Mr Starlight. Laurie Graham

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       TWO

      It was September of 1949 when it happened. It had been so hot the tar was melting on the roads and there wasn’t a breath of air. You didn’t feel like doing anything, only sitting still in your vest and pants and having a glass of lemonade, but we had club appearances three nights in a row so we had to stir ourselves, and of course we got a very poor turnout. People were staying at home, sitting out on their front steps, hoping for a cooling breeze. Things were so half-hearted the night we played the Alma Street Liberal I said we should cancel the rest of our bookings till the weather broke, but His Numps wouldn’t hear of it.

      ‘Sel Boff never cancels,’ he said. ‘The show goes on.’

      So the show did go on. We were appearing at the Birmingham Welsh, with a novelty gargler who did the William Tell overture, Chucky Crawford doing his old card tricks and a vocalist called Avril who was just starting out, dark honey blonde with a nice frontage and a big voice for such a pint pot. She was making a play for Sel, straightening her stocking seams in front of him, getting him to fasten her necklace. I could have saved her the trouble. When it was showtime he had a one-track mind.

      He seemed all right in the first half. We did ‘Start the Day With a Smile’, ‘Where or When’ and ‘You Rascal You’, and he’d acted the giddy goat as usual, running around, showing the ladies his new cummerbund, getting into a sweat.

      I said, ‘I don’t know why you insist on wearing a jacket in this heat. Why don’t you get yourself a short-sleeved shirt like me?’

      ‘Because I don’t want to look like a PT instructor,’ he said. ‘Because I’m tonight’s star turn and my public has expectations.’

      Then, just before we were due back on, he said, ‘Cled, I don’t feel too clever.’

      I said, ‘Is it your guts?’

      ‘No,’ he said, ‘I keep coming over dizzy. Ask Mostyn to give us another five minutes.’

      Mostyn was the emcee. He said, ‘It is stifling tonight. I’ll open another window.’

      I fetched a glass of water and carried it through, and there was Sel, collapsed on the floor, turning blue around the mouth. I thought it was his heart. You do hear of it happening in young men. His eyes were open but he appeared not to hear me. We needed to phone for an ambulance but the telephone was in Mostyn’s office and he had to find the key.

      Avril was shouting, ‘Hurry up, you silly old sod. There’s a boy dying while you’re going through your pockets.’

      ‘I am hurrying,’ he said. ‘You go out front and keep the punters happy.’

      ‘Send the gargler on,’ she said. ‘I’m not leaving Selwyn.’

      Chucky Crawford said, ‘Don’t worry, I’ll go back on.’

      By the time Mostyn came back from the telephone Sel’s eyes had rolled back in their sockets.

      Avril said, ‘Did you tell them to hurry?’

      Mostyn said, ‘Ambulances always hurry. And you’ve got a few things to learn about show business, my girl. Rule number one, whatever’s going on backstage, you look after your audience.’

      ‘Mostyn,’ she said, ‘there’s hardly anybody in and as long as the beer keeps flowing they won’t complain.’

      And it’s true. It’s been my experience that people would rather take part in a heart attack than watch card tricks any day.

      That ambulance had no great distance to come but it seemed to take hours. We were in a cubbyhole that passed for a dressing room, boxes of Christmas trimmings piled up on the shelves, mops and buckets in the corner, wondering if Sel was going to last the night.

      Avril had his head cradled on her lap, stroking his hair. ‘Beautiful curls,’ she said.

      I could have told her where those curls came from: a Toni home perm done in our Dilys’s living room.

      When they arrived they gave him oxygen and asked me a lot of questions. All I knew was he’d had a ham salad and a glass of orange squash for his tea, the same as I had except I’d let him have my spring onions. I didn’t like to eat anything like that on a club night, in case I got lucky with the ladies. Also, he’d had brown pickle instead of salad cream, and three rock cakes. He’d seemed right enough during the first set apart from missing a line or two, but he did that sometimes, when he ran out of wind. He never breathed properly, for a singer. They said they were rushing him to the General Hospital and I might want to notify his next of kin.

      Then Uncle Teilo turned up, alerted by Mostyn. ‘Oh dear,’ he kept saying. ‘My star turn. Oh dear, oh dear.’

      By rights I should have ridden in the ambulance. I was family. But Teilo whispered something to the ambulance people, elbowed his way in.

      ‘You go and fetch your mam,’ he said. ‘Don’t worry about Sel. I’ll make sure he gets a top doctor.’

      I’d have had to wait for a bus only a very nice couple called Jean and Dennis offered to run me home in their Hillman Minx.

      ‘We couldn’t bear for anything to happen to him,’ Jean said. ‘We follow him all over, don’t we, Dennis?’

      He had fans like that even in those days. The husband didn’t say a lot. It always was the ladies he appealed to, but still, that Dennis drove like the clappers to get me back to Ninevah Street.

      Jean said, ‘And then we’ll run you to the hospital, won’t we, Dennis? Who’d have thought it! Selwyn Boff’s brother riding in our motor!’

      ‘Did you loosen his cummerbund?’ That was the first thing Mam wanted to know. ‘Did you tell them he was invalided out of the RAF?’

      I could have strangled her. Three times she ran back into the house, fetching things to take to the hospital. Indigestion pills and his hairbrush and then the evening paper, for the crossword puzzle, and all the while the car was ticking over, burning juice.

      I said, ‘Leave that! He’s in no state for crosswords.’

      ‘He will be,’ she said. ‘He’ll perk up once he knows I’m there. Did you tell them he can only drink sterilised milk?’

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