The Harmony Silk Factory. Tash Aw

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СКАЧАТЬ in the valley: low mountains pock-marked with caves which appear to the eye as black teardrop scars on a roughened face. There are trails through the jungle leading up to these caves. They have been formed over many years by the careful tread of animals – sambar and fallow deer, the wild buffalo and boar, the giant seledang – which come down from the hills to forage where the forest meets the rich fruit plantations.

      As a boy, I used to walk these trails. The jungle was wet and cool and sunless, but by then I had learned where to put my feet, how to avoid the tree roots and burrows which could easily twist an ankle. The first time I discovered a cave I wandered so deep into it that I could no longer see any light from the outside. I felt with my hands for somewhere to sit. The ground and the walls were damp and flaky with guano. The air was rich with an old smoky smell, like the embers of some strange sugar-sweet charcoal fire. There were no noises other than the gentle drip-drip of water. The darkness swallowed up my movements. I couldn’t see my hands or my legs, I couldn’t hear myself breathing. It was as if I had ceased to exist. I sat there for many hours – I don’t know how long exactly. Nor do I know how I found my way out of the cave or what made me want to leave. Night had fallen by the time I emerged, but it did not seem dark to me. Even the light from the pale half-moon annoyed my eyes as I made my way home.

      As long as a hundred years ago, the first Chinese coolies discovered these caves and built Buddhist temples in them. For them too these caves were a place of comfort and solace and refuge. A few of the larger temples survive today. My favourite is the Kek Loong, which contains an enormous Laughing Buddha. People say his expression conveys infinite love and wisdom, but to me he has always looked like a young boy, naughtily chuckling because he has done something wrong.

      You would expect that a valley would be bounded by two mountain ranges, but that is not so with the Kinta Valley. To the west, as soon as you cross the Perak River, the mangrove swamps begin to unfold before you. The land is flat and muddy, crisscrossed by slow-running streams. The journey to the coast takes you past coconut plantations and fishing villages. Everywhere there are flimsy wooden racks of fish, slowly drying and salting in the sun and the sea breeze. In most places along the coast it is difficult to know where the land ends and the sea begins. There are a thousand tiny inlets which break the coastline, an intricate tapestry of coves. This is where the notorious nineteenth-century pirate Mat Hitam used to hide, deep among the mangrove trees. From here he would launch raids on the hundreds of trading ships following the trade winds down into the Straits of Malacca, for three centuries the most lucrative shipping lane in the world. The straits were, and still are, sheltered and calm – the ideal route for a ship laden with tea, cotton, silk, porcelain or opium, travelling between India and China. Here, the men of such ships rested their weary, wary souls. Shielded from the open, treacherous waters of the Indian Ocean, they gathered their spirits before striking out for the South China Sea. It was said by fishermen and merchant seamen that the straits were the most beautiful place in the world. The water was smooth enough for a child’s boat to sail peacefully – the gentle waves caught the amber light of the setting sun and the breeze, steady and warm, propelled you at a speed so constant that seamen were said to have become mesmerised. Some insisted that they felt in the presence of God.

      It is here, in this idyll, that Mat Hitam and his men struck. For nearly twenty years, his small fast boats terrorised the stately ships filled with valuable cargo. Mat Hitam himself became a godlike figure, feared for his ruthlessness. It is an established fact that he was the rarest of all people: a black Chinese. No one was certain where he came from. Some theories say that he was from Yunnan Province in southern China, but it is more commonly believed that he was not an exotic foreigner, and was instead born within these shores. Whatever the case, I have no doubt that his mysterious appearance aided his exploits. He died in 1830 (or thereabouts), in the early days of British rule in Malaya. His last victim was Juan Fernández de Martin, a Jesuit missionary who, as his throat was cut, placed a curse on Mat Hitam so powerful that two weeks later, the Black Pirate died of a twisted stomach. He was bleeding from his eyes as he died, and the expression on his face was ‘empty as hell and full of fury’.

      His spirit lives on in the hidden coves and apparently sleepy fishing villages which dot the coastline. They are impossible to police, and it is here that Johnny smuggled 20,000 tons of rice from Sumatra during the drought of 1958. I am told that small boats carrying illegal Indonesian immigrants land here every day. I’m sure that if Johnny were alive today he would find some way of making money out of this.

      At one or two points along this coast, the sea does appear cleanly and without interruption. One such place is Remis, where my father once took me to swim. It was the first time I had swum in the sea. As I walked on to the beach the dry needles of the casuarina trees, scattered across the sand, prickled underfoot. It was a very hot day and even though the afternoon sun was weakening, the sand was still white to my eyes and warm to the touch. When I was waist-deep in the water, I turned to look at Father. He was standing in the pools of shade cast by the trees, watching me with his arms folded and eyes squinting slightly. I walked until I could barely touch the bottom with my toes, then I started swimming, kicking off with uncertain froglike strokes. At some point, I stopped and began treading water, my arms flailing gently in front of me. The sea was deep green, the colour of old, dark jade. That was the first time I ever noticed my skin, the colour of it. Not brown, not yellow, not white, not anything against the rich and mysterious green of the water around me. I turned to look at Father. I could barely make him out in the shade, but he was still there, one hand on his hip, the other shading his eyes from the sun.

      On the way home I asked him if I could go swimming again. I was twelve, I think, and I wanted to go to the islands around Pangkor where I had heard the sun made the sand look like tiny crystals. I longed to see for myself the Seven Maidens, those islands that legend held disappeared with the setting sun; I yearned for their hot waters. But Father said he wouldn’t take me.

      ‘Those places no longer exist,’ he said. ‘They are part of a story, a useless old story.’

      ‘Why can’t we go just for a day?’ I ventured. ‘Have you ever seen them, Father?’

      ‘I told you, I hate islands.’

      ‘Why?’

      ‘Actually, I don’t like the sea much,’ he said simply.

      I knew better than to test him when he was in one of these moods. I noticed, however, that even though I had just spent the afternoon in the sun, my skin was white compared to his. It refused to turn dark, remaining pale and unblemished, a clean sheet beside his dirty sun-mottled arms.

      No one ever stops to visit the valley. Buses hurry past on their journey north to Penang, pausing briefly for refreshments in Parit or Taiping. Their passengers sit for ten minutes at zinc-covered roadside truck stops, sipping at bottles of Fanta and nibbling on savoury chicken-flavoured biscuits; and then they are away again, eager to leave the dull central plains of the valley for the neon lights and seaside promenades of Georgetown. When I was young it was possible to spend a week in Ipoh without hearing a single word of English. No one had a TV in those days (apart from us, of course). Then, as now, Western visitors were rare. The only white people I ever saw were the ones who had to be in the valley – alcoholic planters and unhappy civil servants. Only once do I remember seeing a tourist, and even then I was not certain he had come to the valley by design. I was indulging in a favourite childhood pastime, climbing into the lower reaches of the giant banyan tree that dominated the river bank near the factory. I reached for the thick hanging vines and swung in a broad arc, rising high until I faced the giddying sky; and then I let myself go, tilting and falling into the warm water. When I surfaced I saw an Englishman sitting on the bank, his folded arms resting on his raised knees. A canvas satchel hung limply across his shoulders. The other children who were with me ceased to play; they splashed quietly in the shallows, nervously hiding their nakedness in the opaque water. I wanted to climb the tree and dive into the river again, but the Englishman was sitting at the base of the trunk, СКАЧАТЬ