The Bernini Bust. Iain Pears

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СКАЧАТЬ over the horizon with a triumphant hooting of the horn, leaving no real damage behind. The driver of this particular vehicle either had clear homicidal tendencies or little skill; he flashed past, saw Argyll, blew his horn and swerved at only the last moment, very nearly consigning Argyll to the hereafter in the process.

      As he reached the opposite sidewalk and his heart – boosted by alarm and the remarkable turn of speed he put on to reach safety – calmed down once more, he reflected that it was quite in keeping with life as it was currently progressing.

      Heaving self-indulgent sighs at regular intervals, his thoughts meandered in a haphazard fashion as he ambled mournfully towards the hotel. Such was his mood that he was nearly past the museum itself before it penetrated his consciousness that all was not quite as it was when he’d left to search out nourishment. The floodlights still illuminated the building with ostentatious discretion, cars were still parked all over the place. But the number of people engaged in wearing the lawn down to waste land had grown enormously, and Argyll was fairly certain that the place had not been surrounded by fifteen police cars, four ambulances and a large number of helicopters when he left.

      Strange, he thought. Prompted mainly by the pessimistic view that, knowing his luck, something untoward must have happened to his Titian, he changed direction and headed up the driveway.

      ‘Sorry. No entry. Not ’til morning.’ This from a policeman of impressive dimensions blocking the way in a fashion that brooked no argument. Even without the heavy weaponry strewn about his person, Argyll would not for a moment have contemplated disagreeing with his pronouncement. On the other hand, the scene had tickled his curiosity somewhat; so he announced firmly that the museum director had asked him to come round immediately. Samuel Thanet. The director. You know?

      The policeman didn’t, but wavered a little. ‘Little fat guy? Wrings his hands?’

      Argyll nodded. Thanet to a tee.

      ‘He’s just gone with Detective Morelli into the administrative block,’ he said, uncertainly.

      ‘And that’s just where he told me to meet him,’ Argyll said, lying through his teeth in a fashion which made him feel rather proud. He generally wasn’t a very good liar. Even fibs gave him a hard time. He beamed at the policeman and asked most politely to be let through. So convincing was he that, seconds later, he was climbing the stairs in the direction of a faint hubbub of noise.

      It came from Samuel Thanet’s office, a carefully designed piece of upmarket administrative chic; whatever the museum architect’s limitations on exterior appearance, he had worked overtime on getting the office space right. A slightly anonymous room to Argyll’s mind, he preferring a more cosy and cluttered look, but expensively tasteful, nonetheless. White-washed walls; off-white sofa; beige-white woollen carpet; tubular modern armchairs covered in white leather; black wooden desk. The whorls and lines of two harshly illuminated modern paintings from the museum provided the only colour in the whole room.

      Apart from the blood, of course, of which there was an appallingly large amount. But that was obviously a very recent addition rather than part of the decorator’s overall design concept.

      And on the carpet lay the prostrate and immobile form of Samuel Thanet. Argyll stared horror-struck as he came through the door.

      ‘Murdered?’ he said aghast, eyes unable to tear themselves away from the sight.

      A scruffy, tired-looking man, dressed in a casual fashion that would have been entirely unacceptable in the Italian polizia, and even in the carabinieri, looked up at him, wondering for a moment who this interloper was. He snorted contemptuously.

      ‘’Course he’s not been murdered,’ he said shortly. ‘He’s fainted, that’s all. Came in, took one look at that and keeled over. He’ll be all right in a few minutes.’

      ‘That’ being a man-sized mound behind the desk covered, appropriately enough, by a white cloth, part of which was stained crimson. Argyll peered at it and felt a little queasy.

      ‘Who the hell are you?’ the man, apparently Detective Morelli, went on with perhaps forgivable directness.

      Argyll explained.

      ‘You work for the museum?’

      Argyll explained again.

      ‘You don’t work for the museum?’ he said, proceeding inexorably towards the truth. Argyll agreed this statement summed the matter up admirably.

      ‘Get out, then.’

      ‘But what is going on?’ Argyll insisted, natural curiosity overcoming him completely.

      The detective made no answer at all except to bend down and casually flick back the white sheet from the mound on the floor. Argyll stared at the figure underneath, wrinkling his nose in disgust. No mistaking those ears: seen once, never forgotten.

      The sudden and unexpected demise of Arthur M. Moresby, President of Moresby Industries (among other things) had clearly been caused, as the unemotional language of officialdom would put it, by a shot in the head from a pistol at close range. It was not an appealing sight, and Argyll was heartily glad when the detective replaced the cloth and made the object once more a fairly unobtrusive shape under a sheet.

      Morelli was in a bad mood. He had just been turned down for a promotion and felt a summer cold coming on. He’d been on duty for eighteen hours and badly wanted a shave, a shower, a decent meal and some peace. On top of that he had chronic gum inflammation and dreaded the prospect of a visit to the dentist. It wasn’t the pain; that he could cope with. It was the bill that would follow that alarmed him. As his dentist kept on telling him, fixing gums was an expensive business. The man collected antique cars, so it must be profitable as well. Detective Morelli wasn’t sure whether his gums were really going, or whether the dentist merely wanted a new carburettor for his 1928 Bugatti.

      ‘Do you need any help?’ Argyll asked, thinking it was a supportive thing to say. No harm in offering, after all.

      The detective looked scornful. ‘From you? Don’t trouble yourself.’

      ‘No trouble at all, honestly,’ he said brightly.

      Morelli was halfway through indicating that the Los Angeles homicide division, having managed without Jonathan Argyll for more than half a century, could probably stagger on without him for a bit longer when a pained groan came from the other recumbent form on the floor. Thanet, when he collapsed, had done so inconsiderately, straight in front of the door, causing a major bottleneck to traffic. The groan was caused by a large police boot inadvertently kicking him in the ribs.

      ‘Oh, the Sleeping Beauty,’ Morelli said, then turned to Argyll. ‘You really want to be useful? Bring him round and get him out of the way. Get yourself out of the way while you’re at it.’

      So Argyll did, bending over the director and slowly helping him to his feet. Propping him up uncertainly, he called to Morelli that they’d be down the corridor, if needed. Then he steered Thanet in that direction, settled him on a sofa and fussed around vainly trying to open windows and, more successfully, to provide glasses of water.

      Thanet was no great shakes at conversation for some time. He stared at Argyll owlishly for several minutes before the power of speech returned.

      ‘What happened?’ he asked, with a striking lack of originality.

      Argyll shrugged. ‘I СКАЧАТЬ