Call Girl. Jenny Angell

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СКАЧАТЬ the extra time to take me out for Chinese food after we’d had sex. Very sweet. Double the money, and an expensive dinner with someone I probably would not have chosen to date under different circumstances – but not altogether unpleasant.

      Certainly not as unpleasant as some of the dates I’d been on in the past.

      None of these men had a particularly scintillating personality. Most of them were, to be honest, incredibly unmemorable. One of them was gruff and pushy. Another kept following up his remarks with, “Oh, you probably don’t understand that. Like, who am I talking to here, Einstein or something?” I was new to the profession; I let that one get to me and couldn’t suppress a response. “True,” I agreed, the third time he said it. “Einstein’s doctorate wasn’t in anthropology; mine is.” He was pretty much quiet, after that.

      But the reality is that, all in all, they weren’t bad people. Ordinary, marginally attractive, with questionable social skills, yes. Dull, predictable, full of insecurities that they projected onto me, sure. They weren’t unfamiliar, or scary, or detestable. I had dated men just like them, in the past, and for no compensation.

      One Thursday – about one month after I’d started working regularly for Peach, doing about three or four calls a week – I was nearing the end of the On Death and Dying semester. This was my favorite time of all, a time to see what issues I had raised, what ideas I had sparked, what creativity I had unleashed. From the beginning of the semester, students knew that part of their grade would come from a final project, to be done either individually or as part of a group, something that had gripped them, interested them, brought out their passion. I saw amazing things, when projects were presented.

      I was not disappointed on this Thursday.

      Karen, one of the few students in the class who was not in the nursing program, had done a project on her own. She had gone to a hospice and interviewed dying AIDS patients, recording the interviews on tape. While she talked with them, Karen – who was a professional artist – drew their portraits (all of which she later gave to the subjects, a generous gesture that was a whole story in itself).

      I don’t think that there was a person in that room who was not mesmerized by what was happening in front of them. The voices on the tape filled the space around us, strong and frightened, peaceful and angry… We listened to their words and stared at these achingly beautiful faces, these haunted eyes, these hollowed cheeks. I looked around the room, seeing tears, seeing entranced attention, seeing compassion, and my own heart swelled.

      Then – how can I make sense of this? – in this wonderful, sacred moment, suddenly my mind flashed back to the night before, to the apartment in Chestnut Hill and the sleek Scandinavian furniture and the guy who was saying, “You teach a class about death? Man, that’s hot! Death’s the best aphrodisiac of all!”

      I pushed the image away immediately and blocked it out fast, shocked by its intrusion into this moment. I listened to a man talk about losing his friends, about having his mother afraid to touch him, and my cheeks were flaming. In the midst of this important moment, while doing exactly what I knew that I had been born to do, I had left. I had left as surely as if I had opened the door and gone through it. I had betrayed Karen’s beautiful work, and I had betrayed myself.

      I didn’t know what to do with that knowledge.

      I didn’t want to think about it.

      I tried to forget it.

      * * * * * *

      That night, if you believe in direct punishment immediately after a misdeed, you would be vindicated. I was punished. I went on a call to Back Bay.

      Boston’s Back Bay is old brownstones, old families, old money. They are like the apartments of Paris and Budapest – inherited, not sold, and certainly never rented.

      It is Commonwealth Avenue at its tree-lined, sweeping best, not the Comm. Ave. I lived near in Allston, with the sound of the creaky Green Line train and the Hispanic markets and the Russian pharmacies. This was Comm. Ave. down near the Public Gardens, where it was modeled on Haussman’s boulevards in Paris and almost makes one believe that one is there.

      It is Beacon Street, with twisted wrought iron fences and staircases and balconies; it is Marlborough Street, with fanlights over heavy oaken doorways.

      It is gaslights on corners and the quiet swish of traffic sounds coming up from Storrow Drive.

      You walk along those streets and you wonder about who lives behind the mullioned windows, behind the thick velvet draperies. You imagine that it must be people of culture, people who discuss Rimbaud and Verlaine – or Hofstadter and Minsky – over snifters of brandy on a winter’s night.

      And, to be honest, I did have some small margin of experience, at least with Beacon Street in the Back Bay. While I was still doing my doctoral coursework I had spent a couple of semesters as a teaching assistant for a professor who lived there, and it was to his apartment that I frequently delivered corrected term papers. The apartment was long and dark, the walls covered with huge dismal oil paintings framed in thick gold gilt frames, each frame nearly touching the next, so that you could barely discern the wallpaper behind them. The rugs were hand-made Orientals, the furniture heavy and mahogany, the books all bound in leather. He gave me tea sometimes, a delicate blend that I couldn’t identify, and that I have never tasted since.

      So when Peach sent me to Beacon Street, I felt nothing but a sense of mild anticipation. The guy wasn’t particularly pleasant on the telephone when I called to set it up, but by then I was amassing my own wisdom about such things. That wisdom said that in general the clients who were the most obnoxious on the telephone were the least so in person, and vice-versa.

      Well, so I was wrong about that, too.

      But I was still operating from that framework when I talked to him, so I was taking the whole conversation with a grain of salt.

      “So, what do you like?”

      In my short time in the business, I had already developed an aversion to that question. The point was never what I liked, but rather what the client liked, and sometimes this opening felt like an exam, a trick question, a way to get me to say something that he could then pick apart. I was starting to understand clients’ minds, you see.

      I cleared my throat. “I like lots of things. I’m sure that I’ll like you. Why don’t I come over, and we’ll see how it feels together?”

      It was a fourth-floor apartment, one of the apartments that directly overlook the Charles River, and as soon as I got there I moved toward the window with an exclamation of delight. Most guys appreciate that, you complimenting their place. And this was truly magnificent.

      All around me, below me, the darkness was punctuated by pinpoints of dazzling brightness, windows spilling out warm yellow light into the night, the flashing red lights on the roofs of the buildings across the river, sparkling unknown reflections in the dark water itself.

      The client – Barry by name – wasn’t paying me to enjoy the view. I know this to be true because he said so, even as he grasped my arm and pulled me away from the window and toward him, a grasp that was to leave clear deep imprints of his fingers on my bruised skin later.

      That first kiss bruised my mouth, too.

      He was pinning me against a brick wall and it was uneven, cutting into my back, and it hurt. And his hands hurt, too, pushing against me, squeezing my breasts – hard, too hard. СКАЧАТЬ