Daughter Of The Burning City. Amanda Foody

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СКАЧАТЬ the ticket booth. A crowd surrounds it, shouting at the girl inside, who’s shouting right back. There are twenty yards between them and me, plus a few officials in their white coats on whiter stallions beneath the Menagerie’s banners, admiring the chaos around them and tormenting those in costume, searching for jynx-workers.

      Villiam always told me the Up-Mountains hate us because they are afraid. He’s told me stories that date back two thousand years, when Gomorrah was once a true city in the Great Mountains—a narrow strip of land dividing the two continents. When its skyline was blue instead of burning. When jynx-­workers wielding fire and shadow could dominate regions at any end of the world. Even though anyone can be born with jynx-work in their blood, it was the Up-Mountainers who turned away from it, and the Down-Mountainers who came to celebrate it. The Up-Mountains—from the wintry tundras in the north, to the humid bayous in the south, across cultures, across peoples—united under their common-held fear and warrior god. Now they are powerful, and even the most capable jynx-worker is no match for the massive Up-Mountain armies.

      It will only take a few minutes to retrieve the money, I tell myself. Screams ring out behind me. Figures appear and disappear in the constant Gomorrah smoke. Hooves thunder past.

      I’ll be home in a few minutes. Like hell I’m leaving without our money. I am the proprietor’s daughter, and I will never be afraid while within Gomorrah.

      My illusion-work is not entirely for entertainment. A useful trick I’ve learned while living in the Festival is to convince someone they are looking at one thing, when really they are looking at something else. A sleight of hand, of sorts. It’s significantly easier than persuading someone there’s nothing to see at all.

      I cast my usual trick: a moth.

      To those around me, there is no girl passing them in a long cloak. There is no person. No shadow, even. There’s a moth, fluttering from torch to torch in lazy curls, oblivious to the hysteria around it. A torn scrap of paper drifting in Gomorrah’s smoke. If they concentrated or stood at a distance, they would glimpse the outline of my body, blurry like a reflection in a pond. But no one is going to stare that closely at a moth.

      With my illusion protecting me, I pass the officials without notice and head to the booth. I shelter behind a tentpole, blocking myself from the view of those in the clearing. Once the illusion fades, I don’t want an official to harass me because of my eyeless mask. Or worse, for someone from Gomorrah to recognize me as the proprietor’s daughter and demand I stop the officials. As if they’d listen to a sixteen-year-old, small Down-Mountain girl. A jynx-worker. A freak.

      I let go of my illusion and push my way to the front of the those crowded around the ticket booth. Inside, the frazzled girl shrieks, “You all live here! Just come back tomorrow!” Somewhere to our right, another vendor stand is knocked to the ground with a crash, followed by the thudding of wooden jugs of spiced wine.

      She’s right. Everyone in the group has mixed features and wears Gomorrah trousers and tunics. Those in Gomorrah are known for their stinginess, and waiting a whole day for our money back isn’t going to cut it—not for me, not for anyone here. Those tickets cost a fortune.

      A child screeches. I briefly look away from the booth, but it is an Up-Mountain child. He has nothing to fear. His father shushes him and pulls him away from the frenzied horses.

      Be careful, Gill told me.

      I’m definitely not being careful.

      “Today you say money back, tomorrow you’ll change your minds,” one man says. He holds out his grubby hand beneath the glass opening of the booth.

      “Where’s the manager?” another asks.

      “He’s calming the swan dragon,” the girl snaps. Her eyes fall on me, in the fringe of the crowd, and they widen. “You’re Villiam’s daughter.” The others turn to me, and I curse under my breath. They all recognize me, but I know none of them. I shouldn’t be here. “Take care of them. The Menagerie has to focus on its animals and the safety of the Gomorrah patrons and residents first. If you all return first thing tomorrow, we’ll refund your tickets.”

      She scampers away from the booth, leaving me with the unruly group. She was smart. The Menagerie, being Gomorrah’s most profitable attraction, receives Villiam’s special attention. Right now, I should care more about their needs than those of a few residents. That is what a proprietor would do. A proprietor would have their priorities straight.

      The group watches me expectantly. A proprietor would also know at least a few of their names, and I can barely remember the names and faces of the neighbors I’ve had for eight or more years. But they all know mine. My face is the most recognizable in the Festival. I do not search for anonymity, but I hate to glimpse the repulsion or pity in their eyes.

      “It’s for your safety,” I stammer. “The swan dragon—”

      “—is older than shit,” one woman says. “Lot of harm she’ll do.”

      “Let me take your names. I’ll make right sure the Menagerie returns your money tomorrow—”

      “With all the officials here, wreaking havoc? You’ll be too busy cleaning up their mess, and you won’t bother with this.” The man spits at my feet. I grimace. He would hardly do that to Villiam, or even Villiam’s assistant, Agni. It’s easier to dismiss a freak. And truth be told, Villiam rarely assigns me any real work. My proprietorship lessons are lectures of micro-agriculture and craftsmanship; about the external structure of Gomorrah, a vast, traveling city. Never about what truly makes it tick.

      “To hell with this.” The man storms off.

      Fine, let him leave. He’ll probably rant about how lousy I am to his friends, which will return to me in whispers and stares—never anything outright rude, nothing that might risk inciting Villiam’s wrath, but the kind that makes me feel like a freak show even outside the performance tent.

      I stare at the small, copper coins in the tin box inside the booth—dull and tarnished but still more beckoning than starlight. It doesn’t matter that I don’t know these people’s names. I know why they’re here, same as me. For their month’s earnings. For the money to make sure no one in their families has to do work on the side, like petty thievery. To ensure their loved ones have whatever they need, like medicine.

      “Just need some paper,” I mutter and then slip inside the ticket booth. I grab a sheet and a pencil. “I’ll take your names—”

      “But how will we—”

      “I want my money back as much as you do. Now give me your damned names so that we can all get the hell out of here.”

      The woman in front huffs. “You’re crass for a princess.”

      I hate that nickname. Real princesses are no more than pretty bargaining chips. I’m no pawn, and I gave up on pretty a long time ago.

      “Not for Gomorrah’s princess,” I say.

      They stop bickering, give me their names and shuffle away. Once I’m alone, I reach beneath the counter and grab my family’s forty-five copper coins. Then I slap the list of names on the table—no longer my problem—and leave.

      Frice has stormed the Festival. Gomorrah has bigger things to worry about than ticket refunds.

      My trusty moth illusion gets me safely from the Menagerie СКАЧАТЬ