The Death Factory: A Penn Cage Novella. Greg Iles

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СКАЧАТЬ it as the reality of Texas. Don’t get me wrong, the defendants were guilty. And we were following the law. Joe Cantor always said, ‘If the ­people don’t want me to enforce the law, they should change the law or elect another DA. Because not enforcing the law only breeds contempt for it.’ And as simplistic as that may sound, he was right.”

      “Sounds like the worst nightmare of my California neighbors.”

      A dry laugh escapes my throat. “It is. Another thing: death penalty law in Texas contains almost no subtleties, which you have in other jurisdictions. The end result was, our office took capital cases to trial that never would have seen a courtroom in other jurisdictions, even in other parts of Texas. They would have been pled down to lesser sentences, or even lesser charges. So, I’d had doubts building up for a while. I think Joe Cantor kept me around as a sort of foil—­the loyal opposition. Not that I was anti–capital punishment, but I held every case to a very high standard. That’s partly what kept me there, feeling like I was working as a check to that ‘hang ’em high’ bias, keeping the system in balance.”

      “A seductive lure for a budding crusader like you.”

      This makes me chuckle. “I guess so. But when Joe Lee Hanratty tried to kidnap Annie, and I shot him, life spun out of control. Overnight, I became a hero in Texas. I’d sent a skinhead cop-­killer to death row, and when his brother tried to kidnap my daughter from her crib in revenge, I gunned him down like it was Dodge City. When some Chronicle reporter actually compared me to Wyatt Earp, half the lawyers in the office started calling me ‘Marshal.’ Joe Cantor loved the notoriety. I truly was his fair-­haired boy, then. But Sarah nearly lost her mind. The what-­ifs were killing her. What if I hadn’t heard the noise that night? What if I’d walked into that hallway just three seconds later? Annie would have been gone. Dead. Sarah wanted me out of the criminal justice business for good.”

      “So that’s when you started writing your novel?”

      One block from the river, I turn right on Canal Street and head for Natchez’s Garden District.

      “No. I’d been writing what became False Witness off and on since 1987, when Scott Turow published Presumed Innocent. I’d submitted a few chapters to several literary agents under a pseudonym, and one had taken me on after The Firm exploded in 1991. By the time I shot Hanratty in 1994, I had a ­couple of offers on the table. Nothing big. But when the story of the shooting broke, my agent told me if I’d publish under my own name, she could get me two or three hundred thousand dollars for a two-­book deal. I swallowed my pride, put a muzzle on my conscience, and took the money. In the end, there was an auction among the major publishers, and I got half a million bucks.”

      Jack shakes his head. “And the book went to number three?”

      “Number four. But that was high enough. That’s what allowed me to resign from the DA’s office. I just slipstreamed behind Grisham after that, and life got a lot better very quickly—­at least in the material sense.”

      “That’s when you moved into that neighborhood where President Bush the elder lived?”

      “Tanglewood?” I laugh at Jack’s memory. “Yeah. That was the era when Enron yuppies were buying old lots, razing the houses, and building McMansions. But Sarah decided to restore the original house on our lot. It was a midcentury modern, and she wanted a project. We got Annie onto the waiting list at the Kinkaid School, and it looked like we’d landed in the middle of the American Dream. I wrote three more novels in quick succession, and each sold better than the last. Sarah kept working on the house, wouldn’t let me help her at all. She also kept my nose to the grindstone on the novels. Like my mom, she didn’t trust something as unreliable as publishing.”

      “And then she got cancer,” Jack says in a flat voice.

      “Naturally.”

      To our right appears a low building with a sign that reads THE NATCHEZ EXAMINER. Caitlin’s Acura is parked out front, and through the back windshield I can see my daughter’s backpack sticking up.

      “That’s Caitlin’s paper,” I tell him, trying to delay the conversation. “Annie’s with her now. We’re hoping to have some better news before we tell her about Dad.”

      “Good thinking,” Jack says. “So, how are you guys doing? Are you ever going to make an honest woman of her?”

      This, at least, brings a smile to my face. “Actually, we decided just this morning to get married. Right about the time Dad was having his heart attack.”

      “Seriously?” Jack gives me a sidelong glance. “Let’s hope that’s not an omen.”

      I laugh off his comment, although the juxtaposition of those events is a little disconcerting.

      Looking forward again, Jack says, “Is this the way down to the river?”

      “It can be. I thought I’d take you up to the city cemetery, where you can see ten miles of the Mississippi from one spot.”

      “Let’s get down to the riverbank first. I want to put my hand in that water. The Mississippi gives me that feeling Don McLean sang about in ‘American Pie.’ Driving your Chevy to the levee and all that. I know that song was about the loss of innocence, but it makes me feel nostalgia for mine.”

      This is the Jack I remember. “One nostalgia trip, coming up.”

      I turn left and drive to where the road ends at a two-­hundred-­foot drop to the river. Here the roller-­coaster-­steep Pierce’s Mill Road leads down to where the Magnolia Queen floated like a nineteenth-­century paddlewheel palace only five days ago. I make the dogleg turn slowly, and seconds later a hundred miles of space opens up to the west of us. Five miles of the broad river is rolling toward us from Vicksburg, and Jack’s breath catches at the sight of it.

      “I’ll be damned,” he says. “I see the Pacific all the time, but this sight never ceases to amaze me. It just comes out of nowhere.”

      “I know what you mean. You can see the Rockies for miles, but this divide is like a buried vessel. The aorta of the whole continent.”

      As we slowly descend the precipitous slope, Jack says, “Tell me something. How did Sarah progress to stage-­four breast cancer without noticing anything?”

      “It’s an old story, I’m told. She was so busy that she simply ignored the signs. She wrote her symptoms off to fatigue and hard physical work, told herself she didn’t have time to get things checked out. She was only thirty-­six, remember. The last pure joy I remember is a trip we squeezed in to Disney World. Annie was three, and she wore her Snow White costume the whole time. The whole trip was magical. But late that week, I noticed how tired Sarah looked, and how badly she was hurting. She’d been blaming it on tiling floors, stripping furniture, that kind of thing. But the day we got home, she reached down to pick up a box from UPS and felt excruciating pain in her back. That time I made her go to the doctor. When he shot the first X-­ray, there it was. Her spine was collapsing, due to bone metastases. They did full-­body scans. She had bone mets all over. One of her hips was half eaten away. It was in her liver, too, and soon the brain.”

      “Jesus. I never knew it was that bad.”

      I wave my hand as if that could banish the memories. “That was the background of what I’m going to tell you about. Sarah went downhill fast. I was doing everything humanly possible to find a last-­ditch miracle. I knew a doctor who was a big deal over at MD Anderson, СКАЧАТЬ