The Book of Rapture. Nikki Gemmell
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Название: The Book of Rapture

Автор: Nikki Gemmell

Издательство: HarperCollins

Жанр: Зарубежные любовные романы

Серия:

isbn: 9780007335718

isbn:

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      We do not know, because despite strenuous efforts the man, institution he worked for, and children were never traced. They have all proved as elusive and mysterious as the document itself. There is one other fragment that was related by the social worker as he handed over the document. He said the child told him, ‘Please don’t forget us,’ echoing, of course, the words in chapter 100 of the text.

      The Book of Rapture is a historical enigma. Its author, provenance and audience are unknown to us. Scholars have striven to pin certainties upon it but the debate provides progressively less consensus every year. The honest and defeatist truth is that it is undatable and unsourceable.

      It is of our time, and timeless. Near the beginning, and at the end, is the haunting statement, ‘Now is the time when what you believe in is put to the test.’ Rapture is a document of mysteries, just like the central question it asks: is all that is left a god of mysteries? It explores with an almost mythical quality the conflict between science and religion, notions of theological sacrifice, and a woman’s impotent — and potent — rage. It asks that vexed question: if science does succeed in destroying religion, what moral code do we then live by?

      There are no certainties. What journey has this document itself gone on? And its protagonist? Since its discovery the text has been debated over, fiercely attacked and fiercely defended. It is important for philologists to admit that we cannot place it precisely. Let us say, instead, that it is a document of the human condition. Many of its themes, surely, are as old as humanity itself.

      Professor A.R. Bowler, University of London

       Prisoner Number: 57775

      

      

      It is the mark of a narrow world that it mistrusts the undefined.

      JOSEPH ROTH

       1

      So. They are in there. Your children. Close but you cannot reach them, talk to them. In a room they’ve never seen before. That they’ve just woken up in. And the three of them are like tiny wooden boats in a wind-tossed sea, swivelling, unanchored, lost. Now a key has come. Rattling hard on the other side of the door; the only way to escape. You haven’t a clue who’s on the other side. Neither do they. The rattling’s brisk, curt, adult. You feel like your heart is being compressed into your chest, a great weight is upon it, breathing is hard. Your middle child’s knuckles are pressed into his temples, you can read his screwed-up face — this could be good-strange but he doesn’t know — he’s too huge-hearted for this. Always glass half-full but the dark side of optimism is trusting too much. Not his brother or sister. They’re too aware for trust, they’re thinking the worst. Question everything, you’ve told them all, so many times, and that’s exactly what they’re both doing.

      The fear plague has come, it has hit.

      And all you can do is stand here helpless in the wings of these words with your greedy, voluptuous love haemorrhaging out.

       Nothing evolves us like love.

       2

      Nothing evolves us like love. Five words. From your husband, in a whisper, from one of his books. His collection of books. The only things with you in this room of held breath, his gift of a bookshelf he was curating for his children. Tomes on every religion. So each child could one day, eventually, decide for themselves. Be a student of all of them or none. That was the plan.

      Did he slip them into your suitcase at the last minute? His final surprise? Once, long ago, it was Mickey Mouse stickers all through your address book and notebook. His silent chant, in gleeful sing-song — ‘I’m he-re’ — that little giggle of impishness from your perpetual boy up the back of the class.

      But now this. A dozen or more books. All that’s left from your past life. All that’s allowed. Each volume fanned with dog-ears on the bottom corners. You know his method, he’s had it since university: each turned-up page will have a tiny indentation down a phrase of interest, a thumbnail scratch to remind him to take note.

      Nothing evolves us like love.

      The first marked words you have come across. A key to unlock all this? A code? You hate uncertainty more than anything, he knows that. Okay. Okay. So. You will stitch his snippets into a quilt of words, trying to glean sense. Your little patchwork blanket in this place. Yes. You need to busy yourself up; need order, industry. To keep you going, to anchor you.

      You cannot hear outside. You’ve always had it close. It’s nowhere now. Where are you? So, your quilt of words. To keep you warm in this room. To brew light. Little rituals, little certainties. Words from your Motl, your Man on the Loose. Sending you a message from God knows where.

      Trust me, Motl said, trust. Those were his last words to you. Trust.

      Now is the time when what you believe in is put to the test.

       Be still.

       3

      You met over Bunsen burners. Wearing white coats. Star students both. Married, louchely, young. Had three kids. A girl, then twin boys. Lived a frugal life, five people in two bedrooms, but it worked: the Giggle Palace was your tiny flat and it was crammed with books and laughter and light. Your husband and you egged each other on at the vanguard of genetic research. Then you both received the summons from the government. And everything sparkled right up.

      Project Indigo.

      World-changing. War-changing. A weapon of mass destruction that would blaze your names into the history books. So audacious, shocking, astounding was the idea. The thought of it once made you smile and lick your lips. That every person on earth would one day know of you, for nothing like this had ever been dared. The grandeur of it. You, the only woman in a team of four. A top-secret coven, searing your place into scientific history, the delicious sweetness of that.

      Then Motl dropped out.

      ‘We’re getting way above ourselves, my love.’ He cufflinked your wrists into a grip that wouldn’t soften. ‘What moral code are we living by if we’re living beyond religion? We’re not working within any known ethical framework here. Are we? Eh?’

      ‘Oh, you.’ You nervously laughed. ‘Humans can be moral whether they believe in a god or not. It’s called evolution, little boy. We’ve outgrown the religious approach to the world. All that, pah’ — you batted the thought away — ‘it’s all lies and creaky myth.’

      ‘I’m just not sure, wife, that it’s possible to create morality in a vacuum. By putting humans first, before a god, any god. There are lots of tasty examples from history of attempts to put people — just one, or an entire race — first.’

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