Windows on the World. Frédéric Beigbeder
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Название: Windows on the World
Автор: Frédéric Beigbeder
Издательство: HarperCollins
Жанр: Классическая проза
isbn: 9780007395484
isbn:
I’ve got a problem: I don’t remember my childhood.
The only thing I remember is that being middle class doesn’t buy you happiness.
Darkness; everything is dark. My alarm clock goes off, it’s eight o’clock, I’m late, I’m thirteen years old, I slip on my brown Kickers, pick up my huge army surplus bag full of Stypens, correction pens, textbooks as heavy as they are fucking boring, Mom is already up heating some milk, my brother and I slurp it noisily, bitching because there’s skin on the milk, before taking the elevator down into this dark winter morning in 1978. The Lycée Louis-le-Grand is miles away. It’s on the Rue Coëtlogon, 75006 Paris. I’m dying of cold and boredom. I stuff my hands in my ugly loden coat. I wrap myself up in my itchy yellow scarf. I know it’s going to rain and I’ve missed the 84. What I don’t know is that this whole thing is absurd, that none of this will ever come in useful. Neither do I know that this dismal dawn is the only morning in my whole childhood that I will later remember. I don’t even know why I’m sad—maybe because I haven’t got the balls to cut math class. Charles decides to wait for the bus and I decide to walk to school, past the Jardin du Luxembourg, along the Rue de Vaugirard where Scott and Zelda Fitzgerald lived from April to August 1928 (at the corner of the Rue Bonaparte), but I didn’t know that then. I still live nearby; from my balcony I can see kids with the school-bags rushing to school, spewing plumes of cold breath: tiny hunchbacked dragons running along the sidewalk, avoiding the cracks. They watch their feet, careful not to step on the gaps between the paving stones like they’re walking through a minefield. Bleak is the adjective that best sums up my life back then. BLEAK as an icy morning. At that moment, I’m convinced nothing interesting will ever happen to me. I’m ugly, skinny, I feel completely alone and the sky buckets down on me. I stand, soaked to the skin, in front of the Senate which is as gray as my shitty school: everything about school fucks me off: the walls, the teachers, the pupils. I hold my breath; things are awful, everything’s awful, why is everything so awful? Because I’m ordinary, because I’m thirteen, because I’ve got a chin like a gumboot, because I’m scrawny. If I’m going to be this scrawny I might as well be dead. A bus comes and I hesitate, I really hesitate, I almost threw myself under the bus that day. It’s the 84 overtaking me with Charles inside. The big wheels splatter the bottoms of my stupid pleated pants (beige corduroy with turnups that are way too big). I walk toward normality. I walk, wheezing, across the black ice. No girl will ever love me, and I can see their point, I don’t blame you, mesdemoiselles, I can see your point: even I don’t love me. I’m late: Madame Minois, my math teacher, will roll her eyes to heaven and spit. The cretins in my class will heave a sigh just to make themselves look good. Rain will stream down the window-panes of a classroom which reeks of despair (despair, I now know, smells of chalk dust). Why am I complaining when there’s nothing wrong with me? I haven’t been raped, beaten, abandoned, drugged. Just divorced parents who are excessively kind to me like every kid in my class. I’m traumatized by my lack of trauma. That morning, I choose to live. I walk through the school gates like walking into a lion’s den. The building has a black mouth, its windows are yellow eyes. It swallows me in order to feed on me. I’m completely submissive. I agree to become what they make of me. I come face to face with my adolescent spinelessness.
From the top of the Tour Montparnasse I can, if I try, make out the School of my Wasted Youth. I still live in this neighborhood where I suffered so much. I do not leave this place which made me who I am. I never rebelled. I never even moved house. From my house, to get to my job at Flammarion, I walk down the same Rue de Vaugirard as the little boy whose ears and hands were frozen. I spew the same plumes of cold breath. I still do not walk on the cracks. I never escaped that morning.
My childhood takes place in the verdant paradise of a fashionable suburb of Austin, Texas. A house that looks just like the neighbors’, a garden where we drink from the fountain, an open-top Chevy driving toward the desert. Through the window, a sofa and the faces of two children reflected in a TV, and at this time of the day it’s the same all over town, all over the country. My parents try their best to live life like a Technicolor movie: they hold cocktail parties at which the mothers compare notes on interior decoration. Every year, we consume an average of four tons of crude oil. High school? Nothing but spotty white kids in baseball caps listening to Grateful Dead and squashing beer cans against their foreheads. Nothing too serious. Sunshine, coffee bars, football tryouts, cheerleaders with big tits who say “I mean” and “like” in every sentence. Everything about my adolescence is squeaky-clean: lap-dancing bars don’t exist yet and motels are R-rated. I eat lunch on the grass, play tennis, read comics in the hammock. Ice cubes go “clink-clink” in my father’s glass of Scotch. Every week there are a couple of executions in my state. My childhood unfolds on a lawn. Don’t get me wrong: we’re not talking Little House on the Prairie, more Little Bungalow in the Suburbs. I wear braces on my teeth, take my wooden Dunlop tennis racket and play air guitar in front of the mirror with the radio full blast. I spend my vacations at summer camp, I go river rafting in dinghies, hone my serve, win at water polo, discover masturbation thanks to Hustler. All the Lolitas are in love with Cat Stevens but since he’s not around they lose their cherries to the tennis coach. My greatest trauma is the film King Kong (the 1933 version): my folks had gone out and my sister and I secretly watched it in their bedroom despite our babysitter’s injunction. The black-and-white image of this enormous gorilla scaling the Empire State Building, snatching military planes out of the sky is my worst childhood memory. They did a remake in color in the seventies which uses the World Trade Center. Any minute now I expect to see a huge gorilla scaling the towers—believe it or not I’ve got goose bumps right now, I can’t stop thinking about it.
You can thumb through my life in high school yearbooks. I thought it was happy at the time but thinking back on it, it depresses me. Maybe because I’m scared that it’s over, scared because I left my family to make a killing in real estate. I became successful the day I realized a very simple thing: you don’t make money on big properties, you make it on little ones (because you sell more of them). Middle-class families read the same magazines as rich ones: everyone wants that apartment in Wallpaper, or a loft just like Lenny Kravitz’s! So I did a deal with a credit union who agreed to lend me a couple of million dollars over thirty years, then I found a bunch of old cattle warehouses in an old cowboy section of Austin and transformed them into artists’ studios for idiots. My genius was my ability to convince couples who came to me that their loft was unique when in fact I was shifting thirty a year. That’s how I climbed the greasy pole at the agency, stole the job of the guy who hired me, then set up my own company, “Austin Maxi Real Estate.” Three point five million, soon be four. Hardly Donald Trump but it’s enough to take the long view. Like my dad used to say: “The first million is the hardest, after that the rest just follow!” Jerry and David are financially comfortable though they don’t realize that yet because I always play the part of an aristocrat on his uppers in front of Mary so she doesn’t force me to quadruple the alimony. Strangely, money is the reason I left her: I couldn’t keep going home when I had all that dough burning a hole in my pocket. What was the point of earning all that money if I was going to be stuck with the same woman every night? I wanted to be СКАЧАТЬ