Darkmans. Nicola Barker
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Название: Darkmans

Автор: Nicola Barker

Издательство: HarperCollins

Жанр: Классическая проза

Серия:

isbn: 9780007372768

isbn:

СКАЧАТЬ a sculpture entitled Death Disguised as a Monk. The sculpture consisted of an eerily animated skeleton – in wood, exquisitely carved – the bony skull and arms of which peeked out, ominously, from the sumptuous folds of a monk’s cowl. Its expression was at once delirious – the gaping smile, the hollow eyes, the pointing finger – and…and poignant, somehow.

      As he held the book several more pages flipped over, revealing a small, black and white illustration of a woodcut (1493) in which a group of skeletons performed a macabre jig over an open grave. Next to this image, in Beede’s characteristic red pencil (that creepy, teacher-y, bloody pencil), he had written:

      ‘DEATH –

      He said it was a dance.’

       Burning

      Kane sniffed, then frowned, then shook his head –

      

       Don’t be ridiculous

      He put the book down. He was at the bottom of the pile, now, with only one volume remaining:

      The Encyclopedia of Witchcraft and Demonology by Russell Hope Robbins.

      Kane picked it up. It was a heavy tome (old, hardback, the fine cover preserved in plastic). He looked for a book-mark and found one (of sorts), pulling it out as he turned to the spot. It was a business card for a company called Petaborough Restorations (no address, just a number). On the back of thecard, in very shaky writing, Kane read: ‘Peter’s exactly what you need (Did an absolutely superb job on Longport for the Weald and Downland Museum). J.P.’

      Kane gazed at this card for a minute, half-frowning, then casually pocketed it.

      

       Good

      He glanced down at the text. He found himself in the segment entitled ‘Possession’. It consisted – in the main – of a series of lists. His eye settled, arbitrarily, upon one of them: a treatise (Rouen, 1644) which detailed the eleven main indications of true possession. Next to each item on this list Beede had inserted a series of tiny, red marks. Item One: ‘To think oneself possessed’ carried a minute question mark. Item Two: ‘To lead a wicked life’ had a minuscule cross –

      etc

      

      Point Nine: ‘To be tired of living [s’ennuyer de vivre et se désespérer]’ had been strongly underlined –

       Burning

      Kane sneezed, hard, as he slapped the book shut (a sudden interest in the wonders of Satanism? Well this was definitely a turn up). He blinked, winced, inhaled…

      No. No. Hang on – it was burning. For sure. He quickly glanced behind him –

       Shit!

      A cat! A fucking Siamese cat. Just standing there, its blue eyes boring into him, unblinking, its grey tail twisting up like a plume of smoke. He looked down and saw his Marlboro burning a hole in the rug. The cat lifted its head and then coughed (with just a touch of fastidiousness).

      ‘Fuck!

      Kane lunged for the cigarette. The cat pranced away. Gaffar jumped up, with a hiss (Gaffar hated cats).

      ‘You bastard!’ Kane yelled, snatching up the still-red-embered stub and observing – much to his horror – the ugly, black hole in Beede’s Moroccan rug.

      ‘Shit, shit, shit.

      Beede loved his rug. Kane thought of it as Moroccan, but it celebrated – in words and pictures – some kind of crazy, phallic-shaped public monument in Afghanistan, surrounded by tiny planes (which looked like birds) with MINARET OF FIAM written on the periphery, semi-back-to-front. It was a ridiculous object. Kane remembered it – almost fondly – from his boyhood –

      

      No

       Perhaps that’s a false memory

      Gaffar had already bounded over. He was staring down at the spot in dismay. He seemed to instinctively appreciate that this unsightly burn was a big deal for Kane (and Kane instinctively appreciated his awareness of this fact).

      ‘Smoking could seriously damage your health,’ Gaffar announced portentously, his accent almost cut-glass.

      ‘You’re not wrong there,’ Kane murmured despairingly. ‘Beede loves this stupid rug.’

      ‘He go crazy?’ Gaffar enquired.

      ‘No,’ Kane shook his head. ‘Not crazy. It’ll simply…uh…it’ll confirm something…’ He paused, then gave up. ‘Yeah, absolutely fucking psychotic,’ he muttered.

      ‘Leave,’ Gaffar said. ‘I do. Go!

      He waved Kane away.

      Kane glanced over at him, almost poignantly. ‘You think you can fix this?’

      Gaffar nodded. ‘Turkish.’ He pointed to himself, as if that was explanation enough.

      ‘Really?

      Gaffar nodded. ‘My mother, my grandmother, my great-grandmother,’ he lied, effortlessly, ‘all sweated blood over the carpet looms of Diyarbakir.

      ‘So you know about rugs? You think you can sort this out for me?’ Gaffar nodded again. ‘Leave,’ he ordered, ‘I am mend.’

      Kane stood up just in time to observe the troublesome Siamese jumping lightly on to the kitchen counter. He glowered at it. ‘I can’t believe Beede’s got himself a cat,’ he murmured, taking a speculative step towards it, ‘and a fucking pedigree at that. Beede hates domestic animals. Cats especially…’

      He paused. ‘At least…’ He frowned, his voice petering out.

      Gaffar hissed. The cat flattened its ears in response. Gaffar picked up Beede’s Tupperware beaker and lobbed it at the cat. He scored a direct hit. He whooped. The cat kicked off the counter – its hackles up – and dashed, full pelt, into the sanctuary of Beede’s bedroom.

      Kane rapidly shot after it, across the living-room, through the kitchen, but then faltered – like a mime suddenly hitting an invisible wall –

      

       Bang!

      – just on the cusp of entry.

      I mean Beede’s bedroom…? His monkish cloister? His inner sanctum? His lair?

      Beede’s bedroom? Was nothing sacred?

      Kane drew a long, deep breath (steeling his resolve; throwing СКАЧАТЬ