One Thousand Chestnut Trees. Mira Stout

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      These incidents were meagre, but I hoped he would remember them. I wanted to be there in the background, and to appear across the table from him, years later. But I couldn’t break into his memories. Too much flesh, and glass, and time sealed them. I had to be content just to picture him thinking, suspended somewhere over the Pacific.

      

       I remember being seven years old and the smell of apples. A boy was twisting my arm behind my back just for fun.

       ‘Say “Uncle”!’ the boy taunted. A crowd gathered. For some reason, ‘Uncle’ was the word American bullies used then to torture you. I wouldn’t say. it He twisted my arm harder and harder until my shoulder was shooting with pain, and my face was red and sweating.

       ‘Uncle! Uncle!’ I cried in furious shame.

       CHAPTER TWO Cardboard Boxes

      After my uncle’s return to Seoul, life in Manhattan resumed its former shape as if he had not been there at all. Buses and taxis ploughed up and down Broadway, the phone rang, mail arrived. Pedestrians poured over crosswalks like columns of ants. The physical vacuum my uncle left was refilled instantly. The hard pavements sealed over my few, precious memories of him with the finality of quicksand.

      When I tried to picture Hong-do’s life in Seoul, I could not. Its city smells, noises, and moods were inconceivable to me. Besides, it was too draining to imagine a world beyond New York. It was like living on the floor of an enclosed glass tank with unscalable walls. Only occasional, chastising glimpses of clear blue sky, in the gaps between buildings, reminded me of a remote natural order greater than Manhattan, quite beyond reach.

      When I sat down to think of things to tell my uncle – in the letter that I never wrote him – I began to notice how marginal my life was. Days were measured out in so many tea-bags, bus-transfers, tuna sandwiches, cash-withdrawals, and hangovers.

      I attempted to keep alive a connection to Hong-do through the occasional trip to Thirty-fourth Street for a Korean meal with friends, but this rather indirect approach failed, and without him the experience felt somewhat hollow. As predicted, my flimsy template of Korean awareness dissolved quickly, and attentions were soon fully reabsorbed in the lowly struggle for financial survival which had occupied my life before Hong-do’s departure. In my efforts to become a painter – and live in Manhattan – my life had become an undignified scramble for dry ground. I spent much of my time collecting cardboard boxes to move house with. Reasons for moving were various and unexciting: rent-hikes, lease-violations, buildings going co-op, and roommates like Ted, at West One Hundredth Street.

      Ted was perhaps no better nor worse than you’d expect from a New York roommate. Ted had a honking Connecticut voice, and was a former Fly Club treasurer at Harvard, possessing the strange ability to bounce cheques selectively: rent and utilities cheques failing to clear, while extravagant entertainment and wardrobe bills found deep, instant funds. Ted stole your spaghetti sauce and lowered the tone of the bathroom with his depressing litres of bargain shampoo and generic deodorant. Pip, Alice and I were obliged to take numerous phone messages for Ted from The Hair Club for Men (where, at only twenty-four, he elected to go for weekly hair implants) and then struggle to pretend that we didn’t notice anything strange about the sudden presence of oddly-tinted brown hairs which appeared on his pate on alternate Thursdays. Unfortunately for us, this did not prevent him from attracting a girlfriend called Pierce; a law student with an aggressive laugh, who left items of clothing draped on the living-room furniture to signal her presence like a cat spraying its turf. But Ted’s most challenging habit was his nude sleepwalking. Fully clothed, Ted was irritating enough, but Ted entering my room late at night, buck naked, and climbing into my bed was pretty much the last straw. He would also make regular late-night sojourns into the kitchen when we were talking, and urinate into the refrigerator.

      It was unfortunate that Ted’s name was on the lease. Although the unsolved murders of three young women on the rooftop of the building next-door cast an eerie menace over the block, and the peeling mustard-coloured paint, and tumbleweed dustballs in the corridor were slightly dispiriting, the apartment’s high ceilings, parquet floors, and wrought-iron balconies lent my existence a spurious graciousness that I appreciated very much at the time.

      Sight unseen, I moved in to my next place on a searing August afternoon during a sanitation-workers’ strike, my belongings fitting into just two checker-cab trips. It was a sixth-floor walk-up on MacDougal Street, illegally sublet from a vacationing friend’s boyfriend. The strike was a bad omen: an almighty stench of food, cooked and rotting, hit me like a damp wall upon quitting the taxi; great banks of black plastic garbage bags were shored up generously on both sides of the street, shimmering in the heat. Up and down the block, an espresso bar, shish-kebab house, hot-dog-calzone-and-pizza stand, veggie-burger cart, sushi vendor and felafel emporium made MacDougal Street a sort of United Nations of fast food, whose dependence on the city’s sanitation workers was total.

      I shared this apartment with Mona, a timid garment-district secretary from Belchertown, Massachusetts, her two neurotic long-haired cats, Mick and Mike, and a medical student, Ethan, who proudly told me on our first meeting that his father was the actor in the famous double-edged razor television commercials during the seventies.

      The apartment’s subtly crippled appearance was owed to Delia’s vacationing boyfriend being something of an amateur carpenter. Interior walls were makeshift partitions he had enterprisingly nailed together late at night, apparently under the influence of hard drugs. The sturdiness of his carpentry was such that the cats could – and did – enter my bedroom by hurling themselves against the closed door at a gallop, whereupon they would lie down and moult on my pillow.

      As it was summer, one didn’t mind that the frightening-looking gas stove was broken, but the bathroom arrangements were more testing. There was nothing as definite as a door to this bathroom; merely a friendly, cat-hairy, Indian bedspread thumbtacked to the doorframe, adding a certain anxiety to one’s activities therein. The superintendent had pledged to fix the plumbing, but in the meantime, toilet-flushing involved two trips to the kitchen tap with a bucket. Turning on the shower required the assistance of a pair of pliers. Once activated successfully, the exuberant shower-spray kept Mick and Mike’s kitty-litter tray in a continuous state of deliquescence.

      When I think of MacDougal Street, I remember the inescapable melancholy of three ill-suited people sharing a small space, and the overwhelming smell of felafel. The airduct of the Middle Eastern restaurant downstairs expelled its kitchen fumes directly outside my bedroom window, which in August had to be permanently thrown open. I awoke in the mornings lightly coated in a dew of congealed felafel exhalation and cat-hair, provoking frequent bad-tempered battles with the shower-pliers.

      That August it was too hot to paint in the studio, so sweltering free weekends were spent at friends’ summer places on Fisher’s Island and in Bridgehampton, or eating cherry Italian ices near the spray of the fountain in Washington Square Park, avoiding my flatmates. I spent many evenings at Laura’s, seated directly in the path of her electric fan, drinking cold beer and listening to the sound of other people’s stereos drifting in the stale night air.

      I was grateful to my friend Delia for helping me out with a quick sublet, but having exhausted the charms of MacDougal Street, it was now time to move on. Laura, possessing a compassionate nature, agreed to split the rent with me, temporarily, on her studio apartment on Twenty-third Street and Eighth Avenue.

      Our narrow, sooty tenement was positioned sensitively between a transvestite brothel and a funeral parlour. Laura had a bed in the living room, while I slept on a glorified shelf above a wardrobe, accessible by ladder. Being СКАЧАТЬ