The Corrections. Jonathan Franzen

Чтение книги онлайн.

СКАЧАТЬ lacquer furniture and heavy modern smoked-glass fixtures of the ambassador’s apartment on the East River weren’t as entertainingly campy as she’d thought. They were more like unbearably depressing. She made Gitanas sell the place (the chief of the Paraguayan delegation was delighted to get it) and buy a smaller, nicer place on Hudson Street near some good clubs. She found a competent hairstylist for Gitanas and taught him how to pick out clothes with natural fibers. Things seemed to be going great. But somewhere she and Gitanas must have misunderstood each other, because when his party (the VIPPPAKJRIINPB17: the One True Party Unswervingly Dedicated to the Revanchist Ideals of Kazimieras Jaramaitis and the “Independent” Plebiscite of April Seventeen) lost a September election and recalled him to Vilnius to join the parliamentary opposition, he took it for granted that Julia would come along with him. And Julia understood the concept of one flesh, wife cleaving to husband, and so forth; but Gitanas in his descriptions of post-Soviet Vilnius had painted a picture of chronic coal and electricity shortages, freezing drizzles, drive-by shootings, and heavy dietary reliance on horsemeat. And so she did a really terrible thing to Gitanas, definitely the worst thing she’d ever done to anybody. She agreed to go and live in Vilnius, and she sort of got on the plane with Gitanas and sat down in first class and then sneaked off the plane and sort of changed their home phone number and had Eden tell Gitanas, when he called, that she had disappeared. Six months later Gitanas returned to New York for a weekend and made Julia feel really, really guilty. And, yes, no argument, she’d disgraced herself. But Gitanas proceeded to call her certain rough names and he slapped her pretty hard. The upshot of which was that they couldn’t be together anymore, but she continued to use their apartment on Hudson Street in exchange for staying married in case Gitanas needed quick asylum in the United States, because apparently things were going from bad to worse in Lithuania.

      Anyway, that was the story of her and Gitanas, and she hoped that Chip wouldn’t be too mad at her.

      And Chip was not. Indeed, at first he not only didn’t mind that Julia was married, he adored the fact. He was fascinated by her rings; he talked her into wearing them in bed. Down at the offices of the Warren Street Journal, where he sometimes felt insufficiently transgressive, as if his innermost self were still a nice midwestern boy, he took pleasure in alluding to the European statesman he was “cuckolding.” In his doctoral thesis (“Doubtful It Stood: Anxieties of the Phallus in Tudor Drama”) he’d written extensively about cuckolds, and under the cloak of his reproving modern scholarship he’d been excited by the idea of marriage as a property right, of adultery as theft.

      Before long, though, the thrill of poaching on the diplomat’s preserve gave way to bourgeois fantasies in which Chip himself was Julia’s husband—her lord, her liege. He became spasmodically jealous of Gitanas Misevi

ius?, who, though Lithuanian, and a slapper, was a successful politician whose name Julia now pronounced with guilt and wistfulness. On New Year’s Eve Chip asked her point-blank if she ever thought about divorce. She replied that she liked her apartment (“Can’t beat the rent!”) and she didn’t want to look for another one right now.

      After New Year’s, Chip returned to his rough draft of “The Academy Purple,” which he’d completed in a euphoric twenty-page blaze of keyboard-pounding, and discovered that it had a lot of problems. It looked, in fact, like incoherent hackwork. During the month that he’d spent expensively celebrating its completion, he’d imagined that he could remove certain hackneyed plot elements—the conspiracy, the car crash, the evil lesbians—and still tell a good story. Without these hackneyed plot elements, however, he seemed to have no story at all.

      In order to salvage his artistic and intellectual ambitions, he added a long theoretical opening monologue. But this monologue was so unreadable that every time he turned on his computer he had to go and tinker with it. Soon he was spending the bulk of each work session compulsively honing the monologue. And when he despaired of shortening it any further without sacrificing important thematic material, he started fussing with the margins and hyphenation to make the monologue end at the bottom of page 6 rather than the top of page 7. He replaced the word “continue” with “go on” to save three spaces, thus allowing the word “(trans)act(ion)s” to be hyphenated after the second t, which triggered a whole cascade of longer lines and more efficient hyphenations. Then he decided that “go on” had the wrong rhythm and that “(trans)act(ion)s” should not be hyphenated under any circumstances, and so he scoured the text for other longish words to replace with shorter synonyms, all the while struggling to believe that stars and producers in Prada jackets would enjoy reading six pages (but not seven!) of turgid academic theorizing.

      Once, when he was a boy, there was a total eclipse of the sun in the Midwest, and a girl in one of the poky towns across the river from St. Jude had sat outside and, in defiance of myriad warnings, studied the dwindling crescent of the sun until her retinas combusted.

      “It didn’t hurt at all,” the blinded girl had told the St. Jude Chronicle. “It felt like nothing.”

      Each day that Chip spent grooming the corpse of a dramatically dead monologue was a day in which his rent and food and entertainment expenses were paid for, in large part, with his little sister’s money. And yet as long as the money lasted, his pain was not acute. One day led to another. He rarely got out of bed before noon. He enjoyed his food and his wine, he dressed well enough to persuade himself that he was not a quivering gelatinous mess, and he managed, on four out of five evenings, to hide the worst of his anxiety and foreboding and enjoy himself with Julia. Because the sum he owed Denise was large in comparison to his proofreading wage but small by Hollywood standards, he worked less and less at Bragg Knuter & Speigh. His only real complaint was with his health. On a summer day when his work session consisted of rereading Act I, being struck afresh by its irredeemable badness, and hurrying outside to get some air, he might walk down Broadway and sit on a bench at Battery Park City and let the breeze off the Hudson flow under his collar, and listen to the ceaseless fut-fut of copter traffic and the distant shouts of millionaire Tribeca toddlers, and be overcome with guilt. To be so vigorous and healthy and yet so nothing: neither taking advantage of his good night’s sleep and his successful avoidance of a cold to get some work done, nor yet fully entering into the vacation spirit and flirting with strangers and knocking back margaritas. It would have been better, he thought, to do his getting sick and dying now, while he was failing, and save his health and vitality for some later date when, unimaginable though the prospect was, he would perhaps no longer be failing. Of all the things he was wasting—Denise’s money, Julia’s goodwill, his own abilities and education, the opportunities afforded by the longest sustained economic boom in American history—his sheer physical well-being, there in the sunlight by the river, hurt the worst.

      He ran out of money on a Friday in July. Facing a weekend with Julia, who could cost him fifteen dollars at a cinema refreshments counter, he purged the Marxists from his bookshelves and took them to the Strand in two extremely heavy bags. The books were in their original jackets and had an aggregate list price of $3,900. A buyer at the Strand appraised them casually and delivered his verdict: “Sixty-five.”

      Chip laughed in a breathy way, willing himself not to argue; but his U.K. edition of Jürgen Habermas’s Reason and the Rationalization of Society, which he’d found too difficult to read, let alone annotate, was in mint condition and had cost him £95.00. He couldn’t help pointing this out by way of example.

      “Try somewhere else, if you like,” the buyer said, his hand hesitating above the cash register.

      “No, no, you’re right,” Chip said. “Sixty-five is great.”

      It was pathetically obvious that he’d believed his books would fetch him hundreds of dollars. He turned away from their reproachful spines, remembering how each of them had called out in a bookstore with a promise of a radical critique of late-capitalist society, and how happy he’d been to take them home. But Jürgen Habermas didn’t have Julia’s long, cool, pear-tree limbs, СКАЧАТЬ