When The Lights Go Out: The addictive new thriller from the bestselling author of The Good Girl. Mary Kubica

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СКАЧАТЬ says he’ll be right back. I think that it’s an excuse and that he’s going to take the opportunity to split. “Sure thing,” I say, looking the other way as he leaves. Trying not to feel sorry for myself as I’m hit with that sudden sense of being alone. Trying not to think about my future, knowing that when Mom finally dies, I’ll be alone forever.

      He’s gone now and I watch other people in the cafeteria. New grandparents. A group of people sitting at a round table, laughing. Talking about old times, sharing memories. Some sort of hospital technician in blue scrubs eating alone. I reach for my now-empty cup of coffee, thinking that I too should split. Knowing that the doctor is no doubt done with Mom by now, and so I should get back to her.

      But then the guy comes back. In his hands are two fresh cups of coffee. He returns to his chair and states the obvious. “Caffeine is the last thing either of us needs,” he tells me, saying that it’s decaf, and it occurs to me then that this has nothing to do with the coffee, but rather the company.

      He digs into his pocket and pulls out four rumpled packets of Equal, dropping them to the table beside my cup. I manage a thanks, flat and mumbled to hide my surprise. He was watching me. He was paying attention. No one ever pays attention to me, aside from Mom.

      Beside me he hoists his feet back onto the empty seat across from him, crosses them at the ankles. Drapes the red hood over his head.

      I wonder what he’d be doing right now if he wasn’t here. If his brother hadn’t been in that motorcycle accident. If he wasn’t close to dying.

      I think that if he had a girlfriend, she’d be here, holding his hand, keeping him company. Wouldn’t she?

      I tell him things. Things I’ve never told anyone else. I don’t know why. Things about Mom. He doesn’t look at me as I talk, but at some imaginary spot on the wall. But I know he’s listening.

      He tells me things too, about his brother, and for the first time in a while, I think how nice it is to have someone to talk to, or to just share a table with as the conversation in time drifts to quiet and we sit together, drinking our coffees in silence.

      * * *

      Later, after I return to Mom’s room, I think about him. The guy from the cafeteria. After the hospital’s hallway lights are dimmed and all is quiet—well, mostly quiet save for the ping of the EKG in Mom’s room and the rattle of saliva in the back of her throat since she can no longer swallow—I think about him sitting beside his dying brother, also unable to sleep.

      In the hospital, Mom sleeps beside me in a drug-induced daze, thanks to the steady drip, drip, drip of lorazepam and morphine into her veins, a solution that keeps her both pain-free and fast asleep at the same time.

      Sometime after nine o’clock, the nurse stops by to turn Mom one last time before signing off for the night. She checks her skin for bedsores, running a hand up and down Mom’s legs. I’ve got the TV in the room turned on, anything to drown out that mechanical, metallic sound of Mom’s EKG, one that will haunt me for the rest of my life. It’s one of those newsmagazine shows—Dateline, 60 Minutes, I don’t know which—the one thing that was on when I flipped on the TV. I didn’t bother channel surfing; I don’t care what I watch. It could be home shopping or cartoons, for all I care. It’s just the noise I need to help me forget that Mom is dying. Though, of course, it isn’t as easy as that. There isn’t a thing in the world that can make me forget. But for a few minutes at least, the news anchors make me feel less alone.

      “What are you watching?” the nurse asks, examining Mom’s skin, and I say, “I don’t even know.”

      But then we both listen together as the anchors tell the story of some guy who’d assumed the identity of a dead man. He lived for years posing as him, until he got caught.

      Leave it to me to watch a show about dead people as a means of forgetting that Mom is dying.

      My eyes veer away from the TV and to Mom. I mute the show. Maybe the repetitive ping of the EKG isn’t so bad after all. What it says to me is that Mom is still alive. For now.

      Ulcers have already formed on her heels and so she lies with feet floating on air, a pillow beneath her calves so they can’t touch the bed. “Feeling tired?” the nurse asks, standing in the space between Mom and me. I am, of course, feeling tired. My head hurts, one of those dull headaches that creeps up the nape of the neck. There’s a stinging pain behind my eyes too, the kind that makes everything blur. I dig my palms into my sockets to make it go away, but it doesn’t quit. My muscles ache, my legs restless. There’s the constant urge to move them, to not sit still. It gnaws at me until it’s all I can think about: moving my legs. I uncross them, stretch them out before me, recross my legs. For a whole thirty seconds it works. The restlessness stops.

      And then it begins again. That prickly urge to move my legs.

      If I let it, it’ll go on all night until, like last night, when I finally stood and paced the room. All night long. Because it was easier than sitting still.

      I think then about what the guy in the cafeteria said. About taking care of myself, about getting ready for what comes next. I think about what comes next, about Mom’s and my house, vacant but for me. I wonder if I’ll ever sleep again.

      “Doc left some clonazepam for you,” the nurse says now, as if she knows what I’m thinking. “In case you changed your mind.” She says that it could be our little secret, hers and mine. She tells me Mom is in good hands. That I need to take care of myself now, again just like the guy in the cafeteria said.

      I relent. If only to make my legs relax. She steps from the room to retrieve the pills. When she returns, I climb onto the empty bed beside Mom and swallow a single clonazepam with a glass of water and sink beneath the covers of the hospital bed. The nurse stays in the room, watching me. She doesn’t leave.

      “I’m sure you have better things to do than keep me company,” I tell her, but she says she doesn’t.

      “I lost my daughter a long time ago,” she says, “and my husband’s gone. There’s no one at home waiting for me. None other than the cat. If it’s all right with you, I’d rather just stay. We can keep each other company, if you don’t mind,” she says, and I tell her I don’t mind.

      There’s an unearthly quality to her, ghostlike, as if maybe she’s one of Mom’s friends from her dying delusions, come to visit me. Mom had begun to talk to them the last time she was awake, people in the room who weren’t in the room, but who were already dead. It was as if Mom’s mind had already crossed over to the other side.

      The nurse’s smile is kind. Not a pity smile, but authentic. “The waiting is the hardest part,” she tells me, and I don’t know what she means by it—waiting for the pill to kick in or waiting for Mom to die.

      I read something once about something called terminal lucidity. I didn’t know if it’s real or not, a fact—scientifically proven—or just some superstition a quack thought up. But I’m hoping it’s real. Terminal lucidity: a final moment of lucidity before a person dies. A final surge of brainpower and awareness. Where they stir from a coma and speak one last time. Or when an Alzheimer’s patient who’s so far gone he doesn’t know his own wife anymore wakes up suddenly and remembers. People who have been catatonic for decades get up and for a few moments, they’re normal. All is good.

      Except that it’s not.

      It doesn’t last long, that period of lucidity. Five minutes, maybe more, maybe less. No one knows СКАЧАТЬ