate Court. Robert Cooper’s son by his first wife Hannah, Effingham Lynch Richardson, a ‘law assistant’ born in 1857, after a first marriage without issue made a second to Elizabeth Jane Nolan, daughter of William Nolan Esquire.⁴² Effingham and Jane had two daughters, Gertrude Anna (born 1891)⁴³ and Irene Alice (born 29 March 1899), mother-to-be of Iris.

      Rene’s father Effingham Lynch Richardson died on 6 July 1904, not long after Ulysses’ ‘Bloomsday’, one tradition making his death, officially from ‘erphelsocora of the groin’, drink-related.⁴⁴ The fact that the Rev. A.W. Barton, Rector of St George’s, rather than one of his three curates, took the funeral service, suggests that the family were actively involved in the life of the Church of Ireland at parish level. Iris also claimed – on no evidence – Catholic ancestors.⁴⁵ Curiously, a second Effingham L. Richardson was shown living at 40 Iona Road, Glasnevin, Dublin, until 1947, and working until 1934 at the Dublin Ministry of Labour. This second E.L. Richardson, a first cousin of the first, was re-baptised as a Catholic before marrying in 1883.⁴⁶ Rene and her elder sister Gertie took ‘Cooper’, not among the baptismal names of either, as their middle name; they lived thereafter in the house of their grandfather Robert Cooper Richardson, and the twice-adopted name suggests gratitude to him for his generosity in fostering them after their father’s death. The only story Rene would tell of her grandfather was that, though a man of industrious habits who at first kept his family well, when the 6 p.m. mail van arrived he would be facetious about this, in his Dublin manner. It was a signal for his first drink of the evening.

      From 1906 the girls lived with their grandfather at 59 Blessington Street, a ‘wide, sad, dirty street’, Iris wrote, with ‘its own quiet air of dereliction, a street leading nowhere, always full of idling dogs and open doorways’.⁴⁷ It runs parallel to Leopold Bloom’s Eccles Street close by, and is halfway between St Joseph’s Carmelite Church and the Anglican ‘Black’ Church, at the heart of that cheerless north inner city to which the Joyces retreated across the Liffey, with all their baggage in two large yellow caravans,

      when their fortunes took a downturn. Within a twilit world there are degrees of gloom and seediness. It is not hard to see why the 1906 move that Rene’s grandfather made, away from the address given as 34 ‘Upper’ Rutland Street,⁴⁸ where Rene and Gertie were growing up, was propitious. A street of ill-repute, Joyce placed Nighttown and its brothels at the end of it at that time.

      The northern inner city⁴⁹ had been defeated first by the Duke of Leinster choosing in the 1740s to build on the South Side —'Where I build, Fashion will follow’ – and next by the exodus of gentry to England from around Luke Gardiner’s Mountjoy Square after the 1801 Act of Union. But, above all, by the massive immigration into the area of starving country people during and after the Famine, resulting in the division of whole terraces into tenements. In their novel The Real Charlotte Somerville and Ross’s down-at-heel, petit-bourgeois, essentially vulgar Protestant heroine Francie lives, in СКАЧАТЬ