Название: The 50 List – A Father’s Heartfelt Message to his Daughter: Anything Is Possible
Автор: Nigel Holland
Издательство: HarperCollins
Жанр: Биографии и Мемуары
isbn: 9780007493258
isbn:
I hit the dirt so many times in my formative years that it’s a miracle, looking back, that I’m not a criss-cross of ageing scars, with a nose like that of a battle-hardened prize-fighter. As it is, I got lucky, because my nose is still intact – or perhaps it was the copious application of Germolene and ice packs and plasters that saved me. I only have to get a whiff of that pungent pink ointment to be transported straight back to my primary school playground; to the feel of grit embedded in my palm, the tears welling in my eyes and the suppressed giggles of my mates, who couldn’t stop themselves. The girls, on the other hand, being more sympathetic creatures, would gasp in shock at what had happened, and disapproval, while some teacher or other ran to the rescue.
The reason for this sudden increase in falls was a condition I’d now developed called bilateral foot drop. If you can imagine losing all the muscles that surround your feet and ankles, the resultant floppy appendages – which they’d be, should you try to flap them around a little – will give you an idea of just how infuriating my feet had become. And once a foot doesn’t do what it’s supposed to – i.e. adopt the angle you tell it to – falling over becomes the easiest thing in the world.
But if my pride was wounded by having become someone who could no longer walk properly, that was nothing compared to the alternative I was given: a set of orthotic boots and calipers.
Most kids who grew up in the 1960s will remember calipers, mostly because at that time polio was still a significant problem in the UK. By the beginning of the decade, of course, vaccination had become widespread, but almost everyone knew one kid who clanked around in calipers as a result of having contracted the disease. (I always recall the first time I saw Ian Dury, perhaps the most famous musician of the modern era to be afflicted by polio. I remember thinking two things: what a brilliant bunch of pop songs he’d written, and how did he stop his calipers from squeaking?)
Calipers are designed to support the lower leg, and back then they consisted of a heavy, orthotic ankle boot (which looked very much like the kind of footwear Frankenstein’s monster favoured, on account of its thick sole and bulbous, rounded toe cap), which contained a pin in the heel that connected to a pair of twin steel posts that ran up either side of the leg. These were attached at the top to a leather strap that sat just beneath the knee and could be adjusted to sit snugly around the calf. At the base of the steel bars there was a spring mechanism. This was what would allow my feet to extend, while at the same time, when I lifted my foot from the floor, pulling it back up to prevent foot drop and, therefore, all my falls.
Despite being made to measure, the orthotic boots – which came in black and brown (which was at least one more colour than Henry Ford offered, I suppose) – were extremely uncomfortable. And once fitted up with the calipers (they weren’t the easiest thing to get on and off, either) even more so. Yes, they did their job – they kept my feet at right angles and prevented them from doing the dirty on me – but they also made me walk with a curious, Woodentops-style, stiff-legged gait; so while my older brothers were buying all sorts of trendy footwear in town, I had to endure the indignity of spending my time – in school and out of it – looking like Frankenstein’s monster. At least from the knees down; from the knees up I tried to compensate madly, by adopting a winning smile. Though, given the discomfort, this was probably more of a grimace.
From the day that I donned those boots and calipers I felt different. I was suddenly, and irreversibly, conspicuous. Yes, I could walk around now without fear of falling flat on my face, but with the ugly footwear, the creaky calipers, and the steel bars that fitted attractively to the back of the boots, I now realized that I wasn’t like any other child I knew. While the falls were just a part of me – and, let’s face it, all kids fall over sometimes, some of them often – there was nothing else about me that made me seem any different to any other kid. But now there was. The boots singled me out.
It saddens me now, thinking back to my young self. I was so keen to fit in, so anxious not to let it get to me. But it did. How could it not? Suddenly – and it really did feel as if it happened the very day I first had to don them – my new legwear meant I became a pitiable individual. I was now the boy who was always picked last for a team in football. If I was picked at all, that is, for my ears began ringing with new phrases: ‘Sorry, you can’t play our game because you’re not quick enough,’ ‘Sorry, we’ve got enough now,’ ‘Sorry, we need someone who can kick a ball straight.’
So off I’d trot, trying not to let the hurt I felt show, trying to pretend I had better things to do anyway, trying not to let it get to me. But it did, and my mother could see that all too well. My ‘don’t care’ carapace wasn’t thick enough for me to hide under – not with her.
‘You know what?’ she said one day when she picked me up from school, ‘I was in town earlier, and I was looking in C&A, and they have some really nice new trousers in stock. Very modern.’
And she took me, right away, back into town so that I could try some on. She was right. They were very much the look of the moment, sporting, as they did, the widest flares imaginable. And crucially, as well as being achingly cool, they were wide enough to almost completely hide my calipers. I have a lot to thank the early 1970s fashion extravagances for, I guess. And even more to thank my mum for. I’ll never forget that.
But even though the flares help to boost my flagging self-esteem, now I was in calipers I was officially disabled. No, there wasn’t any official announcement, or formal piece of paper, but there didn’t need to be. As any disabled person will undoubtedly tell you, once you become disabled, people begin to treat you so differently.
Which I suppose is understandable, but even as a child I remember finding it so frustrating that there seemed to be some sort of unspoken perception that the calipers on my legs had somehow affected my brain. That overnight I had suddenly become stupider.
Academically, I had never been at the top of the class, but neither had I been at the bottom. Yet now some teachers (not all: there were some notable exceptions) began to patronize me in a way that was completely unexpected. It was as though I’d broken both my legs and been fitted with a brace of plaster casts, and from now on it was their duty to protect me; to prevent me from doing something that could injure me further. It felt horrible. At a stroke it was as if I’d lost my independence. No, in fact it was worse than that: I had lost my independence, because they would no longer let me do all the things I used to do, despite being just as physically able – actually, more so – as I’d been before I’d had to wear the boots. They were my badge of office: the signifier that I was officially disabled, and needed treating as a disabled person.
Not that I wallowed in feeling aggrieved by all this, any more than I wallowed in self-pity. I had my moments of frustration, but I tried to make the best of it; perhaps on a subconscious level I was trying to be defiant. They might think I was disabled, but I would show them!
And my refusal to be sidelined seemed to hit home eventually. By the end of that year I think my calipers were less visible; though teachers would still hover nervously around me, perhaps the absence of a regular need for Germolene had calmed them and they felt able to relax a little more.
In any event, I was deemed fit enough to take on my first acting role – in the school nativity play. It was a progressively comic one and I was pleased to land a role that would demonstrate my talents in this area. It wasn’t a big part – I had just the one line to rehearse – but it was СКАЧАТЬ