Название: Adele
Автор: Sean Smith
Издательство: HarperCollins
Жанр: Биографии и Мемуары
isbn: 9780008155629
isbn:
Perhaps the key moment of Adele sharing comes when she mentions Angelo, her young son, who was born in 2012: ‘He has given me so much joy, so much purpose. It has changed my life.’ I could feel she genuinely meant it.
The songs that form such an important backdrop to modern living continued, with ‘Don’t You Remember’ and ‘Chasing Pavements’ standing out. Five years ago, she tells us, things changed overnight with the performance of ‘Someone Like You’ at the BRITs. Then, it was spine-tingling. Now, it seems strangely comforting, still poignant, but with that comfy familiarity songs have when they obtain classic status. Adele says the song was her friend at a bad time. ‘It saved my life,’ she declares.
‘Fire to the Rain’ closes the main set, with Adele, thanks to special effects, caught in a downpour without an umbrella. In the old pre-mobile days, we would all have got our lighters out and let them flicker away while she sang. Struggling to light a cigarette is supposed to have given her the inspiration for the number.
The encore begins with her popping up on the small stage again. Unseen, she is carted by roadies between the two stages in a sort of wheelie bin. She starts with ‘All I Ask’, my favourite track on 25 and certainly the saddest. Fortunately, there is no sign of the sound issues that marred her performance of the song at the 2016 Grammys. It’s a breathtakingly difficult song to sing and, for me, the best of the night.
Before she sends us home happy with ‘Rolling in the Deep’, she sings another great ballad off the latest album. ‘When We Were Young’ is accompanied on the big screen by a selection of sweet, nostalgic photographs of Adele as a child – a toothless grin, a shot with her mother on the beach in South Wales.
It’s a rare glimpse of the girl who grew up to be the biggest star in the world. The pictures are just snapshots, but what was she really like, both then as a child and now as a mum?
1
The live video for Adele’s 2016 single ‘When We Were Young’ is a relaxed and informal affair. She is dressed in a chic black outfit and sings the nostalgic power ballad perfectly in front of her band at The Church Studios, a state-of-the-art complex in an old Victorian church in fashionable Crouch End, North London. One hundred yards away stands The King’s Head pub, a popular local boozer where, coincidentally, the Adele Adkins story begins.
These days the studios are owned by the acclaimed producer and long-time Adele collaborator Paul Epworth, with whom she co-wrote two of her best-loved songs, ‘Rolling in the Deep’ and ‘Skyfall’. Back in the 1980s, however, the studios were put on the music map of London by Annie Lennox and Dave Stewart. As Eurythmics, they recorded their debut album, Sweet Dreams, on the top floor. They went on to become one of the most successful acts of the decade, eventually buying the building and playing host to many top names, including Bob Dylan, Depeche Mode and Elvis Costello.
Down the street, on the corner of Crouch Hill, The King’s Head, which was also founded in Victorian times, became a popular and trendy bar for a young crowd keen to rub shoulders with musicians or perhaps catch a glimpse of someone famous nursing a drink in the corner. Downstairs was one of those tight, atmospheric rooms for comedy nights or for up-and-coming bands. If you were lucky, back in the day, you might have caught Dave and Annie jamming. You can imagine that Adele might have played there if she had been starting out then.
It was just the sort of place to attract an eighteen-year-old art student called Penny Adkins. She had travelled there on the bus from her parents’ house in Tottenham for a night out with friends one summer night in 1987.
Penny was tall, slender, raven-haired and stood out from the crowd. She caught the eye of most of the young men in the upstairs bar, including a broad-shouldered, handsome blond window-cleaner called Marc Evans, who had moved to London from South Wales and was carving out a good living with his round in the upwardly mobile neighbourhood.
It wasn’t love at first sight, but there was definitely some lust in the air as Marc sauntered over confidently for some light conversation and Penny’s phone number. Marc, who was twenty-five, had all the chat as a young man and enjoyed a very high success rate charming young ladies during the year he had been in London.
He and his younger brother Richard had been brought up in the popular Welsh resort of Penarth, nowadays more a Cardiff suburb than the popular seaside town it was then. Their father, John, had spotted the need for a self-employed plumber and soon was so successful he was able to buy his family a five-bedroom Victorian townhouse. ‘My parents always owned their own house through good old-fashioned graft,’ observes Marc proudly.
Marc’s mother, Rose, was a devout Christian and for many years has been a respected member of the Tabernacle Baptist Church choir. Marc was a choirboy as a youngster – ‘an Aled Jones-type until the old schmoogers dropped’. He sang at All Saints, Penarth, in Victoria Square, a ten-minute walk away. As a teenager, he harboured ambitions to sing and act and even wrote off to drama schools, but, in the end, went to a technical college in Llandaff for formal training as a plumber before joining his father’s business. Richard, meanwhile, chose a career in the police force.
Marc was enjoying the life of a Penarth playboy with a sky-blue MG roadster and a gorgeous girlfriend. When that romance went sour, his best friend, Nigel, who was studying for a degree in London, invited him to stay. Nigel’s parents were quite well off, so he wasn’t living in halls of residence but had his own place.
The two-bedroom flat in Turnpike Lane was conveniently situated a couple of miles from Crouch End in one direction and Tottenham in the other. Marc soon found work as a shop-floor manager in the Edmonton branch of Wickes, the home-improvement chain.
One day an elderly man came in and asked him for some ‘scrim’, the durable cloth used to polish windows. They got talking and the man told Marc he was earning a ‘fucking fortune’ cleaning the windows of yuppie house owners. The conversation gave Marc the germ of an idea and a few days later, on a pleasant summer evening, dressed smartly in a shirt and tie, ladder on his shoulder, he was knocking on the doors of suitable houses in Crouch End and nearby Highgate. ‘Good evening, sir. Good evening, madam, would you like your windows cleaned?’
It was £10 or £15 for twenty-minutes’ work cleaning the windows of a two-up, two-down property. By the time he met Penny later that summer, he was well on his way to earning £20,000 a year, which was a tidy sum for a young man in the 1980s.
Penny was a North London girl, not originally from Tottenham at all, but from Islington, and lived in Chalfont Road, a mile from the old Highbury football ground that closed in 2006. Her large family were, unsurprisingly, big Arsenal supporters, even though her mother and father, Doreen and John, eventually moved into a council house on the Tower Gardens Estate, off the busy Lordship Lane in Tottenham.
John Adkins was earning his living as a lorry driver when Penny, the youngest of five children, was born, but by the time their daughter was at senior school, he and his wife were working on a fruit and vegetable stall at the New Covent Garden Market in Nine Elms.
Penny СКАЧАТЬ