Название: Feed My Dear Dogs
Автор: Emma Richler
Издательство: HarperCollins
Жанр: Вестерны
isbn: 9780007405633
isbn:
I have noticed something about him, how he is more prone to telling a person what not to do instead of what to do, unless it’s a mission, such as go get me a tomato and a knife on a plate, etc. He says, Don’t bother Mum, Don’t eat those crisps yet, Don’t read in the dark. And how does he expect me to know all the rules for being Jewish when I go to a convent, a school I think makes him mad at me because of nuns who are possibly contaminating me with nun-ideas and turning me into a kid who is not his all-out daughter, confusing him and giving him a cross look like when he can’t find something in the fridge, a thing that is usually right in front of his eyes. It’s there, Dad. It’s me, Dad.
I think my dad sees nuns and being Catholic, or even Protestant like Mum, as kind of weak, full of fancy clothes and secret things, quiet voices and angel paintings and his religion is big, with tough rules to do with comestibles and other matters, and full of beards and dark clothing and loud praying and calamities in history, in World War II for instance, the Holocaust, a calamity he is very worried about, like it is not all over yet and we must not forget it, we must be prepared for all eventualities, and his religion is maybe better for that, for readiness. Dad is happy I am a girl but I have to be ready also, cowboy-tough. Shane has put away his gun, it is for emergency purposes only and he will only ever need one shot. I don’t know what religion Shane is, it’s a private matter with him, but he has readiness.
What kind of school will I go to in Dad’s country, do they have convents over there? If I go to a convent, will he give me that speech about signs of the cross and spiritualities and not joining in, a speech I know by heart? Of course he will. In the name of the Father, the Son and the Holy Ghost, say the girls in time with one another, looking a bit depressed and all sounding the same, like zombies. Then comes the prayer part, the sad one about daily bread, and I can’t help but say it in my own head, just because I have heard it so often and because it puts me in mind of tribulations and of Oliver Twist in his workhouse days, days of bread truly unworthy of the name and in far too meagre allowances for a boy not yet fully formed. Give us this day our daily bread. Please can I have some more? Daily.
After the prayer, the girls speak those same words and sign off once more, like this is code for Hello God, Goodbye God. In the name of the Father, they say, and I say it too, seeing my dad every time, my father with a cross face because I have joined in by mistake when he asked me not to. It’s not a catechism thing, it’s a Charles Dickens thing, it’s really not a problem.
Don’t bother Mum.
I don’t call her name out, I do not want Dad to hear me, I just nip in close to the door of their bedroom which is nearly but not shut, they never fully close it though that does not mean waltz straight in, it’s not polite. I speak through the open part of the door, squishing my face into the space she left.
‘Mummy?’
‘Just one minute, darling.’
I count. She doesn’t mind this, it’s a thing we do. I sit with my back to the door, on the long raised step outside, the landing she calls it, like a railway station platform. I sit there with my crisps, my crisps for later. ‘One, two, three …’ Maybe I could go back to the shops and swap for smoky bacon. No. ‘… fifty-eight, fifty-nine, SIXTY. Ready now? Is it OK now, can I – may I come in?’
I think about Oliver for a moment, and how he gets it wrong. Please can I have some more? This is sad too, and maybe no mistake, just something to do with duress and despair, that he simply cannot tell the difference any more, the space between capability and permission. I step into Mum’s room.
‘He-llo!’ she says, like she is all surprised to see me.
She is striding in from the bathroom that connects her room to Gus’s and she heads for the dressing table. Her bathroom contains a bidet, a bidet is for women although she lets Gus play with it, watching him peer over the side and faff with the taps, giggling like a wild man when the spray goes in his face. I walk over to my mother and stand next to her.
‘I’m going to stand right here and watch, is that OK?’
‘You know it is, what’s wrong, Jem?’
‘Jude said I couldn’t have smoky bacon crisps, Dad wouldn’t like it because of um, kosher rules.’
‘I think Jude was joking, what do you think?’
‘Yeh, well. Anyway, that’s not it, I heard something bad.’
‘What did you hear?’
‘Ben’s not coming on the ship with us. Why not, I want him to.’
Mum lays down her little eye make-up stick, it’s like a conductor’s wand for orchestration. Not wand, baton. She turns my way on her little piano-type bench, the one with gold legs and a little cushion with a pattern of pale stripes and wispy leaves, the cushion attached to the legs by way of posh drawing pins with rounded ends coloured gold also. It’s the nicest bench I’ve ever seen. Mum holds her arms out and I lean in there and I want to cry suddenly. I swallow hard the way Harriet does when she is eating something undesirable and wants everyone to know about it and mark the occasion so it will never happen again. Do not ever press a sardine on me again. Thank you.
‘Do you remember I told you Ben has special exams to write, O levels, and then he’ll join us, he’ll come by air?’
‘No. Maybe I wasn’t listening, maybe I forgot, maybe you just said O levels, I don’t know what that is, are you sure you told me?’
‘Yes, Jem.’
‘Why can’t we wait for him?’
‘We have to find a house and furniture, all kinds of things, it will be fun, I’ll need your help.’
‘Everything’s changing, it’s all different, I hate it – will Ben stay in the house by himself?’
‘No,’ my mother says. ‘He’ll stay with Chris, with Chris and his family.’
‘Well, do they know he needs nuts and raisins in a bowl when he comes in from school, do they?’ I feel right pathetic now, I can’t do much about it, and the tears fall, kind of leaping out of my eyes, it’s weird. ‘Do they have binoculars where we’re going? You don’t want to go, do you, Mum, I know you don’t!’
‘Jem. Sometimes we do things we don’t want to do because we love someone.’ Mum wipes my tears away, her long fingers brushing my cheeks like windscreen wipers on a car.
‘Dad, you mean Dad. Because he has to go, right?’
I think of learning to change Gus’s nappies, trying to copy Mum, how she raises his ankles with one hand and slides the old nappy out from under him with the other, then swabs the decks with damp tissues and pats him dry and bundles him up neatly again, all the while having a friendly chat and tickling him in the ribs. It’s not so smooth an operation with me but that is not the main thing, the main thing is how it does not feel like a poo situation, usually quite grievous and appalling, situations such as walking slap into a mound of poo on the pavement or in a field and having a doomy feeling for hours thereafter. Gus’s poo is not a problem for me at all, just as Harriet barf is not nearly so bad as stranger barf and the day she marched up to my table at the convent and spewed a wee pile of swedes at my feet like I was the only person who could handle the barf situation with poise and even temper, that was not a problem for me either. In my opinion, Harriet displayed fine judgement that day. No one should have to eat swedes in their lifetime. I had СКАЧАТЬ