The Killing Edge. Heather Graham

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      “Right. I know. And not that it would change anything where Rene is concerned. She’s hell-bent on going out to that island.”

      “And she’s over twenty-one, so if she wants to go, she can.”

      “And that leads me to my point. She will go on the photo shoot, but so will you.”

      “So far, so good,” Luke said. “As long as Miss Marin doesn’t give me away.”

      “Chloe Marin is as solid as the day is long,” Stuckey assured him.

      “Yeah, I’ve been reading up about her. Why the hell didn’t you tell me who I was dealing with?” Luke demanded, shaking his head. “That she survived a massacre like that? The kind of work she does? That she’s not just some wannabe?”

      “You know, in hindsight, I should have told you about her and what she was doing at the mansion for us. She was raised by her uncle—A.D.A. Leo Marin—so she learned a lot from him, and she comes in when we need her to sketch for us. It started the night of the massacre. She drew a likeness that helped us identify one of the cult members found dead in the Everglades.

      “She has something that’s close to a photographic memory, and an eye for detail.” He shook his head. “The night of the massacre … I can only imagine the terror. Chloe got Victoria out of there, and Brad and Jared were there and survived, too. The four of them have been close ever since, but it changed their lives in ways I don’t think they’ll ever completely get over. Victoria could have done a dozen fashion shoots in Paris, but she didn’t accept. You know why? She works down here because she can be with her friends. Not one of them has ever formed a serious romantic relationship. They pretty much lose themselves in their jobs. Brad has a trust fund and his boat business, and he and his cousin Victoria stand to inherit a fortune when their maternal grandfather dies. Jared trades stocks. And Chloe counsels trauma survivors, in addition to her work for us.”

      “I should have known all this before I went into that house.”

      “Other than the fact that Chloe was there to listen in for us, what does the past have to do with a missing girl in the Keys? With a father who worries about his daughter, since it was her best friend who went missing?” Stuckey demanded. “Besides, you said you wanted total anonymity. In my defense, you’ve been worried that Chloe is going to spill the beans about you. If she didn’t know about you, she couldn’t have said anything.”

      “That doesn’t mean I shouldn’t have known about her. And now that she does know about me, how the hell am I going to keep my anonymity if Chloe Marin is as close as you say with the others?”

      “I told her not to say anything, and she won’t,” Stuckey insisted.

      “Not even to Victoria—who’ll end up telling someone else?”

      “No. Believe me. Chloe’s rock solid. So what’s your next move?” Stuckey asked.

      “Let’s go back for a minute. You were sure, absolutely sure, that the men who committed that massacre were the two men found in the Everglades?” Luke asked.

      “Why are we back on the past? I’m sure. The killers were found, along with a bag holding black, hooded dive suits, one with the mask ripped, and knives covered with dried blood from the victims were found. Not to mention that one of the men matched Chloe’s sketch. Yeah, we’re sure. Why?”

      “Those ‘killers’ just didn’t look the type, that’s all,” Luke said. “Especially the smaller guy.”

      Stuckey shrugged. “They were found two days after the murders, with enough evidence to put my grandmother away. And the suicide note—the Church of the Real People denied any involvement, of course. They were devastated, claiming they had never condoned murder, that the killers must have been insane. The church pretty much fell apart after that, though it started rebuilding a few years later.”

      “What I find interesting, if not out-and-out suspicious,” Luke said, “is that the kids were all killed with knives, but Abram Garcia shot Michael Donlevy, then himself.”

      “What would you rather do? Cut yourself or die clean and neat from a bullet to the head?” Stuckey asked.

      “So Garcia shot Donlevy in the head?”

      “Yep. Point-blank range. Then himself.”

      “He didn’t put the gun in his mouth?” Luke asked.

      “No, shot himself in the temple.”

      “Hmm.”

      “Why ‘hmm'?” Stuckey sounded annoyed.

      “I just find it odd. Suicides have a tendency to eat the gun.”

      “Maybe he never took lessons on the proper way to commit suicide,” Stuckey said, sounding exasperated. “Here’s another thing. The killers were found, and nothing like the killings happened again.”

      “Sounds odder still,” Luke said. “They weren’t caught, so why stop? They could have kept going with their mission and ‘saved’ more kids from going on to lead lives of sin. Instead, they just killed themselves.”

      “It was guilt,” Stuckey insisted. “You should have seen that place. It was a bloodbath. Those kids died without ever knowing what hit them.”

      “There’s another thing,” Luke pointed out.

      “What now?”

      “Think about it. Mass murders are generally messy. People die trying to get away. This was methodical. Organized. Someone knew enough to wait, and then those kids were killed before they were really awake. And you know as well as I do, as easy as it sounds, it’s damn hard to slit a throat. Slice right through. It takes skill and strength, and it’s pretty hard to believe no one struggled and alerted the rest, which makes me think there were more than two killers, so it all got done quickly.”

      Stuckey groaned. “What do you want me to do? Reopen the case? It was closed over ten years ago. And it has nothing to do with whatever happened to the Rodriguez girl. She’s what we have to worry about now.”

      Luke shrugged. “Well, I promise you, I will find out what happened to Colleen Rodriguez, and if need be, I’ll keep it from happening to Rene Gonzalez, too. Because until we know what happened to her, every young woman out there could be in danger. Victoria and Chloe are going on that shoot. Something could happen to them, too.”

      “Don’t you think I’d stop them if I could?” Stuckey demanded.

      “Is that really why you called me?”

      Stuckey shook his head. “No. I called you because one girl’s missing and another girl’s parents are scared. And I sent you in undercover because there’s a strong possibility an insider is involved. And does it bother me that two women I know, women who have already been through more than their share of torment, may be in danger, even when no one can put a finger on what that danger might be …? Of course it does. But I’m a cop—I have to act like a cop. I have to follow the letter of the law, not to mention that this isn’t even my investigation. My hands are tied precisely because I’m a cop.”

      “Stuckey, СКАЧАТЬ