Doris Lessing Three-Book Edition: The Golden Notebook, The Grass is Singing, The Good Terrorist. Doris Lessing

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СКАЧАТЬ a pleasant face. She waited for them, smiling shyly to answer their cordial faces. And then, with what relief she saw Dick’s car coming up the hill! She blessed him for his consideration, coming to help her out on this first visit. He had seen the dust-trail over the trees, too, and had come as soon as he could.

      The man and the woman shook her hand, and greeted her. But it was Dick who asked them inside. The four of them sat in the tiny room, so that it appeared even more crowded than ever. Dick and Charlie Slatter talked on one side, and she and Mrs Slatter on the other. Mrs Slatter was a kindly soul, and sorry for Mary who had married a good-for-nothing like Dick. She had heard she was a town girl, and knew herself what hardship and loneliness was, though she was long past the struggling state herself. She had, now, a large house, three sons at university, and a comfortable life. But she remembered only too well the sufferings and humiliations of poverty. She looked at Mary with real tenderness, remembering her own past, and was prepared to make friends. But Mary was stiff with resentment, because she had noticed Mrs Slatter looking keenly round the room, pricing every cushion, noticing the new whitewash and the curtains.

      ‘How pretty you have made it,’ she said, with genuine admiration, knowing what it was to use dyed flour sacks for curtains and painted petrol boxes for cupboards. But Mary misunderstood her. She would not soften at all. She would not discuss her house with Mrs Slatter, who was patronizing her. After a few moments Mrs Slatter looked closely at the girl’s face, flushed, and in a changed voice that was formal and distant, began to talk of other things. Then the boy brought in the tea, and Mary suffered fresh agonies over the cups and the tin tray. She tried to think of something to discuss that was not connected with the farm. Films? She cast her mind over the hundreds she had seen in the last few years, and could not remember the names of more than two or three. Films, which had once been so important to her, were now a little unreal; and in any case Mrs Slatter went to the pictures perhaps twice a year, when she was in town on her rare shopping trips. The shops in town? No, that was a question of money again, and she was wearing a faded cotton frock she was ashamed of. She looked across to Dick for help, but he was absorbed in conversation with Charlie, discussing crops, prices, and – above all – native labour. Whenever two or three farmers are gathered together, it is decreed that they should discuss nothing but the shortcomings and deficiencies of their natives. They talk about their labourers with a persistent irritation sounding in their voices: individual natives they might like, but as a genus, they loathe them to the point of neurosis. They never cease complaining about their unhappy lot, having to deal with natives who are so exasperatingly indifferent to the welfare of the white man, working only to please themselves. They had no idea of the dignity of labour, no idea of improving themselves by hard work.

      Mary listened to the male conversation with wonder. It was the first time she had heard men talk farming, and she began to see that Dick was hungry for it, and felt a little mean that she knew so little, and could not help relieve his mind by discussing the farm with him. She turned back to Mrs Slatter, who was silent, feeling wounded because Mary would not accept her sympathy and her help. At last the visit came to an end, with regret on Dick’s side, but relief from Mary. The two Turners went out to say good-bye, and watched the big expensive car slide down the hill, and away into the trees amid puffs of red dust.

      Dick said, ‘I am glad they came. It must be lonely for you.’

      ‘I am not lonely,’ said Mary truthfully. Loneliness, she thought, was craving for other people’s company. But she did not know that loneliness can be an unnoticed cramping of the spirit for lack of companionship.

      ‘But you must talk women’s talk sometimes,’ said Dick, with awkward jocularity.

      She glanced at him in surprise: this tone was new to her. He was staring after the departing car, his face regretful. He was not regretting Charlie Slatter, whom he did not like, but the talk, the masculine talk which gave him self-assurance in his relations with Mary. He felt as though he had been given an injection of new vigour, because of that hour spent in the little room, the two men on one side, discussing their own concerns, and the two women on the other, talking, presumably, about clothes and servants. For he had not heard a word of what Mrs Slatter and Mary had said. He had not noticed how awkward it had been for both of them.

      ‘You must go and see her, Mary,’ he announced. ‘I’ll give you the car one afternoon when work is slack, and you can go and have a good gossip.’ He spoke quite jauntily and freely, his face clear from that load of worry, his hands in his pockets.

      Mary did not understand why he seemed alien and hostile to her, but she was piqued at this casual summing up of her needs. And she had no desire for Mrs Slatter’s company. She did not want anyone’s company.

      ‘I don’t want to,’ she said childishly.

      ‘Why not?’

      But at this point the servant came out on to the verandah behind them, and held out, without speaking, his contract of service. He wanted to leave: he was needed by his family in the kraal. Mary immediately lost her temper; her irritation found a permissible outlet in this exasperating native. Dick simply pulled her back, as if she were a thing of no account, and went out to the kitchen with the native. She heard the boy complain that he had been working since five o’clock that morning with no food at all, because he was only in the compound a few moments before he had been summoned back by the gong. He could not work like that; his child in his kraal was ill; he wanted to go at once. Dick replied, ignoring the unwritten rules for once, that the new missus did not know much about running a house yet, and that she would learn and that it would not happen again. Speaking like this to a native, appealing to him, was contrary to Dick’s ideas of relationship between white and black, but he was furious with Mary for her lack of consideration and tact.

      Mary was quite stupefied with rage. How dare he take the native’s part against her! When Dick returned she was standing on the verandah with her hands clenched and her face set.

      ‘How dare you!’ she said, her voice stifled.

      ‘If you must do these things, then you must take the consequences,’ said Dick wearily. ‘He’s a human being, isn’t he? He’s got to eat. Why must that bath be done all at once? It can be done over several days, if it means all that to you.’

      ‘It’s my house,’ said Mary. ‘He’s my boy, not yours. Don’t interfere.’

      ‘Listen to me,’ said Dick curtly. ‘I work hard enough, don’t I? All day I am down on the lands with these lazy black savages, fighting them to get some work out of them. You know that. I won’t come back home to this damned fight, fight, fight in the house. Do you understand? I will not have it. And you should learn sense. If you want to get work out of them you have to know how to manage them. You shouldn’t expect too much. They are nothing but savages after all.’ Thus Dick, who had never stopped to reflect that these same savages had cooked for him better than his wife did, had run his house, had given him a comfortable existence, as far as his pinched life could be comfortable, for years.

      Mary was beside herself. She said, wanting to hurt him, really wanting to hurt him for the first time, because of this new arrogance of his. ‘You expect a lot from me, don’t you?’ On the brink of disaster, she pulled herself up, but could not stop completely, and after a hesitation went on, ‘You expect such a lot! You expect me to live like a poor white in this pokey little place of yours. You expect me to cook myself every day because you won’t put in ceilings…’ She was speaking in a new voice for her, a voice she had never used before in her life. It was taken direct from her mother, when she had had those scenes over money with her father. It was not the voice of Mary, the individual (who after all really did not care so much about the bath or whether the native stayed or went), but the voice of the suffering female, who wanted to show her husband she just would not be treated like that. In a moment she would begin to cry, as her mother had cried on these СКАЧАТЬ