Leviathan. Philip Hoare

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СКАЧАТЬ then it was a notion familiar to Melville, for the city changed utterly within his own lifetime.

      In 1819 much of Manhattan was still farmland; Central Park had yet to be born out of the common ground where freed slaves and the last Native Americans lived. Most New Yorkers were British or Dutch by descent; this was not the polyglot city it would become by the century’s end. The shallows in which the oysters grew were yet to be clawed back from the sea, and at the end of Pearl Street was the Battery, a promenade where citizens could take the sea air. Its Castle Clinton was still an island, although it would later become the home of the New York Aquarium where, in 1913, Charles H. Townsend exhibited a live porpoise.

      The house in which Melville was born was demolished long ago. Set into a wall nearby is a memorial bust of the author, covered by perspex like a square porthole and overshadowed by an office block. Across the road, the river ferries spill out their early morning commuters from Jersey, in the shadow of the moored, anachronistic masts of South Street Seaport.

      The sun shines through the cables of Brooklyn Bridge; a down-and-out stirs from a riverside bench. This is still a fluid place, accustomed to reshaping itself in its own image and leaving its history behind. Yet the past remains imprinted in these streets, and in the memory of the people who once walked them.

      They were what we would call middle class. Herman’s father, Allan Melvill–the ‘e’ was added later as a claim on their noble Scottish ancestry–was an importer of fancy goods. A dandified figure with his brushed-forward hair, he had made many trips to Europe, bringing back French antiques and engravings over which his children pored on a Saturday afternoon. ‘Above all there was a picture of a great whale, as big as a ship, stuck full of harpoons, and three boats sailing after it as fast as they could fly.’ Such images left his young son with ‘a vague prophetic thought, that I was fated, one day or other, to be a great voyager’.

      On both sides Melville sprang from heroes. His paternal grandfather, Major Thomas Melvill, was one of the ‘Indian’ raiders who tipped tea into Boston harbour in protest at British taxes; the family kept a phial of the tea leaves in his honour. His other grandfather, General Peter Gansevoort, after whom his brother was named, had held Fort Stanwix in the 1777 siege against the British and the Indians; Herman would call his own son Stanwix in memory of this famous victory. The sea was in the family blood, too. One uncle, Captain John D’Wolf II, had sailed from the Kamchatka Peninsula and onto the back of a whale. ‘It was like striking a rock, and brought us to a complete standstill,’ he recorded. ‘The monster soon showed himself, gave a spout, “kicked” his flukes and went down. He did not appear to be hurt, nor were we hurt, but most confoundedly frightened.’ A fine, handsome man with white hair and a florid face, D’Wolf was the first captain young Herman had ever met. He was later lost at sea.

      With their growing family, the Melvills moved steadily uptown in a succession of grander houses until they reached 675 Broadway–a neighbourhood known as Bond Street whose gentility has long since been swept away by the waves of commerce and cheap denim. Here Herman and his brothers and sisters were taught by a governess, although a bout of scarlet fever damaged his eyesight and made it difficult to read. Life seemed stable enough, but in 1830 their father was declared bankrupt. The family were forced to move to Albany, the state capital up the Hudson River. Two years later, aged forty-eight, Allan died in a maniacal fever, leaving his wife Maria with only debt and eight children in her care.

      At the most formative point in his life, twelve-year-old Herman was cast adrift, losing all sense of security when he most needed it. He would later claim that his mother, a strict Calvinist, hated him. He left school to work in a bank, but could not settle, and after a spell teaching and working on his uncle’s farm, he went west, hoping to become a surveyor on one of the new canals that were opening up the American interior. He got as far as the frontier, St Louis, Missouri, before returning to New York, where he was declined employment as a lawyer’s clerk because his handwriting was so bad. ‘There is no misanthrope like a boy disappointed, and such was I, with the warm soul of me flogged out by adversity.’ Rejected by the land, the young man sought a new life at sea.

      On 5 June 1839 the St Lawrence sailed from New York with a cargo of cotton destined for Lancashire mills. Also on board was the nineteen-year-old Herman Melville. He was an outsider, abused by the crew for his middle-class manners, his dandified clothes, and his ignorance of shipboard life, ‘so that at last I found myself a sort of Ishmael…without a single friend or companion’. He found consolation in the ocean, which swelled unaccountably as if possessed of a mind of its own. Once, in a Newfoundland fog, he heard the sound of sighing and sobbing which sent him to the side of the ship. There he saw ‘four or five long, black snaky-looking shapes, only a few inches out of the water’. These were not the monstrous whales of his father’s engravings, no ‘regular krakens, that…inundated continents when they descended to feed!’ They even made him wonder if the story of Jonah could be true.

      The sights of Liverpool, the second city of the Empire, amazed the young man. He saw a Floating Chapel converted from an old sloop-of-war, with a steeple instead of a mast, and a balcony built like a pulpit. Here William Scoresby, once one of England’s greatest whalers and now a man of the cloth, preached. There were scenes of shocking poverty, too. One young man silently exhibited a placard depicting himself ‘caught in the machinery of some factory, and whirled about among spindles and cogs, with his limbs mangled and bloody’. And in an even more horrific image, a nameless shape moaned at the bottom of some cellar steps: a destitute mother with two skeletal children on either side and a baby in her arms. ‘Its face was dazzlingly white, even in its squalor; but the closed eyes looked like balls of indigo. It must have been dead some hours.’

      On 30 September Melville returned to New York on the St Lawrence, only to find nothing had changed but himself. He had made no money, and had to go back to teaching to support his widowed mother and his four sisters. But he had known life at sea, and within a year he would leave on an even more ambitious voyage–from the Whaling City itself.

      The transition is a keen one, I assure you, from a schoolmaster to a sailor…

      Loomings, Moby-Dick

      In the second chapter of Moby-Dick, Ishmael arrives in New Bedford on a snowy Saturday night, only to discover that he has to wait two days until the next packet sails for Nantucket, where he intends to join his ship. Searching the shore-huddled town for a cheap bed for the night, he finds the Spouter Inn, its timbered interior hung with ‘horrifying implements’ and murky paintings of impenetrable sea-scenes. Here he is told by the landlord that he must bunk with a harpooneer.

      There was nothing so unusual in that; Abraham Lincoln himself often shared his bed with a travelling companion. But Ishmael is aghast to find that his room-mate is a six-foot savage with a tattooed face. ‘Such a face! It was of a dark, purplised, yellow color, here and there stuck over with large, blackish looking squares.’ And as Queequeg puts aside the mummified head he has been trying to sell in town and undresses by candlelight, Ishmael realizes with horror that the cannibal’s entire body is tattooed, too.

      This is the man with whom he is expected to spend the night. After some hullabaloo, however, the white American lies down with the blue-stained Polynesian, and in the morning, Ishmael awakes to find Queequeg’s arm tight around his body ‘in the most loving and affectionate manner. You had almost thought I had been his wife.’ But as he lies there, unable to move, the young man is taken back to a childhood memory, of darkness, claustrophobia and terror.

      It was midsummer’s day. For some minor misdemeanour, the infant Ishmael was sent to bed early. He endured the awful punishment of confinement while the world went on around him, outside his bedroom. Coaches passed by, other children played. The sun shone brightly on the longest day of the year, defying his attempts to kill time.

      Eventually, he fell into ‘a troubled nightmare of doze’, from СКАЧАТЬ