Название: Tenterhooks
Автор: Suzannah Dunn
Издательство: HarperCollins
Жанр: Современная зарубежная литература
isbn: 9780007397204
isbn:
We hurried inside to claim one of the long tables and six of the chairs which are almost armchairs. No one else came in here after dinner, and now the old stone building holds a deep hush crumpled only slightly and rarely by cymbals in the kitchens below. We are sprawled, heads on arms, our talk sliding over the shiny surface. The table is warmed by an avenue of lamps with jade shades. The wax is cooking, smells to me like a mixture of butter and honey. Which mixes in turn with the trace of soap dried into the crook of my arm. I feel warm and clean for the first time in five days. The wood of this table could have been made from chestnuts hammered smooth; occasionally I feel that I am slipping on the surface, even though I am as low as I can go. From here, the rain sounds dry, like the hiss of seeds in a shaken pod, and looks wonderful, the luminous streamers and their stray raindrops clean and intricately linked on our black windows.
Yesterday we had our day off, but today we had to work much harder than usual. Jim and Mr Stanford goaded us, yelling through the fizzy spray for us to Take it easy but ensuring that this was impossible. They chose a particularly steep and exposed stretch of shore for the belated barnacle head count. Then we were allowed twenty minutes for lunch, rather than forty: Lots to do. And at the end of the day we were not allowed to leave the shore until three quarters of an hour later than usual.
Our day off had been like a Sunday but better, with gossip and tapes, face packs and make-up. Lawrence had dawdled on the beach for a while, luminous in his waterproofs, shrunk to a toddler far below our window. We saw him throwing sticks and stones across the water. No one else ventured from our room, until we had to go to dinner because we had finished our own supplies. In the canteen, Mr Stanford had tittered, ‘Hello, girls, are you better?’ as if there was a joke which he was in on. Then he said nothing more to us until he came to our main door unnecessarily early this morning, sometime before seven o’clock, to scream, ‘Wakey wakey, wakey wakey!’
I sparked awake to see Rachel, to see her wake. Her face lagged behind her, filled with sleep. Disgusted, she muttered, ‘Wanky wanky, in his case.’
Now, in the library, the muscles in my back and legs are hot and heavy from the long, hard day. For the last half an hour, we have talked of nothing else but the injustice of this week, our exile to this peninsula, this enforced biology. All of us except Lawrence, but his eyes follow the conversation, rippling his sagged brow like a dog’s. One of us is kicking a table leg, has been doing so for quite a while; a slack kick, but these aimless prods have been knocking through our tender bones and building up in our bloodstream. Slumped here, in one another’s warmth, our faces are droopy and darkening.
‘We’ve lost a week of our lives,’ Rachel moans into the blurred reflection of her lips.
‘I wish that we had lost it,’ Susie sighs through a stray strand of hair. ‘It’s been the worst week of my life.’
‘Worst and utterly pointless,’ I remind her.
Trina snarls, ‘This place should be burned down. With Jim inside.’
‘And Mr Stanford,’ adds Rachel.
‘Well of course Mr Stanford.’
Rachel hauls her eyes to Trina’s face, then smiles. ‘He’s the kindling.’
Trina looks worried, ‘Sounds too nice, for him,’ and turns on one of her pockets. ‘We could burn it down,’ she chucks the box of matches high above us, the little yellow and black box a big square bee which drops dead into the palm of her hand. All the matches click simultaneously on the bottom of the box. It is hard to know if she is serious.
Avril chips in, ‘Or at least smash it up a bit.’
I see four heads jerk, and in the corner of my eye I detect one smile, Lawrence’s smile, so secret that even he lowers his own eyes.
Rachel laughs, ‘Well, don’t let us stop you, Av, if you feel so strongly,’ but suddenly she is serious: ‘I do think that we should do something; I do think that something should be done.’ She stops to look around us, to check that she is speaking for all of us.
I have to point out, ‘Not something that will put us in a similar correctional institution, but for a lot longer than a week.’
She slots her hair down behind her ears, a decisive movement, the opposite of a shrug, to imply that she had already thought of this; and pointedly says nothing, Goes without saying.
I stand up and take a few paces to stretch my legs, to uncoil the blood that is sunk deep in them. The blood moves so slowly that it feels granular. I stroll down a wall of books. The spines are slotted so tightly together that I cannot imagine how any of them are ever taken away from the others. Many of them are ringed with combinations of various leathers, coloured from yellow to mahogany, and finished with a chain of gold letters. But, oddly, I am drawn to the pamphlets which are placed here and there in the impressive display. Their spines are too thin for the labels of their catalogue numbers, which are wrapped around regardless like tatty and useless plasters. I start with one of these pamphlets, reach and hook a finger over the top of one of the furry cardboard spines and beckon it down to me. It falls easily from two swollen hoary spines and drops into my hands like a dead butterfly. I walk across the room, the blood purring now in my calves, and push my pamphlet between two bulky books.
As I turn around, Susie stands so abruptly that it is as if a line has been cut and she has bobbed to the surface. Her walk, though, is purposeful. I am not sure that I have ever seen her like this, and certainly not this week, when her only freely-chosen movement has been her stumble down the corridor to the phone. Now she selects a big book, the weight of which seems to surprise her, but to which she rises. She carries this book in a firm fold of arms which is further clamped by a frown of concentration. On the other side of the room, she swaps the book for another, which she swaps for yet another to cover her tracks.
With Trina, it is different. She stands with a slap of the table, skips to the wall to snatch a slimmer book which she moves to the shelf below, and runs with the newly-displaced volume to other shelves where she shuffles books. Whenever she pushes a book into place, she delivers an extra slap to the spine. Rachel has been watching us, levered high on her arms: her gaze scans us and in a few seconds she has seen the implications. Suddenly she is up, and busy with books. She zigzags the room more than we do, seems to cut deeper into the order of the shelves. Avril moves one pamphlet, but when she returns to her chair, her face is transformed, full and vivid with a smile. Lawrence pauses to decide where to put his book but in the end fails to manage anything worse than a clean swap, which is better than nothing.
After a minute or two, we clunk back into our chairs, on to our table. The library is no longer fully functional, but looks no different from before, remains beautiful. The damage is invisible, and beyond repair. There are too few misplaced books to raise suspicion: if a book is missing from its place on the shelf, then it is on loan, or it is a unique loss; if a book is found in an inappropriate place, then this is a simple mistake, a small carelessness. No one will ever know what we have done. The return of books to their proper places will be haphazard and piecemeal. Eventually some books will wash up, but never all of them; some will stay sunk on these shelves forever.