The Old Man and the Wasteland. Nick Cole

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СКАЧАТЬ may not be as strong as I think, but I know many tricks and I have resolution.’

      My friend in the book would say that, yes.

      He would send her back. It was too dangerous. He adjusted the strap wider on his shoulder to protect the area above his heart where the satchel always bit, then turned and walked down the slope away from the village and into the wasteland.

Chapter Two

      He sang bits of a song he knew from before. Years hid most of the lyrics and now he wanted to remember when he first heard the song. As if the memory would bring back the lost words he’d skipped over.

      Time keeps its secrets. Not like this desert. Not like the wasteland.

      In the rising sun, his muscles began to loosen as his stride began to lengthen, and soon the ache was gone from his bones. His course was set between two peaks none of the village had ever bothered to name after the cataclysm. Maybe once someone had a name for them. Probably on charts and rail survey maps of the area once known as the Sonoran Desert. But such things had since crumbled or burned up.

      And what are names? He once had a name. Now the villagers simply called him The Old Man. It seemed appropriate. Often he responded.

      At noon he stopped for the cool water in the bottle, kept beneath the blanket in his satchel. Still mumbling the words of the song amongst the silent broken rocks, he drank slowly. He had reached the saddle between the two low hills.

      Where had he first heard the song? He wondered.

      Below, the bowl of the wasteland lay open and shimmering. On the far horizon, jagged peaks, beyond those the bones of cities.

      For seventy-eight days The Old Man had gone west with the other salvagers, heading out at dawn with hot tea con leche and sweet fry bread. Walking and pulling their sleds and pallets. In teams and sometimes alone. For seventy-eight days The Old Man had gone out and brought back nothing.

      My friend in the book went eighty-six days. Then he caught the big fish. So I have a few days to go. I am only seventy-eight days unlucky. Not eighty-six. That would be worse.

      Every canyon silent, every shed searched, every wreck empty. It was just bad luck the others said. It would turn. But in the days that followed he found himself alone for most of the day. If he went down a road, keeping sight of the other teams, they would soon be lost from view. At noon he would eat alone in the shade of a large rock, and smell on a sudden breeze their cookfires. He missed those times, after the shared lunch, the talk and short nap before they would start anew at what one had found, pulling it from the earth, extracting it from a wreck, hauling it back to the village. Returning after nightfall as the women and children came out to see this great new thing they could have back. This thing that had been rescued from the time before and would be theirs in the time of now. Forty years of that, morning, noon, and night of salvage. It was good work. It was the only work.

      Until he found the hot radio.

      His first years of salvage were of the things that had built the village. On early nights when the salvagers returned and light still hung in the sky, he could walk through the village and see the things he had hauled from the desert. The door on his son’s house that had once been part of a refrigerator from a trailer he and Big Pedro had found south of The Great Wreck. The trailer someone had been living in after the bombs. There were opened cans, beer and food inside the trailer. Cigarette butts in piles. That had been fifteen years after the war. But when they opened the door it was silent and still. An afternoon wind had picked up and the trailer rocked in the brief gusts that seem to come and go as if by their own choosing. Big Pedro did not like such places. The Old Man never asked the why of how someone salvaged. He accepted this of Pedro and together they’d worked for a time.

      Outside he heard Pedro asking if there was anything. The Old Man knew he would find a dead body. There were always dead bodies. Salvage and dead bodies go hand in hand.

      The trailer rocked for a moment, and as The Old Man adjusted his eyes to the dim light within, he waited for salvage to be revealed. This was how one salvaged. Just waiting and watching a thing. A wreck, someone’s home or a railway shed. In the desert it paid to wait. A quick choice owned you. A wrench, a hammer, and one might not see the saw. Too often the wealth of the past could distract one from what was really there. He had seen piles of money, gold, jewelry, pornography. What good were such things now?

      But in the trailer there was a story. There was always a story of salvage. In a wreck, one could see the skeletons crushed under the weight of their possessions as the vehicle left the highway. Rolling over and over in the dirt and down a culvert. To lie trapped for years. Waiting for ambulances that would not come. Rescue that could not rescue itself while mushroom clouds broke the unbroken horizon. On that day when everything changed.

      On that long ago hot afternoon when Big Pedro waited outside in the sighing wind, all was quiet inside. He stepped in, closing the door behind him. There was no life here. Just dry dust and the shed skins of the rattlers that seemed everywhere at times and then at others could not be found.

      All the cans were crushed, all the cigarettes that lay in neat piles had been smoked down to the filter. Whoever had lived here had brought these cans and cigarettes from the cities. Beer and cigarettes, possibly a gun. Cans of food. But it had been too little. Whatever one brought for the destruction was always too little. The Old Man had seen it, would see it a thousand different ways. In the wrecks and the sheds and the boxcars and the fortified gas stations how long can any supplies last? Could anyone during those two weeks, when a new bomb fell on a new city each new day, could anyone have known that the terror would never end? That life as one knew it would never return.

      No, even I did not know it.

      Next week the government will come, things will return to normal. Next year. In two years time. One day you stop waiting and you begin to salvage.

      What your crowbar can bring up from the desert is the only thing you can expect.

      Whoever once lived in that trailer had refused to believe things would never be the same. It was a tale of smoked cigarettes near a smashed radio in the corner. Alcohol through the long night as angry winds struck at the sides of the trailer like some giant moving in the outer dark. Tomorrow became next year and next year became too much to bear. Eventually, whoever it was left, and that was all the story that remained and could be told truthfully of the trailer. What happened after, a gunshot at the end of a broken leg, sunstroke, exposure, insanity; those also were stories The Old Man had seen in the desert. But who could connect one to the other? One learned after the bombs, to stop needing answers or the ends of stories.

      There was little salvage in the trailer. What remained was obvious. The refrigerator. Who could take that where they were going? Unless there was power of a sort where the journey, or the flight as it felt, ended. But in The Old Man’s village there was power, sometimes.

      Soon he and Big Pedro, sweating, had the refrigerator out on the cracked and broken highway, east of the Great Wreck. It took the better part of three days to get it back to the village. Word spread among the villagers that something big had been found. The Old Man and Pedro were bringing something back. On the last day, two hours after dawn the villagers began to arrive in pairs and groups along the broken highway, their curiosity unrestrained, uncontainable. The haul back became a carnival. By nightfall, remembered The Old Man, a pig had been killed; precious few of them then. All through the night Jason the Fixer worked, cursing coils and elements. At midnight the thing began to hum and two hours later there was ice.

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